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Richie Beirach: Sea Priestess
by Scott Lichtman
Pianist Richie Beirach has been a foundation of the jazz community since the '70s, having released over 70 albums through 2022. His style combines romanticism with a dissonant compositional flair. His music, usually expressed in solo, duet and trio formats, sounds exceptionally intimate. Beirach could create chemistry with most anyone and has collaborated with luminaries such ...
John Basile: Heatin' Up
by Bill Milkowski
John Basile's warm tone and impeccable articulation on Heatin' Up at first may trigger memories of the late, great Pat Martino, an iconic guitarist whom Basile obviously admires. But listen closer to the elegant phrasing, the confident use of space and “less is more" approach he applies to tunes like Cy Coleman's “See Saw," the oft-covered ...
Charles Lloyd: Defiant Warrior Still On Song
by Chris May
As fool's errands go, few compare with selecting a Top Ten Albums collection from Charles Lloyd's extensive top-drawer output. But here goes. Lloyd newbies could consider the list a launch pad, and seasoned fans can compare the choices with their own... Anyone going to jazz festivals in summer 1966, and lucky enough to ...
A look back at 1975 with Miles Davis, John Abercrombie and Billy Cobham
by Len Davis
Some hard-edged music from Miles Davis's Agharta, John Abercrombie and Jan Hammer's Timeless and Lenny White's Venusian Summer. Billy Cobham's Shabazz and the funky sounds from Herbie Hancock's Manchild. The powerful sounds of The Mahavishnu Orchestra's Visions Of The Emerald Beyond, Return To Forever's No Mystery and Stanley Clarke's Journey To Love. Playlist Miles ...
John Surman: Words Unspoken
by Joshua Weiner
Englishman John Surman has been one of jazz's most important reedmen since his debut album on the progressive Deram label in 1969. From the start, on classic albums such as John McLaughlin's Extrapolation, Surman displayed a unique voice on the baritone sax, soprano sax, and bass clarinet, sometimes adding electronics to the mix. Since his first ...
Sooäär, Yaralyan, Ounaskari: Zula
by Ian Patterson
A group sound is a precious thing. It may take years to develop, or it might spring, fully fledged, from the offing. Either way, it is a calling card and a brand. Tinkering with it too much might risk alienating loyal fans. The trio of Estonian guitarist Jaak Sooäär, Finnish drummer Markku Ounaskari and Armenian bassist ...
1974 with Soft Machine, Passport, Flora Purim and Stanley Clarke
by Len Davis
1974 Part 2 -50 years ago with Volker Kriegel, Wayne Shorter, George Duke, Passport, Soft Machine, Flora Purim, Santana, Horace Arnold, Stanley Clarke and John Abercrombie. Playlist Volker Kriegel “Mild Maniac" from Mild Maniac (MPS) 00:00 Wayne Shorter “Beauty And The Beast" from Native Dancer (CBS) 06:29 George Duke “Psychomatic Dung" from Faces in ...
Joe Magnarelli: Hoop Dreams
by C. Andrew Hovan
As Duke Ellington would often remind us, music comes in two varieties, that which is good and that which is bad. This suggests that genre and category are really of little concern and that overall quality is really the defining factor in considering the validity of any musical expression. Taking this axiom one step further, let ...
Don Thompson & Rob Piltch: Bells... Now and Then
by Pierre Giroux
Multi-instrumentalist Don Thompson and guitarist Rob Piltch are two Canadian musicians who, in 1981 and 1982, recorded an album entitled Bells for the Umbrella label. The material has been remastered and reissued as Bells...Now and Then, bookended by two new recordings of compositions by Thompson. Don Thompson has been a highly-regarded part ...
Tommy Halferty, Philippe Aerts, Kevin Brady At Scott's Jazz Club
by Ian Patterson
Tommy Halferty, Philippe Aerts, Kevin Brady Scott's Jazz Club Belfast, N. Ireland December 1, 2023 The gentleman had arrived early to secure a table right in front of the stage, a fresh pint of Guinness settling nicely before him. He had seen guitarist Tommy Halferty before. The first time was in ...
