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Mike Westbrook: Paris
by Duncan Heining
Listen to any number of Mike Westbrook records and you might want to ask, “Why doesn't he take a solo?" Aside from the occasional piano cadenza, Westbrook seems to prefer to let his compositions do the talking, ably aided by trustworthy musical confederates. Westbrook celebrated his 80th birthday in March 2016 and Paris is ...
Roland Kirk: Here Comes The Whistleman
by Duncan Heining
This December, it will be thirty-nine years since Rahsaan Roland Kirk split the scene for good. He was forty-one and about two-thirds of that short life span had been spent as a professional musician. He might not have been around long but he left behind a powerful legacy that may have no parallel in jazz or ...
Howard Riley: Reinventing the Jazz Piano Trio
by Duncan Heining
Even allowing for journalistic hyperbole, the phrase “reinventing the jazz piano trio" was a doozy. It all seemed a bit “Emperor's new clothes" or, as my late mother used to put it, “new coat and no knickers." For a time in the noughties, British critics variously applied the phrase to Esbjorn Svensson, Brad Mehldau, The Necks, ...
New Jazz Orchestra: Camden '70
by Duncan Heining
Colosseum toured with theNew Jazz Orchestra in 1970 but this is the first time that any records of that tour have surfaced. Jon Hiseman, Dick Heckstall-Smith and Tony Reeves featured in both bands. The New Jazz Orchestra recorded so little, that anything new is welcome. That it should be this good is an embarrassment of riches. ...
Howard Riley: Live with Repertoire
by Duncan Heining
Pianist Howard Riley turned 70 in February and belatedly celebrates the event with the release of a new CD, Live with Repertoire (NoBusiness Records). It's a really strong live, solo set of standards and a few original tunes recorded last year in Leicester and one that emphasises one particular aspect of his playing. Riley remains one ...
Peter Lemer Quintet: Local Colour
by Glenn Astarita
British keyboardist Peter Lemer is highly regarded for his contributions to the fabled 1970s Canterbury progressive rock scene via his work with Gong, Gilgamesh and other bands of that bygone era and beyond. However, Local Colour originally released in 1968, is a free-form jazz outing that signifies Lemer's first and only solo venture. Moreover, this album ...
Graham Bond: Wading in Murky Waters
by Duncan Heining
Organist and saxophonist Graham Bond was the most important and influential musical pioneer to emerge from British jazz in the 1960s. High praise indeed, but in his case it is warranted. His legacy might be defined less by the music he recorded and more by the impact he had on subsequent generations of musicians. However, that ...
The Not So Strange and Bizarre Life of Mike Taylor
by Duncan Heining
Composer-pianist, Mike Taylor, lies buried in a touchingly simple grave in a cemetery in Southend. His body was found on the beach at Leigh-on-Sea in Essex in January 1969. It was assumed that he had committed suicide. He was 30 years old and didn't leave much of a legacy--a couple of albums now highly prized, a ...
Westbrook Trio: three into wonderfull
by Bruce Lindsay
The Westbrook Trio celebrates thirty years of music making with three into wonderfull, a retrospective covering the years from 1983 to 2012. Pianist and composer Mike Westbrook, vocalist Kate Westbrook and saxophonist Chris Biscoe have pursued an uncompromising path through the three decades since forming the Trio, crafting music that can be both beautiful and challenging. ...
