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Is There Really Only One Guitar And Drums Duo Album in Jazz History?
by Ian Patterson
A veritable mountain of duo albums color jazz history. Vocal and piano duos abound. Think Ella Fitzgerald and Ellis Larkins, Tony Bennet and Bill Evans, or Carmen McRae and George Shearing for starters. Guitar and piano duos? Plenty of those too. Jim Hall and Bill Evans, Oscar Peterson and Joe Pass spring to mind. ...
Louis Stewart's Out On His Own: A Landmark Solo Guitar Recording
by Ian Patterson
Dublin's finest export? Not Guinness, but Irish jazz guitarist Louis Stewart (January 5, 1944--August 20, 2016). A guitarist of tremendous skill, invention and personality, Stewart was certainly the first world-class jazz musician to emerge from Ireland and make a name on the international stage. During a fifty-plus-year career, Stewart played with Benny Goodman, ...
Summer In The City - The Soul Jazz Grooves Of Quincy Jones
By Quincy Jones
Label: Verve Records
Released: 2023
Duos With Jim Hall & Trios '64 & '65 Revisited
By Bill Evans
Label: Ezz-thetics
Released: 2023
Track listing: CD1: My Funny Valentine; I Hear A Rhapsody; Dream Gypsy; Romain; Skating In Central Park; Darn That Dream; Little Lulu; A Sleeping Bee; Always; Santa Claus Is Coming To Town; I'll See You Again; For Heavens Sake; Dancing In The Dark; Everything Happens To Me. CD2: Israel; Elsa; Round Midnight; Our Love Is Here To Stay; How My Heart Sings; Who Can I Turn To?; Come Rain Or Come Shine; If You Could See Me Now; I've Got You Under My Skin; My Man's Gone Now; Turn Out The Stars; Angel Face; Jazz Samba; All Across The City.
Don Thompson & Rob Piltch: Bells... Now and Then
by Pierre Giroux
Multi-instrumentalist Don Thompson and guitarist Rob Piltch are two Canadian musicians who, in 1981 and 1982, recorded an album entitled Bells for the Umbrella label. The material has been remastered and reissued as Bells...Now and Then, bookended by two new recordings of compositions by Thompson. Don Thompson has been a highly-regarded part ...
Lage Lund: Idlewild
by C. Andrew Hovan
An open and revealing format for any artist, the jazz trio offers rewards on many levels. Left in veracious hands, there is a spacious pocket that can be filled by any number of rhythmic and harmonic ideas, not to mention a freedom in melodic phrases which don't have to be constrained by strict chordal structures. On ...
Eleonora Strino: Leading The Way
by Ian Patterson
Any young person who dreams of becoming a jazz musician surely imagines the romance of a bohemian life spent traveling the world, playing to appreciative audiences. But it is not an easy career path. It requires complete dedication and many years of study and practice. The economics are hardly enticing either. And life on the road, ...
James Sherlock: The Verb Not The Noun
by Ian Patterson
James Sherlock's eighth album as leader sees the Melbourne-based guitarist return to the trio format for the first time since Domestic Arts (Jazzhead, 2010). Where that album was predominantly standards-weighted--a gorgeous version of The Strangler's “Golden Brown" apart--this one, Sherlock's first with bassist Sam Anning and drummer Danny Fischer, showcases his songwriting chops as much as ...
Bill Evans: Duos With Jim Hall & Trios '64 & '65 Revisited
by Chris May
Although the evidence is circumstantial, it is more than possible that Bill Evans' collaborations with Jim Hall came about through proximity to George Russell. Even Alan Douglas, the producer of the duo's first album, did not claim credit for the liaison; and Douglas, who the same year brought together Duke Ellington, Charles Mingus and Max Roach, ...
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