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William Carn's Choices: The Unburdening
by Dan McClenaghan
The Covid pandemic allowed Canadian trombonist William Carn to push toward electronics, to move in the direction of going remote with his fellow players for the process of putting a set of sounds together. His debut album, 2023's self-produced Choices (review here) started the process. He doubles down (a much-heard phrase in the 2020s, thanks to ...
Massimo Barbiero & Markus Stockhausen: Stoicheia
by Mark Corroto
What followed the primordial om, the sound that many religions, including Hinduism and Buddhism, associate with the creation of the universe? Om was not merely a sound, but also a profound vibration. Stoicheia, a term Aristotle used to describe the elements of earth, wind, fire and water, serves as the inspiration and name for this live ...
Emad Armoush's Rayhan: Distilled Extractions
by Mark Corroto
Jazz and creative music have always resisted assimilation. By that, I mean jazz draws upon--or perhaps more accurately, appropriates--sounds, traditions and styles to create something entirely new. This has been true since New Orleans musicians blended Caribbean, French, African and Sicilian influences while performing on traditional marching band instruments. Over the century-plus since its inception, improvising ...
Sidsel Endresen, Jan Bang, Erik Honoré: Punkt Live Remixes Vol.2
by Chris May
The person who ought to be reviewing this album is, of course, the longtime AAJ writer and editor John Kelman/Dave Binder. Dave attended Punkt festivals on behalf of AAJ from the mid 2000s to the late 2010s, when ill-health stopped him making the long-haul flights to Norway. He was fascinated by Punkt's live- remixes, reporting on ...
Jon Hassell: Maarifa Street
by Geno Thackara
A little technology and a lot of imagination can go quite a long way. With an uncanny knack for bending and warping sounds slightly out of phase with the way they sound in the real world, Jon Hassell had a way of turning the trumpet (or indeed any piece of the soundscape) into something nobody had ...
Peter Brötzmann / Toshinori Kondo / Sabu Toyozumi: Complete Link
by Mark Corroto
As the liner notes to Complete Link by Yoshiaki Kinno state, “In the 1960s, each of them [saxophonist Peter Brötzmann, trumpeter Toshinori Kondo and drummer Sabu Toyozumi] was inspired by free jazz, practiced it themselves and met each other in the process of overcoming free jazz." That is indeed a bold statement. Did he mean to ...
Riley Mulherkar: Riley
by Jerome Wilson
Trumpeter Riley Mulherkar is best known as the leader of brass group the Westerlies. This, his debut solo album, is a heavily atmospheric session where his trumpet fills plush, cushioned spaces with spare accompaniment from piano, rhythm and voice created by the sound designs of Chris Pattishall and Rafiq Bhatia. With several classic tunes ...
Eivind Aarset e Jan Bang al Roma Jazz Festival 2023
by Mario Calvitti
Eivind Aarset, Jan Bang Roma Jazz Festival 2023 Teatro Studio, Parco della Musica Roma 12.11.2023 Il chitarrista norvegese Eivind Aarset dopo una iniziale gavetta si è fatto notare dal grosso pubblico verso la fine degli anni '90, con la partecipazione a due album pubblicati da ECM, Small Labyrinths del ...
Adam Rudolph: Conjuring Music’s Global Essence
by Lawrence Peryer
Today, the Spotlight shines On composer, improviser, and master percussionist Adam Rudolph. A global performer--and global citizen--Adam has been called “a pioneer in world music" by the New York Times. With dozens of recordings to his credit, he joined us upon the release of Timeless (Meta Records) from his percussion group, Hu: Vibrational.
Vilhelm Bromander: In This Forever Unfolding Moment
by Chris May
Ornette Coleman's haunting “Lonely Woman" is becoming something of a 2023 soundtrack. At the time of writing, we have had memorable versions from Kahil El'Zabar's Ethnic Heritage Ensemble on Spirit Gatherer (Spirit Muse), and Kurt Elling and Charlie Hunter on The Iridescent Spree (Edition), plus another couple of efforts about which the less said the better. ...
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