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ears&eyes Records: From Chicago to the World
by Jakob Baekgaard
Those who feel that jazz has run out of steam, that there is nothing new to say, should encounter bassist and renaissance man, Matthew Golombisky, who runs the Chicago-based label ears&eyes. The name says it all. Golombisky is interested in what is going on around him. He is not only curious about music, but also passionate ...
Jazz Musician of the Day: John Hollenbeck
All About Jazz is celebrating John Hollenbeck's birthday today! John Hollenbeck\'s versatility as a percussionist and composer is revealed in a body of work that challenges countless boundaries. Performances with Fred Hersh, Kenny Wheeler and Bob Brookmeyer have showcased Hollenbeck\'s melodic and sensitive small-group jazz drumming. His unique approach to big band work is evident as ...
Samo Salamon Bassless Trio: Unity
by Luigi Sforza
Non capita spesso di ascoltare dischi di notevole spessore. Pertanto, quando se ne presenta l'occasione è necessario, anzi doveroso, celebrarli con adeguata deferenza e, come oggetti preziosi, riservare loro un posto di assoluto rispetto nello scaffale che li accoglierà, posizionandoli di fianco ad altre opere del medesimo livello e, possibilmente, a portata di mano, così da ...
International Jazz Composers' Symposium - May 18-20 at University Of South Florida - School Of Music in Tampa
Featuring: Billy Childs (and his Quartet) John Hollenbeck (with the Claudia Quintet) Christine Jensen Chuck Owen (with his Jazz Surge) Rufus Reid Maria Schneider Ryan Truesdell Special Appearances by: Randy Brecker Gregoire Maret Vision Talks by Music Industry ...
Matt Holman: The Tenth Muse
by Matthew Aquiline
New York City-based trumpeter and composer Matt Holman cut his teeth performing and recording with distinguished musicians such as Fred Hersch, John Hollenbeck, and Darcy James Argue's Secret Society before displaying his personal aesthetic of atmospheric chamber jazz with his debut album When Flooded in 2013. More recently, Holman found inspiration scouring the annals of history, ...
Big Ears Festival 2017
by Mark Sullivan
Big Ears Festival Knoxville, TN March 23-26, 2017 Knoxville's Big Ears Festival expanded to a full four days this year, giving it more time to go its expected merry, eclectic way. In a break with usual practice, there was no official Composer in Residence. That distinction could have gone to Gavin Bryars ...
John Hollenbeck, Alban Darche, Samuel Blaser, Sebastien Boisseau: Mix of Sun and Clouds
by Angelo Leonardi
La ricca e frammentata scansione ritmica di John Hollenbeck, spesso animata da un'impronta danzante, è un policromo tappeto che interagisce con le parti scritte o gli appassionati interventi di Alban Darche e Samuel Blaser. L'interplay col contrabbassista Sebastien Boisseau finisce di caratterizzare una musica in costante mutazione, che passa da atmosfere d'astratto camerismo a sequenze di ...
Anna Webber's Simple Trio with Matt Mitchell & John Hollenbeck: Binary
by Vincenzo Roggero
Lo scheletro di Binary è costituito dalle sei versioni di “Rectangles," sei frammenti di durata compresa tra il minuto e i tre minuti abbondanti, dove angoli, linee, spigoli e intersezioni sollecitano la curiosità dell'ascoltatore e lasciano intravedere intriganti sviluppi. La muscolatura e gli organi vitali vengono aggiunti dai rimanenti sei brani, la cui durata -sempre superiore ...
Anna Webber's Simple Trio with Matt Mitchell & John Hollenbeck: Binary
by John Sharpe
If there were a prize for avoiding the obvious, then Brooklyn-based Canadian saxophonist and flautist Anna Webber would be a prime contender. In an effort to take the road less travelled, Webber has used internet-sourced inspiration, including a random binary digit generator, a website that turns words into drumbeats, and even her own IP address, to ...
Theo Bleckmann: Elegy
by John Kelman
While ECM is a label largely renowned for its subtlety, attention to space and detail, and overall understated, “less is more" aesthetic--an early sampler titled, even, The Most Beautiful Sound Next To Silence--it's hard to imagine a label debut as a leader that could be less about virtuosity and more about creating soft atmospheres and ambiences ...
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