All About Jazz

Home » Search Center » Results: Joe Harriott

Results for "Joe Harriott"

Advanced search options

MUSICIAN Born:

Joe Harriott

Joseph Arthurlin 'Joe' Harriott was a Jamaican jazz musician and composer, whose principal instrument was the alto saxophone. Initially a bebopper, he is now widely acknowledged as one of the worldwide pioneers of free jazz. He was educated at Kingston's famed Alpha Boys School, which produced a number of prominent Jamaican musicians. He moved to the UK as a working musician in 1951 and lived in the country for the rest of his life. Harriott was part of a wave of Caribbean jazz musicians who arrived in Britain during the 1950s, including Dizzy Reece, Harold McNair, Harry Beckett and Wilton Gaynair. While recovering from tubercolosis in 1958, Harriott developed his own style of free jazz independently from Ornette Coleman, although he used a piano-based quintet (sax, trumpet, piano, drums, bass)

ARTICLE: RADIO

Ernst Reijseger, Billy Brooks, Rob Mazurek, Joe Harriott, & More New Releases

Read "Ernst Reijseger, Billy Brooks, Rob Mazurek, Joe Harriott, & More New Releases" reviewed by Ludovico Granvassu

This week we hit the mother lode, with plenty of undiscovered, or re-discovered, jazz ore, in the form of unreleased live recordings of Joe Harriott and the re-release of Windows of the Mind by the skoonum player and Ray Charles alum Billy Brooks, respectively. Among the new gems, projects of the acoustic (Reijseger, Fraanje, Sylla [pictured]; ...

ARTICLE: ALBUM REVIEW

Alan Wakeman: The Octet Broadcasts 1969 and 1979

Read "The Octet Broadcasts 1969 and 1979" reviewed by Chris May

Despite a perception fostered by the more breathless media coverage given to the young lions who have emerged on the London scene since the mid 2010s, an identifiably British strand of jazz did not kick off when Shabaka Hutchings' Sons Of Kemet released its debut album in 2013. The groundwork was laid back in the 1950s ...

Blue Note Records: Lost In Space: 20 Overlooked Classic Albums

Read "Blue Note Records: Lost In Space: 20 Overlooked Classic Albums" reviewed by Chris May

For anyone with a passion for Blue Note, it is hard to conceive of an album that has been “overlooked," let alone twenty of them. For connoisseurs of the most influential label in jazz history, the passion can be all consuming: if a dedicated collector does not have all the albums (yet), he or she will ...

ARTICLE: ALBUM REVIEW

Harry Beckett: Joy Unlimited

Read "Joy Unlimited" reviewed by Chris May

The Barbados-born trumpeter Harry Beckett moved to Britain when he was 19. His first known recording session came in 1961 alongside Charles Mingus. This happened during the London sessions for the Tubby Hayes album All Night Long (Fontana, 1962), which was chronicled in the 2020 All About Jazz article Jazz & Film: An Alternative Top 20 ...

ARTICLE: RADIO

A focus on Tom Rainey, Ingrid Laubrock and Mary Halvorson

Read "A focus on Tom Rainey, Ingrid Laubrock and Mary Halvorson" reviewed by Bob Osborne

On this show we feature some exciting new albums from Vanessa Perica, Dan Pocetti and Noshir Mody The main focus is on the work of Tom Rainey, Ingrid Laubrock and Mary Halvorson with music from the first album released under Rainey's name and then each musician explored in other projects. These selections clearly ...

Atlantic Records: More Giant Steps: An Alternative Top 20 Albums

Read "Atlantic Records: More Giant Steps: An Alternative Top 20 Albums" reviewed by Chris May

Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...

ARTICLE: RADIO

The Jazz Avant-Garde in the 1960s (1960 - 1966)

Read "The Jazz Avant-Garde in the 1960s (1960 - 1966)" reviewed by Russell Perry

Nurtured in the seminal recordings of Ornette Coleman and Cecil Taylor in the mid to late 1950s, the jazz avant—garde came into its own in the 1960s with their continuing creations, those of John Coltrane already featured in this program and those of next generation players, Joe Harriott and Albert Ayler. Defining statements of the free ...

ARTICLE: BOOK REVIEW

The History Of European Jazz: The Music, Musicians And Audience in Context

Read "The History Of European Jazz: The Music, Musicians And Audience in Context" reviewed by Ian Patterson

The History Of European Jazz: The Music, Musicians And Audience In Context Various authors/Edited by Francesco Martinelli 741 Pages ISBN: 13 978 1 78179 446 3 Equinox Publishing 2018 It's taken some time, about a century in fact, but finally, thanks chiefly to editor and jazz historian Francesco ...

ARTICLE: ALBUM REVIEW

Sarathy Korwar & The UPAJ Collective: My East Is Your West

Read "My East Is Your West" reviewed by Chris May

Indo-jazz fusion has distinguished ancestry in Britain. The music took shape in the mid to late 1960s, when a string of extraordinary albums, each with one foot in Indian classical music and the other in post-bop jazz, were recorded by guitarist Amancio D'Silva and violinist John Mayer. Both featured empathetic jazz musicians (Joe Harriott, Don Rendell, ...


ENGAGE

Enter our contest giveaways

Contest Giveaways

Win a chance at the VMP Anthology: The Story of Herbie Hancock (8 albums / 11 LPs)! One click entry.

Contest Guidelines

Reader's Poll: It's your festival. Who do you book?

Fantasy Festival Poll

It's your festival, you're in charge of booking and you have an unlimited budget. Share your lineup.

More Polls

Publisher's Desk

Blast from our past... AAJMe: a short but sweet run. Read on.

MORE POSTS

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.