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Aspen Edities: The Album as a Work of Art
by Jakob Baekgaard
It's a paradox of the digital age that it has spawned some of the most beautiful physical editions of music, but perhaps it's quite logical. In an age where almost everything becomes available digitally, it's a good thing for a physical product to distinguish itself. This is exactly what the records from the Belgian-based label Aspen ...
Results for pages tagged "Jim Hall"...
Koji Yoneyama
Born:
Koji is a New York-based guitar player and composer with a background in jazz, rock, Funk, Soul, and pop. He was born and raised in Osaka, Japan in 1987, graduated from Osaka University of Arts with a Bachelors in Music. Koji started playing guitar at the age of 11 and won first prize in the for Best Guitarist in the 2005 Fresh Musician Championship in Osaka. At 21 he began studying Jazz under professors Sadao Ikeda, Takashi Nakamura who teach at Osaka University of Arts. To continue his progress upon graduation, Koji studied with the legendary Kazuhiko Takeda. Since moving to New York City, Koji also had the opportunity to study with Pasquale Grasso. After graduating, Koji worked at many venues in the Osaka area as a professional session guitarist
Alex Delcourt: To My Brothers
by Victor L. Schermer
This album by bassist Alex Delcourt is a treasure of a recording, a contemporary mirror of the hard bop movement of the past. It's as if that music awakened from its sleep years later and is as fresh today as it was then. Except for seasoned valve trombonist and trumpeter John Swana, the personnel consists of ...
Playing Like Jim Hall
Guitarist Jim Hall had a way with notes. His improvisational style often involved taking a song apart and reassembling it in jagged pieces. He enjoyed the dissonances as much as the resolutions, and below it all was the most swinging, seductive rhythm. Jim was a huge inspiration for many guitarists and still is. Here are seven ...
Mikael Mani: Bobby
by Franz A. Matzner
Icelandic guitarist Mikael Mani's debut release is a poised, rewarding set of original compositions inspired by events surrounding Bobby Fischer's capture of the world chess championship in 1972. Held in Iceland, the politically charged bout took place against the backdrop of the cold war and garnered worldwide attention. Less well known is the subsequent ...
CTI on BGO, Part 2
by Jakob Baekgaard
2018 proved to be a very good year for reissues of CTI-albums on the British label, BGO. They stepped up with an abundance of albums from the likes of guitarist Jim Hall, saxophonist Stanley Turrentine and flautist Hubert Laws (you can read about them here). So far, 2019 also looks promising and kicks off with releases ...
Ron Carter: The Paragon of Bass Virtuosity
by Jim Worsley
Some half a century ago, iconic bassist Ron Carter had already dynamically impacted the jazz world with his advanced rhythmic cadences and his artistic vision with the second great Miles Davis quintet. The sumptuous and indelible mark that Carter and his bandmates left on jazz history is well-documented. An educated, articulate and determined man, Carter's journey ...
Bill Frisell Trio at Dublin's National Concert Hall
by Ian Patterson
Bill Frisell Trio National Concert Hall Dublin, Ireland February 21, 2019 It was a swift return to the National Concert Hall stage for Bill Frisell, following his guest appearance in May 2018 at the finale of fiddler Martin Hayes' residency. This time Frisell was leading his trio of Tony Scherr ...
Etienne Charles, Newk & More
by Marc Cohn
Etienne Charles plays Baton Rouge and, to mark the occasion, we track several selections from his forthcoming release, Carnival: The Sound of a People, Vol. 1. We also continue with our Sonny Rollins chronological celebration with tracks from his collaboration with the Modern Jazz Quartet. Pois não! There's more--classics & 21st century music. Enjoy the show! ...
A Professional Jazz Musician? Really? What's That?
by Peter Rubie
I've been around as a musician long enough to understand when a promoter or booker ghosts me. “Yeah, sure, send me an email," they say in that sincere way that sounds like someone saying, “Of course I love you" just to shut you up. It comes with the territory, and a musician has to be Zen ...
