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7

Article: Extended Analysis

Mark Weinstein: Latin Jazz Underground

Read "Mark Weinstein: Latin Jazz Underground" reviewed by Dan Bilawsky


Has flautist Mark Weinstein run out of ideas on how to merge various dialects of Latin jazz with other musical tongues? The answer is a resounding “no." Latin Jazz Underground finds Weinstein saluting the loft jazz scene of the '70s by tackling the work of jazz iconoclasts-turned-icons--pianist Andrew Hill and saxophonists Ornette Coleman and Sam Rivers--and ...

6

Article: Album Review

Steven Kroon: On The #1

Read "On The #1" reviewed by Dan Bilawsky


Steven Kroon has long been a first-call percussionist for the musical elite, adding seasonings and spices to the variety of R&B, jazz, and soul dishes that these bigwigs make. He's worked behind Luther Vandross, Aretha Franklin, Ron Carter, Jimmy Heath, Diana Krall, Stanley Turrentine, and numerous others over the past three-plus decades. Many ...

7

Article: Album Review

Antonio Adolfo: Rio, Choro, Jazz...

Read "Rio, Choro, Jazz..." reviewed by Dan McClenaghan


For the more casual fans, Bossa Nova is the Brazilian contribution to music. But there's more than that, and a background from which the popularization of Brazilian sound began in America via saxophonist Stan Getz' teamings with Joao Gilberto and Antonio Carlos Jobim on Getz/Gilberto (Verve Records, 1963) and guitarist Charlie Byrd for Jazz Samba (Verve ...

6

Article: Album Review

B.J. Jansen: Ronin

Read "Ronin" reviewed by Hrayr Attarian


Baritone saxophonist B.J. Jansen demonstrates his versatility as a composer and performer on Ronin, his third release as a leader. The nine originals that comprise the album cover a gamut of styles while remaining firmly in the jazz mainstream. On the boppish “Manhattan Trane'in" for instance Jansen wields his horn with agility as he ...

5

Article: Album Review

Carol Fredette: No Sad Songs For Me

Read "No Sad Songs For Me" reviewed by Dr. Judith Schlesinger


The fact that Carol Fredette's CD is going to be a rare treat is suggested by its very first track, the lesser-known Cole Porter gem, “I Am in Love." As arranged with ingenuity and class by bassist/producer David Finck. (who also wrote the wry title track), this jubilant samba makes one thing clear from the jump: ...

2

Article: Album Review

Shawn Maxwell: Shawn Maxwell's Alliance

Read "Shawn Maxwell's Alliance" reviewed by Hrayr Attarian


Woodwind player and composer Shawn Maxwell's Shawn Maxwell's Alliance on the Chicago Sessions label is a carefully orchestrated suite with a subtle yet distinct dramatic sense. Although the description in the liner notes makes mention of a group of friends experimenting with new styles and sounds the disc is not a blowing date nor it is ...

3

Article: Album Review

Shawn Maxwell: Shawn Maxwell's Alliance

Read "Shawn Maxwell's Alliance" reviewed by Dan Bilawsky


In the liner notes for Shawn Maxwell's Alliance, the Chicago-based multi-reedist is transparent as can be. He makes note of the fact that this project was born out of a conscious desire to do something different and pull away from the commonplace quartet and quintet formats that are so prevalent today. He also notes that he ...

4

Article: Album Review

Janice Borla Group: Promises to Burn

Read "Promises to Burn" reviewed by C. Michael Bailey


The artist title is a hint: “The Janice Borla Group." Borla is a vocalist with a reputation for taking chances as evidenced on her three previous recordings, all released on Tall Grass records, From Every Angle (2006), Agents of Change (2003) and Lunar Octave (1996). What she effectively does on the current Promises to Burn is ...

7

Article: Album Review

Fernando Ulibarri: Transform

Read "Transform" reviewed by Glenn Astarita


Fernando Ulibarri is a guitarist, composer and prominent educator at various institutions in the Miami area. His debut album with his working quartet is framed on aspirations that aim to establish compositional unity but also produce comps that stand on their own. He launches the production with spacey inferences to Miles Davis' early jazz-fusion aura, yet ...

5

Article: Album Review

Dave Stryker: Eight Track

Read "Eight Track" reviewed by C. Michael Bailey


A thoughtfully developed theme or concept for a recording is an underutilized dimension that can add creative depth to a project. Guitarist Dave Stryker nests several themes into Eight Track, his follow-up to his well-received Blue to the Bone IV (Steeplechase, 2012). Eight Track is the guitarist's tip-of- his-hat to the classic AM pop tunes of ...


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