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11

Article: Liner Notes

Altin Sencalar: Unleashed

Read "Altin Sencalar: Unleashed" reviewed by C. Andrew Hovan


Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the “tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn ...

6

Article: Album Review

Reggie Watkins: Rivers

Read "Rivers" reviewed by Paul Rauch


Jazz on an international scale is actually just a network of smaller, local jazz scenes that in 2025 exist in virtually every nation on earth. Most of the music happens on the local scene, where the closest of musical alliances are formed. Trombonist Reggie Watkins has managed to take us to that sacred place on his ...

34

Article: Album Review

Dwayne Clemons: Center of Gravity: Live at Smalls

Read "Center of Gravity: Live at Smalls" reviewed by Jack Bowers


On Center of Gravity, veteran trumpeter Dwayne Clemons displays his astuteness and savvy in a generally impressive session recorded in September 2023 at Smalls Jazz Club in New York City, leading a sextet in which he shares the front line with alto saxophonist Amanda Sedgwick and tenor Aaron Johnson. This is a colorful ...

9

Article: Album Review

Nanami Haruta: The Vibe

Read "The Vibe" reviewed by Dan McClenaghan


The news of a trombonist fronting a small jazz ensemble brings the name J.J. Johnson (1924-2001) to mind. He pioneered that form of jazz expression. Before he stepped onto the scene the big brass horn stayed mainly in the background, eclipsed by trumpets and saxophones. Many have followed in Johnson's footsteps: Curtis Fuller, Steve ...

18

Article: History of Jazz

Gravity and Resurgence: The Many Dimensions of Dexter Gordon

Read "Gravity and Resurgence: The Many Dimensions of Dexter Gordon" reviewed by Arthur R George


Long Tall Dexter; swinger, bebopper, saxophone balladeer; acting the dissipated genius expatriate who was not unlike himself in the movie Round Midnight; his dressed-up persona “Society Red;" the laconic elder statesman of his later years. Dexter Gordon is all those things, but more than a kaleidoscope of caricatures. Those who trace their lineages through ...

5

Article: Album Review

Norman David: Intention

Read "Intention" reviewed by Victor L. Schermer


Saxophonist/composer/arranger/band leader Norman David grew up and matured as a musician in Montreal and moved to Boston to study with the late, revered, and multifaceted Herb Pomeroy at the famed Berklee College of Music. While there, in 1980, David founded a large jazz ensemble just a few members short of a full big band called the ...

41

Article: Album Review

John Fedchock: Justifiably J.J.

Read "Justifiably J.J." reviewed by Jack Bowers


Among jazz trombonists with a sense of history, the name J.J. Johnson is spoken with an admiration that borders on reverence. Johnson was a pacesetter, a creative and articulate slideman and improviser who, either alone or with sometime partner Kai Winding, held the keys to the trombone kingdom from the early 1940s until his retirement more ...

2

Article: Rising Stars

Introducing Trombonist Dan Harkins

Read "Introducing Trombonist Dan Harkins" reviewed by Sanford Josephson


Trombonist Urbie Green, who died in 2018 at the age of 92, was part of Woody Herman's Thundering Herd in the 1950s and won DownBeat's International Critics' Award for “New Star" in 1954. While revered among his colleagues, Green is not exactly a household name among the jazz listening public. But 22-year-old trombonist Dan Harkins lists ...

7

Article: Album Review

John Fedchock: Justifiably J.J.

Read "Justifiably J.J." reviewed by Dan McClenaghan


J.J. Johnson saved his instrument from possible obscurity. Rarely used as a front-line instrument pre-Johnson, the trombone might have faded away when bebop came along. Bebop--all those rapid-fire notes from trumpeter Dizzy Gillespie and alto saxophonist Charlie Parker. At that time, the trombone was considered too cumbersome to navigate the chord changes and the rhythmic fury ...


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