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Shawn Maxwell: Shawn Maxwell's Alliance
by Dan Bilawsky
In the liner notes for Shawn Maxwell's Alliance, the Chicago-based multi-reedist is transparent as can be. He makes note of the fact that this project was born out of a conscious desire to do something different and pull away from the commonplace quartet and quintet formats that are so prevalent today. He also notes that he ...
Janice Borla Group: Promises to Burn
by C. Michael Bailey
The artist title is a hint: “The Janice Borla Group." Borla is a vocalist with a reputation for taking chances as evidenced on her three previous recordings, all released on Tall Grass records, From Every Angle (2006), Agents of Change (2003) and Lunar Octave (1996). What she effectively does on the current Promises to Burn is ...
Fernando Ulibarri: Transform
by Glenn Astarita
Fernando Ulibarri is a guitarist, composer and prominent educator at various institutions in the Miami area. His debut album with his working quartet is framed on aspirations that aim to establish compositional unity but also produce comps that stand on their own. He launches the production with spacey inferences to Miles Davis' early jazz-fusion aura, yet ...
Dave Stryker: Eight Track
by C. Michael Bailey
A thoughtfully developed theme or concept for a recording is an underutilized dimension that can add creative depth to a project. Guitarist Dave Stryker nests several themes into Eight Track, his follow-up to his well-received Blue to the Bone IV (Steeplechase, 2012). Eight Track is the guitarist's tip-of- his-hat to the classic AM pop tunes of ...
Beat Kaestli: Collage
by C. Michael Bailey
Swiss singer/composer/producer Beat Kaestli has four recordings as a leader since 2002. All are intelligently focused. Reasons (B&B Productions, 2002), Happy, Sad, and Satisfied (B&B Productions, 2005), Far from Home: A Tribute of European Song (B&B Productions, 2009) and Invitation (Chesky, 2010). Far From Home and Invitation are the most sharply focused, the former addressing European ...
Judy Philbin: Keeping It Simple
by C. Michael Bailey
Vocalist Judy Philbin and guitarist Adam Levine explore the close confines of the jazz vocals-guitar duo. From a production point of view the complexity lies less in the sonic alchemy that jazz is and more in the proper selection of songs to perform. A third of the songs are original compositions, two by Philbin alone and ...
Beata Pater: Golden Lady
by C. Michael Bailey
Beata Pater's vocal expertise is about shape, texture and the nuance informing both. Pater's B&B Records color-inspired trilogy, Black (2006), Blue> (2011) and Red (2013) was a critically well-received series that demonstrated the singers mastery of wordless singing in a large band format, pushing the creative envelope to the edge of its capacity. Pater's self-claimed influences ...
Carol Fredette: No Sad Songs For Me
by C. Michael Bailey
We last heard from vocalist Carol Fredette on her first Soundbrush recording, Everything in Time (2009). Her repertoire was replete with, “Light latin jazz, humid islands, and secure mainstream treatments." Fredette remains fairly true to this mix of styles on No Sad Songs For Me, specifically addressing all songs of upbeat content, if not tempo. The ...
Dave Stryker: Eight Track
by Dan Bilawsky
Ah, the eight-track. Is there any music format that's more dated? Vinyl is on its way back, albeit with a select crowd, and the CD is still holding on for dear life, but it's not likely that eight-track tapes will be making a big comeback any time soon. Those audio-delivering relics have been left behind, yet ...
John Brown: Quiet Time
by C. Michael Bailey
Bassist and bandleader John Brown was last heard backing Nneena Freelon on her Christmas (Brown Boulevard Records, 2013) release leading one of his decidedly larger ensembles. Quiet Time finds the bassist pared down to a classic trumpet-saxophone quintet size for a recital of after-hours tunes. Brown's fronting horns are trumpeter Ray Codrington and saxophonist Brian Miller. ...
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