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Torben Westergaard: The Gori Project II
by Geno Thackara
Sometimes an experience is too special and rewarding to simply leave as a one-off. If it requires traveling 8,300 kilometers across the hemisphere, then maybe you cannot continue making it a habit as regular as popping off to the pub on weekends, but the right repeat can still be worth the effort, even if it takes ...
A Hip-Hop Jazz Thing @50 - Part 2
by Ludovico Granvassu
This week we take a look back at decades of cross pollination between jazz and hip-hop, with a focus on international projects and on collaborations between jazz and hip-hop artists. Our little contribution to the celebrations of half a century of hip-hop. Happy listening! Playlist Ben Allison “Mondo Jazz Theme (feat. Ted ...
Big Ears Festival 2023
by Mark Sullivan
Big Ears Festival Knoxville, Tennesse March 30-April 2, 2023 The second full edition after the pandemic found the Big Ears Festival still growing in attendance. Organizers responded by increasing the number of venues, including new ones like the Knoxville Civic Auditorium and ones that had not been used for some time, ...
Dino Duo: J.A. Deane & Jason Kao Hwang: Uncharted Faith
by Karl Ackermann
The idiosyncratic nature of Jason Kao Hwang's work lends itself to a broad range of collaborative possibilities. Uncharted Faith, a duo recording with electronics artist J.A. Deane, is unique because of both its experimental essence and its personal backstory. Deane (aka, Dino) lost his life-partner in 2019 and went into wooded seclusion to finish a book. ...
Stephan Thelen: Fractal Guitar 3
by Mark Sullivan
Guitarist/composer Stephan Thelen presents the third installment of his Fractal Guitar series. Like the previous albums, the emphasis is on multiple guitars, layered in kaleidoscopic arrangements based on his compositions and guitar playing, but significantly colored by the contributions of his collaborators. This edition was also influenced by the other albums that he was working on ...
Robert Diack: Small Bridges
by Dan McClenaghan
It is heartening to hear a new artist coming on strong. Drummer Robert Diack's self-released debut, Lost Villages, placed the artist in the visionary column of jazz artists, as he spotlighted, with an original voice, the concept concerning a series of flooded townships in Southern Ontario, Canada, places put underwater in the 1950s for ...
Jon Balke: Siwan: Hafla
by David Bruggink
A large appeal of ECM Records has always been its encouragement of cross-cultural collaboration. Across countries and genres, listeners and critics alike have reveled in records from Codona (1979) to Le Pas du Chat Noir (2001), Chants, Hymns and Dances (2004) and Arco Iris (2011). There is joy in seeing musicians from diverse backgrounds come together to have their compositions treated with ...
RedGreenBlue: The End And The Beginning
by Chris May
RedGreenBlue sound like they have emerged from the same synapse-snapping dope bunker that La Monte Young and Jon Hassell exited with their Theatre Of Eternal Music in the 1970s, whacked out on opium, hashish and mescaline, dazed but not confused. RedGreenBlue may or may not indulge in the same psychotropic self-medication as their Lower East Side ...
Akusmi: Fleeting Future
by Chris May
Anyone who enjoys the landmark albums that are Terry Riley's minimalist manifesto In C (Columbia, 1968) and Jon Hassell's fourth world masterpiece Dream Theory In Malaya (EG, 1981) is in for a big treat. Actually, a triple treat. French-born, London-based composer and producer Pascal Bideau's entrancing Fleeting Future is redolent of not one of those albums, ...
Shabaka: Afrikan Culture
by Chris May
It would be easy to mislay one's critical faculties when it comes to Shabaka Hutchings. The tenor saxophonist and clarinetist has since 2015 so invigorated the British jazz scene and, more recently, the international one, while eloquently articulating the potential of Afrikan cosmological thinking to realign the disorders of the modern industrial world, that the gravitational ...
