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Results for "Jim Eigo, Jazz Promo Services"
Roger Davidson Trio: We Remember Helen
by Dan Bilawsky
The music business holds claim to more than its share of selfish, self-promoting, greedy individuals who built their fortunes on the backs of others but, within its ranks also exist a certain class of individual that truly looks out for the best interests of the music and the people who make it. Helen Keane, by all ...
Negroni's Trio: On The Way
by Edward Blanco
With its seventh album titled On The Way, Grammy-nominated Negroni's Trio celebrates its ten year anniversary with a live recording of eight originals and two well-known standards, with a little help from saxophonist great Ed Calle and violinist Federico Britos. The father and son team of pianist Jose and drummer Nomar Negroni, has been performing together ...
RJ And The Assignment: Deceiving Eyes
by Edward Blanco
There are times when one comes across a relatively unknown talent or group, whose performance leaves quite a lasting impression, as does young pianist/songwriter RJ and his group, The Assignment. A native of Chicago who has performed throughout the country over the last fifteen years, RJ has since settled in Las Vegas, where his shining debut, ...
Andrea Brachfeld: Lady Of The Island
by Dan Bilawsky
Andrea Brachfeld's association with Charanga '76, Wayne Wallace, Tipica Ideal, Tito Puente and many others helped to establish her as the first flute lady of Latin jazz, but that designation, while flattering, is limiting. Lady Of The Island posits that she's actually been a closeted straight ahead player all along. For her fifth leader date, and ...
Greg Lewis / Organ Monk: Uwo in the Black
by Hrayr Attarian
It takes abundant courage and uncommon musical vision to radically reinterpret the works of such an idiosyncratic genius as pianist Thelonious Monk. Fortunately, organist Greg Lewis possesses both as is evident on the second volume of his Organ Monk trilogy, Uwo In The Black. As he did on Organ Monk (Self Produced, 2010), ...
David Bixler: The Nearest Exit May Be Inside Your Head
by Dan Bilawsky
Saxophonist David Bixler's ties to pianist Arturo O'Farrill have had positive and negative consequences. The positives are a raised profile, a fairly steady gig for twelve years and counting, and the opportunity to paint atop brilliantly arranged Latin platforms of varying shapes, colors and sizes for audiences around the world. So, one might wonder, what could ...
Peter Appleyard: Sophisticated Ladies
by Edward Blanco
Celebrated Canadian vibraphonist Peter Appleyard made some waves on his last instrumental album, revisiting the past in a previously unreleased recording that captured a select group of jazz giants on the historic The Lost 1974 Session (Linus, 2011). Now, this 84 year-old jazz legend focuses on the present and surrounds himself with a phenomenal group of ...
Story City: Times and Materials
by Hrayr Attarian
Named after a town in Iowa, where drummer Steve Jennings' grandparents used to live, Story City is an octet of likeminded musicians exploring the interface between jazz and more pop-oriented styles. Jennings not only founded the group, but also co-leads it with bassist Terry Burns on Story City's debut, Time and Materials. The ...
Cynthia Felton: Freedom Jazz Dance
by C. Michael Bailey
Cynthia Felton has released two exceptionally well-conceived concept recordings in Afro Blue: The Music of Oscar Brown (Self Produced, 2009) and Come Sunday: The Music of Duke Ellington (Self Produced, 2010). She makes a partial break with this refined focus to release a collection of personal favorite standards on Freedom Jazz Dance. Like her two previous ...
Carol Robbins: Moraga
by Hrayr Attarian
The harp is certainly rare in jazz and so its role in a traditional combo is not well defined. Alice Coltrane, for example used it as a supplement to her keyboards, while Adele Girard, played it like a boogie woogie piano. Others like Janet Putnam and Betty Glamann were relegated to a rhythm guitar role in ...
