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From Choro to Chaos
by Chris M. Slawecki
Berkeley Choro Ensemble The View from Here Self-Produced 2017 Like its organic natural wonders, the music of Brazil seems to flourish in different forms and styles of beauty. But much of its music has grown from the root of choro: Born in the mid-to late-1800s from the joining ...
Andrew Gould: First Things First
by Mike Jurkovic
Free-wheeling and forward-thinking, young, native-New Yorker and one-time performer at the Charlie Parker Jazz Festival, Andrew Gould makes his living on alto and soprano sax, but he blows wild like many a tenor-man before him, including his inspirations Joe Henderson and John Coltrane. On First Things First, his broad and confident debut, high-wattage rules ...
Meet Mark Weber
by Tessa Souter and Andrea Wolper
Almost every aspect of Mark Weber's life ends up intersecting with jazz; he just might be the original Renaissance jazz fan. A former wedding photographer, he found himself photographing nearly every jazz musician to pass through Los Angeles and Albuquerque in the past several decades and, without planning to, ended up writing for CODA, deejaying a ...
Amir ElSaffar Rivers of Sound: Rivers of Sound
by Angelo Leonardi
Questa monumentale opera del compositore e trombettista iracheno-americano sviluppa una sintesi musicale iniziata nel 2006 col sestetto Two Rivers di cui facevano parte anche il sassofonista Rudresh Mahanthappa e il batterista Nasheet Waits. Amir ElSaffar fonde il jazz d'avanguardia con alcune forme tradizionali orientali: la dimensione melodica microtonale del maqam convive con un cangiante tappeto ritmico ...
Alina Bzhezhinska: Inspiration
by Chris May
Among the highpoints of London's 2017 jazz diary was the Barbican Centre's A Concert for Alice and John. The event commemorated the 50th and 10th anniversaries of the passing of John Coltrane and Alice Coltrane. It was headlined by Pharoah Sanders, the most distinguished surviving member of bands led by the Coltranes, who turned in an ...
Tenderlonious featuring The 22archestra: The Shakedown
by Chris May
In Britain, the incidence of self-taught jazz musicians has declined dramatically over recent decades. Jazz-studies programmes have mushroomed in colleges and more and more young players have been signing up to them. Successful stylists of earlier eras, who may have studied informally with an older musician but who learnt most of their art on the bandstand, ...
Miles Davis, John Coltrane: The Final Tour: The Bootleg Series, Vol. 6
by Maurizio Comandini
Quante volte avete sentito qualche appassionato affermare che Kind of Blue di Miles Davis è il miglior disco da consigliare ad un amico che vuole iniziare ad ascoltare il jazz? Bene, il consiglio è certamente pertinente, anche se ci sono ovviamente altri mille dischi che possono fungere da entry point. Con questo cofanetto di quattro CD ...
Bill Warfield: For Lew
by Jack Bowers
The “Lew" referred to on Renaissance man Bill Warfield's latest big-band album, For Lew, is the late trumpeter Lew Soloff, whom Warfield remembers in the liner notes as “my mentor, colleague, friend and inspiration." The inspiration arrived when the teen-age Warfield, who had switched from trumpet to piano after losing his front teeth in an auto ...
Azar Lawrence: Elementals
by Chris May
Azar Lawrence sounds more like John Coltrane than John Coltrane ever did. Well, almost. Mid-period Coltrane that is, post Atlantic Records and the sheets of sound, when Coltrane starting to record for Impulse with producer Bob Thiele. The closeness of the resemblance is longstanding and uncanny, but it has not been a cynical pose designed to ...
A Day at AAJ
by Jeff Fitzgerald, Genius
One of the main benefits of being the Dean of American Jazz Humorists©, besides a free Orange Julius whenever I want one (at participating locations) and 2-for-1 Redbox rentals, is my unfettered access to the inner workings of the entire Jazz universe. As a member of AAJ's Inner Sanctum, I am no more than three degrees ...
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