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Brilliant Corners 2018
by Ian Patterson
Brilliant Corners 2018 Black Box Belfast, N. Ireland March 3-10, 2018 Compared to Dublin or cities in the UK, Belfast is usually overlooked when jazz groups tour. When the likes of Wayne Shorter, Charles Lloyd, Ahmad Jamal, Keith Jarrett or Brad Mehldau come to Ireland it's usually a one-stop visit ...
Miles Davis: Miles Davis & John Coltrane - The Final Tour: The Bootleg Series, Vol. 6
by Doug Collette
It's a measure of Miles Davis' great respect for John Coltrane that the well-established jazz icon would ask the jazz icon in-the-making to do one more tour (of Europe) as the final component of latter's second stint in a quartet led by the man with the horn. The closure had begun with Coltrane's prior resignation, as ...
Noah Preminger: Genuinity
by Mark Corroto
Quite often when an über-talented musician records a disc under his own name, he uses sidemen of lesser talent so as not to detract from his moment in the limelight, or because his ego won't allow him to play nice. That has never been the case with saxophonist Noah Preminger. On Genuinity, his tenth disc released ...
Fabian Almazan: Multilayered Vision
by Angelo Leonardi
For much of the past decade, Cuban-born pianist Fabian Almazan spent most of his time playing with Terence Blanchard who called him: “One of the great, young, new talent of his generation." Now 39 and based in New York City, Fabian earned his bachelor's and master's degrees from the Manhattan School of Music and was voted ...
Seven Women 2018 – Part IV
by C. Michael Bailey
Proceeding unabated is women's conquering of jazz... As Is: Alan & Stacey Schulman Here's to Life Self Produced 2017 This husband-and-wife, full-ensemble recording, Here's to Life, is the sophomore effort following Alan and Stacey Schulman's duet debut, A Love Like Ours (Night, Night The Elephant Productions, 2015). The ...
Alberto Pinton: la nostra parte del puzzle
by Marco Colonna
Scrivere di Alberto Pinton è una delle occasioni ghiotte che speravo di avere collaborando occasionalmente con la divulgazione “giornalistica" del jazz. Sapendo bene di non essere un tecnico della scrittura, ma un semplice veneratore del linguaggio, mi avvicino all'impresa con le cuffie, chiudendo il mondo fuori per la durata di un disco. Questa ...
James Brandon Lewis: Radiant Imprints
by Vincenzo Roggero
Da quando è ritornato sulla scena musicale nel 2014 con Divine Travels -dopo l'esordio piuttosto convenzionale di Moments nel 2010 -facendo capire di non essere il solito fenomeno del sax tenore destinato a ballare il tempo di un estate, James Brandon Lewis non ha più sbagliato un colpo, sia sul versante discografico che nelle numerose esibizioni ...
Alcyona Mick & Tori Freestone: Criss Cross
by Roger Farbey
An associate of the Loop Collective, Alcyona Mick graduated in jazz piano from the Royal Academy of Music and Birmingham Conservatoire. She writes scores for silent films and is a member of the prestigious London Jazz Orchestra. Mick has recorded two albums with the jazz group Blink, including its eponymous debut album and its follow-up, Twice. ...
Rob Clearfield: Wherever You're Starting From
by Troy Dostert
Chicago-based keyboardist Rob Clearfield has long been an active presence in the Windy City jazz scene, working with folks like bassist Matt Ulery, drummer Jon Deitemyer and guitarist Dan Bruce. Just last year, his appearances on Bruce's Earthshine (ears&eyes Records) and trumpeter Adam Larson's Second City (Inner Circle Music) were indicative of Clearfield's stylistic diversity, proving ...
Benjamin Boone: The Poetry of Jazz
by Mark Corroto
Benjamin Boone's The Poetry Of Jazz could easily have been titled The Jazz of Poetry because of the almost interchangeable nature of the terms. The composer/saxophonist's vision to put music to the U.S. Poet Laureate Philip Levine's prose is a reminder to listeners that jazz was birthed by the common man, and is not to be ...
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