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London Welcomes a New Improv Festival: As Alike As Trees
On the weekend of March 5th and 6th, London will host a new addition to its ever-growing roster of festivals of improvised music—the intriguingly titled As Alike As Trees. Organised by saxophonist David O'Connor and violinist Jennifer Alum, both regulars at Eddie Prévost's Friday evening workshop sessions, the festival features many musicians from the workshop alongside ...
Lost Daylight
By John Tilbury
Label: Another Timbre
Released: 2010
Track listing: Terry Jennings, Piano Piece, 1958; Terry Jennings, Winter Sun, 1966; Terry Jennings, For Christine Jennings, 1960; Terry Jennings, Winter Trees, 1965; Terry Jennings, Piano Piece, 1960; John Cage, Electronic Music for Piano, 1964.
John Tilbury: A Strong Emotional Response To Music
by John Eyles
Pianist John Tilbury is renowned not only for his work in AMM and his other improvising, but also as a peerless interpreter of such contemporary composers as Morton Feldman, John Cage, Christian Wolff and Howard Skempton. He is uniquely well positioned to reflect on the similarities and contrasts between improvising and playing repertoire. ...
Pianist John Tilbury Interviewed at All About Jazz
Pianist John Tilbury is renowned not only for his work in AMM and his other improvising, but also as a peerless interpreter of such contemporary composers as Morton Feldman, John Cage, Christian Wolff and Howard Skempton. He is uniquely well positioned to reflect on the similarities and contrasts between improvising and playing repertoire. Tilbury's biography of ...
John Tilbury / Sebastian Lexer: Lost Daylight
by John Eyles
Lost Daylight has been a long time arriving. It has been much trailed, and eagerly anticipated since 2008, as indicated by its low catalogue number, at10. Now released as part of Another Timbre's piano series, alongside at24 and at25, good things are always worth waiting for--and this release proves the truth of that adage. Quite simply, ...
Polwechsel & John Tilbury: "Field" on Hatology 672
Along the Polwechsel path towards a reflected reintegration of the once Excluded musical parameters, the two composers for this CD, Michael Moser and Werner Dafeldecker, have gone one step further while also reflecting. Polwechsel’s own history: traditional parameters are reintroduced into the original Polwechsel idiom as disturbances, refractions or inclusions. The invitation extended to guest soloist ...
