Home » Search Center » Results: Jimmy Smith
Results for "Jimmy Smith"
Ahmad Jamal: In his Own Sense of Time and Place
by Josef Woodard
This interview first appeared in the Santa Barbara News-Press on October 2005. The introduction has been updated. For the late, great and uniquely poetic pianist Ahmad Jamal, who passed on at age 92 on April 16, 2023, easy descriptors never sufficed in capturing his particular magic. He was a classicist, a modernist, a minimalist ...
Conrad Herwig: Obligation
by C. Andrew Hovan
Jazz fans tend to be fanatical about those artists that most directly speak to their own musical tastes. Over time, a sense of familiarity with the musical personalities of their iconic favorites becomes entrenched, followed by categorization based on style and genre. Those already familiar with Conrad Herwig's musical endeavors over the past 20 years are ...
Playing Time Vs Playing Within The Time
by Mat Marucci
There is a definite difference between playing time and playing within the time. To illustrate, let's look at a couple statements with which I think everyone reading this will agree. First: Every musician should be able to play in time. And: Not every musician is able to play in time. Now, a ...
Jazz Honors The Beatles
by AAJ Staff
All About Jazz is honoring The Fab Four in the year of the 60th anniversary of the release of their first album (Please Please Me). This collective tribute was originally published in September 2009--as a living document, we'll add more quotes & stories over time (see how-to in comments section). We also compiled a companion playlist ...
Ed Cherry: Always Groovin’
by R.J. DeLuke
"I liked the look of it--I like the sound--the feel," says renowned guitarist Ed Cherry about the guitar, an instrument he has been playing for more than half a century. He long ago became a first-rate player with a warm sound and joyous approach. He is also diverse. He's played a myriad of styles ...
Organ Monk: Uwo In the Black
by Howard Mandel
Organ Monk is the inspired--some might say “mad"--project of Brooklyn-based keyboardist Greg Lewis to play the unique compositions of Thelonious Monk as they've never been played before. Lewis throws down Monk's memorable turns of melody and digs into his harmonic insights, mostly at groovin' rhythms, on the Hammond C 3 organ. It's tempting to say Lewis' ...
London Crate-Diggers BBE Reveal Lost J-Jazz Gems
by Chris May
In his introduction to The Blue Note Years: The Jazz Photography Of Francis Wolff (Rizzoli, 1995), the late Charlie Lourie reported a remarkable event he had witnessed at the inaugural Mt. Fuji Jazz Festival in 1985. “Where else but in Japan," wrote Lourie, “can one see a field packed with fifteen thousand teens and twentysomethings roar ...
Getting to the Jazz Point: An Exposé
by AAJ Staff
Jazz... famous for complex harmonies, syncopated rhythms and an emphasis on improvisation. The music at its best is a form of personal expression, valuing non-conformity and freedom. It has birthed and is to an extent, defined by musicianly quirks, idiosyncrasies and singularities. There are also a great many non-musical threads that bind the tradition together and ...
Dida Pelled: A Missing Shade Of Blue
by Dan Bilawsky
In a way, A Missing Shade Of Blue is a throwback to an earlier era, when Grant Green, “Brother" Jack McDuff, Wes Montgomery and Jimmy Smith, and numerous others were bringing the guitar and organ together to create beautiful music for the people. Yet this record doesn't necessarily fit with the work of those artists. Why, ...
Eddie "Lockjaw" Davis with Shirley Scott: Cookin’ with Jaws and the Queen: The Legendary Prestige Cookbook Albums
by Mark Corroto
There is something undeniably hip about the four discs which make up Cookin' With Jaws And The Queen, the music by tenor saxophonist Eddie “Lockjaw" Davis and Hammond B3 organist Shirley Scott. Recorded in three sessions between June and December 1958, at Rudy Van Gelder's studio, which happened to be in his parents' home, the music ...
