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About Johnny St. Cyr

Results for pages tagged "Johnny St. Cyr"...

Musician

Johnny St. Cyr

Born:

Johnny St. Cyr is one of the masters of early blues-jazz. His recordings with Louis Armstrong's Hot Five and Hot Seven feature some really impressive solo and rhythm player where St. Cyr explores the extended range of the guitar-banjo. St. Cyr used a special made banjo with an extra large pot for additional volume. St. Cyr had his own bands in New Orleans as far back as 1905. He played with A.J. Piron, the Superior, Olympia and Tuxedo bands, played on the riverboats with Fate Marable and was with King Oliver when he went north to Chicago in 1923. St. Cyr recorded with King Oliver, Jelly Roll Morton and with Louis Armstrong as a key member of the Hot Five and Hot Seven sessions

Album

Mother of the Blues, The Complete Paramount Recordings, 1923-1928

Label: Black Swan Records
Released: 2026
Track listing: Bad Luck Blues; Barrel House Blues; Bessemer Bound Blues; Big Boy Blues; Big Feeling Blues; Black Cat Hoot Owl Blues; Black Dust Blues; Black Eye Blues; Blame It on the Blues; Blues Oh Blues; Booze and Blues; Broken Hearted Blues; Broken Soul Blues; Cell Bound Blues; Chain Gang Blues; Countin' the Blues; Daddy Goodbye Blues; Damper Down Blues; Dead Drunk Blues; Deep Moaning Blues; Don't Fish in My Sea; Down in the Basement; Farewell Daddy Blues; Georgia Cake Walk; Goodbye Daddy Blues; Grievin' Hearted Blues; Hellish Rag; Honey Where You Been So Long; Ice Bag Papa; Jealous Hearted Blues; Jealous Rider Blues; Jealousy Blues; Jelly Bean Blues; Last Minute Blues; Lawd Send Me a Man Blues; Leaving This Morning; Levee Camp Moan; Log Camp Blues; Lost Wandering Blues; Lucky Rock Blues; Ma Rainey's Black Bottom; Ma Rainey's Mystery Record; Misery Blues; Moonshine Blues; Mountain Jack Blues; New Bo-Weavil Blues; Night Time Blues; Oh Papa Blues; Prove It on Me Blues; Rough and Tumble Blues; Runaway Blues; Screech Owl Blues; See See Rider Blues; Shave 'Em Dry Blues; Slave to the Blues; Sleep Talking Blues; Slow Driving Blues; Southern Blues; Stack O' Lee Blues; Stormy Sea Blues; Sweet Rough Man; Traveling Blues; Trust No Man; Tough Luck Blues; Victim of the Blues; Walking Blues; Weepin' Woman Blues; Wringing and Twisting Blues; Yonder Come the Blues.

20

Article: Backstories

The Legacy of Lillian Hardin Armstrong

Read "The Legacy of Lillian Hardin Armstrong" reviewed by Karl Ackermann


In 2020, I published A Map of Jazz: Crossroads of Music and Human Rights (WS Publishing), a book that looks at the culture of jazz on a timeline with cultures of the world. At more than 500 pages, the book is incomplete by necessity; there is no well-marked path, and the history is sometimes nebulous. However, ...


About Louis Armstrong and His Hot Five

Results for pages tagged "Johnny St. Cyr"...

Musician

Louis Armstrong and His Hot Five

Louis Armstrong and His Hot Five were a pioneering jazz ensemble formed in 1925, often regarded as one of the most influential groups in the history of jazz. The band, led by Armstrong on cornet, featured notable musicians such as clarinetist Johnny Dodds, trombonist Kid Ory, and pianist Lil Hardin. The Hot Five's recordings, including iconic tracks like "West End Blues" and "Potato Head Blues," played a crucial role in shaping the development of early jazz, particularly in terms of improvisation, solo performance, and the role of the individual voices within the band.

1

Article: New York Beat

French Gypsy Jazz

Read "French Gypsy Jazz" reviewed by Nick Catalano


At various times since its origin, jazz has had an interesting claimant. The French have long maintained that the various musics leading up to the development of jazz in the early years of the 20th century contain Gallic seedlings....Their claim is justifiable. Without parsing the complex origins of the music one can simply make reference to ...

44

Article: Under the Radar

Women in Jazz, Part 1: Early Innovators

Read "Women in Jazz, Part 1: Early Innovators" reviewed by Karl Ackermann


"Lil Hardin [Armstrong]...often imagined herself standing...at the bottom of a ladder, holding it steady for Louis as he rose to stardom." (Stanford Archive of Recorded Sound, 2012). “The all-female band is an anomaly in music, one that must constantly prove itself as a 'band,' and not just 'girls playing music together.'" (Mary Ann Clawson, 1999). Everything ...

40

Article: Under the Radar

Blue Highways and Sweet Music: The Territory Bands, Part II

Read "Blue Highways and Sweet Music: The Territory Bands, Part II" reviewed by Karl Ackermann


Part 1 | Part 2 Part 1 of Blue Highways and Sweet Music: The Territory Bands looked at the roots, drivers and challenges of the travelling groups who brought jazz music to the non-urban areas of the Southern Plains, through one-night-stands, in often impromptu venues. A black phenomenon, often misappropriated by white musicians, promoters, ...

2

News: Radio

Eccentric Genius Of Jelly Roll Morton This Week On Riverwalk Jazz

Eccentric Genius Of Jelly Roll Morton This Week On Riverwalk Jazz

This week on Riverwalk Jazz, Vernel Bagneris joins The Jim Cullum Jazz Band for Wild Man Blues, a musical biography based on stories from the personal diaries of Jelly Roll Morton, compiled by the late William Russell, the first curator of the Hogan Jazz Archive at Tulane University in New Orleans, and published in the book ...

10

News: Radio

This Week On Riverwalk Jazz: Class Of '26: Soundtrack Of The Jazz Age

This Week On Riverwalk Jazz: Class Of '26: Soundtrack Of The Jazz Age

This week on Riverwalk Jazz, piano legend Dick Hyman, actor/playwright Vernel Bagneris, guitarist/singer/raconteur Marty Grosz, cornetist Bob Barnard and fiddler Andy Stein join The Jim Cullum Jazz Band to celebrate the Class of '26: The Soundtrack of the Jazz Age. The program is distributed in the US by Public Radio International, on Sirius/XM satellite radio and ...

21

Article: New York Beat

Marcus Roberts: The Music of Jelly Roll Morton

Read "Marcus Roberts: The Music of Jelly Roll Morton" reviewed by Nick Catalano


In the midst of Jazz at Lincoln Center's May celebration of New Orleans music, Marcus Roberts and his trio, accompanied by a choir of horns, constructed a tribute to Jelly Roll Morton. The concert featured classic Morton compositions performed with some enterprising improvisations.Morton's importance as a jazz pioneer cannot be overstated, and the extent ...


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