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Article: Year in Review

Il meglio del 2016 secondo Libero Farnè

Read "Il meglio del 2016 secondo Libero Farnè" reviewed by Libero Farnè


Che dire? Annata mossa con brio, intrigante se si ha la curiosità di setacciare fra le varie edizioni discografiche, che ormai non sono più espressione di un mercato orientato e condizionante. Ottime conferme (Henry Threadgill, The Claudia Quintet, Franco D'Andrea...), ma anche novità di spessore da batteristi sempre più di riferimento (Jaimeo Brown, Matt Wilson...) e ...

Album

Super Petite

Label: Cuneiform Records
Released: 2016
Track listing: Nightbreak; JFK Beagle; A-List; Philly; Peterborough; Rose Colored Rhythm; If You Seek A Fox; Pure Poem; Newark Beagle; Mangold.

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Article: Year in Review

Il meglio del 2016 secondo Angelo Leonardi

Read "Il meglio del 2016 secondo Angelo Leonardi" reviewed by Angelo Leonardi


La discografia jazzistica del 2016 evidenzia l'inarrestabile creatività di veterani come Henry Threadgill o Leo Smith e di giovani protagonisti come JD Allen o Darcy James Argue. Personalmente sono stato colpito dalla prova significativa di un artista ancora in ascesa come Ryan Keberle e da quella maiuscola di un compositore e leader ancora ...

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Article: Year in Review

John Sharpe's Best Releases Of 2016

Read "John Sharpe's Best Releases Of 2016" reviewed by John Sharpe


Here are ten new releases, reviewed at All About Jazz, which stood out among those I heard this year. Wadada Leo Smith America's National Parks (Cuneiform Records) While the title might conjure up a string of luminous tone poems, the reality of trumpeter Wadada Leo Smith's magisterial collection goes ...

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Article: Multiple Reviews

Clouds and Stormy Nights: A New Pair from QFTF

Read "Clouds and Stormy Nights: A New Pair from QFTF" reviewed by Geno Thackara


Germany's growing QFTF label remains ambitious as ever as 2016 draws to a close, showcasing two young off-the-beaten-path bandleaders with their own ideas of the directions modern jazz might take. With some fairly offbeat feels for melody, the pair manage to serve as two sides of the same semi-abstract coin. Matthew Sheens Cloud ...

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Article: Year in Review

Troy Dostert's Best Releases of 2016

Read "Troy Dostert's Best Releases of 2016" reviewed by Troy Dostert


It has been an exciting year for artists perched on the precipice between jazz and other idioms. Each of these releases manages in its own way both to challenge and to inspire the listener, and the stylistic variety on display is an encouraging sign that creative music is truly in good hands! ...

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Article: Album Review

Kurt Elling: The Beautiful Day

Read "The Beautiful Day" reviewed by Dan Bilawsky


Forget the standard old tidings of good cheer, the same old set of swinging Christmas standards, and the sugary holiday treats that lack vitality and real sustenance. Kurt Elling certainly paid little mind to them when he was putting together this gem of a program. Instead of taking the road more traveled when it comes to ...

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Article: Album Review

Allison Philips Trio: Allison Philips Trio

Read "Allison Philips Trio" reviewed by Karl Ackermann


Straddling her residencies between New York City and Amsterdam, trumpeter Allison Philips has been performing since age fourteen, eventually landing at venues that have included Le Poisson Rouge, Iridium, and The Jazz Standard. Leading a quartet, she played the 2014 Bern Jazz Festival in Switzerland. Philips has a BFA in Jazz Performance from the New School ...

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Article: Album Review

Anna Webber's Simple Trio with Matt Mitchell & John Hollenbeck: Binary

Read "Binary" reviewed by Karl Ackermann


Canadian native, now a Brooklyn resident, Anna Webber, has a broad, international music education having studied at McGill University in Montreal, Manhattan School of Music and the Jazz Institute of Berlin. In the latter two cases she has received Master's degrees to accompany the substantial number of grants and awards that speak to her compositional ability. ...

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Article: Album Review

Stephan Crump: Stephan Crump's Rhombal

Read "Stephan Crump's Rhombal" reviewed by Mark Corroto


Often times, a jazz performance without a chordal instrument, a guitar or piano, is considered to be flying without a net. Exciting, but often without aim. It routinely relies on just one powerful figure to command the proceedings. That is, unless the ensemble is configured under egalitarian principles. Equal contribution and respect for the differing voices ...


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