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Results for "Jim Eigo, Jazz Promo Services"
Beat Kaestli: Collage
by C. Michael Bailey
Swiss singer/composer/producer Beat Kaestli has four recordings as a leader since 2002. All are intelligently focused. Reasons (B&B Productions, 2002), Happy, Sad, and Satisfied (B&B Productions, 2005), Far from Home: A Tribute of European Song (B&B Productions, 2009) and Invitation (Chesky, 2010). Far From Home and Invitation are the most sharply focused, the former addressing European ...
Judy Philbin: Keeping It Simple
by C. Michael Bailey
Vocalist Judy Philbin and guitarist Adam Levine explore the close confines of the jazz vocals-guitar duo. From a production point of view the complexity lies less in the sonic alchemy that jazz is and more in the proper selection of songs to perform. A third of the songs are original compositions, two by Philbin alone and ...
Beata Pater: Golden Lady
by C. Michael Bailey
Beata Pater's vocal expertise is about shape, texture and the nuance informing both. Pater's B&B Records color-inspired trilogy, Black (2006), Blue> (2011) and Red (2013) was a critically well-received series that demonstrated the singers mastery of wordless singing in a large band format, pushing the creative envelope to the edge of its capacity. Pater's self-claimed influences ...
Carol Fredette: No Sad Songs For Me
by C. Michael Bailey
We last heard from vocalist Carol Fredette on her first Soundbrush recording, Everything in Time (2009). Her repertoire was replete with, “Light latin jazz, humid islands, and secure mainstream treatments." Fredette remains fairly true to this mix of styles on No Sad Songs For Me, specifically addressing all songs of upbeat content, if not tempo. The ...
Dave Stryker: Eight Track
by Dan Bilawsky
Ah, the eight-track. Is there any music format that's more dated? Vinyl is on its way back, albeit with a select crowd, and the CD is still holding on for dear life, but it's not likely that eight-track tapes will be making a big comeback any time soon. Those audio-delivering relics have been left behind, yet ...
John Brown: Quiet Time
by C. Michael Bailey
Bassist and bandleader John Brown was last heard backing Nneena Freelon on her Christmas (Brown Boulevard Records, 2013) release leading one of his decidedly larger ensembles. Quiet Time finds the bassist pared down to a classic trumpet-saxophone quintet size for a recital of after-hours tunes. Brown's fronting horns are trumpeter Ray Codrington and saxophonist Brian Miller. ...
David Helbock's Random / Control: Think Of Two
by Glenn Astarita
Inferring that his Germany-based trio is a multitasking machine would be an understatement. With a fleet of instruments at their disposal, the compositions are largely sinuous, vastly complex, and highly coordinated. The musicians toggle between instruments to alter the pitch, accent the rhythms or whirl through complex unison choruses while adding wit and whimsy into the ...
Frank Wess: Magic 201
by C. Michael Bailey
IPO Records has become the jazz destination for seasoned jazz veterans. Saxophonist James Moody (1925--2010) recorded his last two releases for the label: Moody 4A (2009) and Moody 4B (2010). Hard on Moody's heels is saxophonist Frank Wess (1922- -2013) who followed his Magic 101 (2013) with the predictable titled Magic 201. Pianist Kenny Barron and ...
Matt Criscuolo: Blippity Blat
by Glenn Astarita
Matt Criscuolo is a restaurateur in Connecticut, but also a veteran alto saxophonist and not just a hobbyist with spare finances to record albums. With his fourth outing as a leader, he once again aligns some of the finest jazz artisans such as, pianist Larry Willis and French horn maestro, John Clark. Criscuolo possess a unique ...
Frank Wess: Magic 201
by Dan Bilawsky
What a wonderful coda on an incredible life and career. Saxophonist/Flautist Frank Wess' final recordings--the critically acclaimed Magic 101 (IPO, 2013) and this follow-up, recorded two months after that album--speak to his brilliance and clarity as a melody maker and improviser. His wisdom and elegance come through in every note on both recordings. ...
