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Results for "Jim Eigo, Jazz Promo Services"
Duduka Da Fonseca Trio: Jive Samba
by Dan Bilawsky
The continually evolving relationship between American jazz and Brazilian music is firm proof that the power of influence often travels in two directions. Todd Barkan's liner notes for Jive Samba touch on this fact by discussing the way that these musical forces have been blending and influencing one another for more than nine decades, going all ...
Michael Eaton: Individuation
by Dan Bilawsky
Individuation, as a concept, can be seen as a parallel to the process of making music. In speaking one's own voice through an instrument and/or through composition, individuals manage to direct their imagination and unconscious into something tangible. Saxophonist Michael Eaton knows a thing or two about this, as demonstrated on his aptly-titled debut.
Curtis Nowosad: Dialectics
by Dan Bilawsky
While it may be tempting to simply call Dialectics a straight-ahead session, Kevin Sun's liner notes set the record straight: According to Sun, “neo-hard bop" is a more accurate term for this music. What's most important to note, however, is that the music is pretty irresistible, regardless of what you call it. On ...
New York-Based Canadian Jazz Drummer Curtis Nowosad To Launch Second Album Dialectics On March 17, 2015
Winnipeg-raised, New York-based jazz drummer, composer and bandleader Curtis Nowosad presents his sophomore album Dialectics, a collection of dynamic and swinging original compositions by Nowosad, as well as selected interpretations of music by Thelonious Monk, Wayne Shorter, and Mercer/Schertzinger. Dialectics is Nowosad’s debut recording on the renowned Canadian jazz label Cellar Live and will be released ...
Carol Saboya/Antonio Adolfo/Hendrik Meurkens: Copa Village
by Dan Bilawsky
Back in 1969, pianist Antonio Adolfo was working with vocalist Elis Regina. While touring through Sweden, Regina and her band had the opportunity to connect with Toots Thielemans, leading to the recording of Elis & Toots (Philips, 1969). Now, more than forty-five years later, Adolfo finds himself in a similar situation, working alongside another sunny Brazilian ...
Phil Markowitz/Zach Brock: Perpetuity
by Dan Bilawsky
The debut collaboration between veteran pianist Phil Markowitz and rising star violinist Zach Brock focuses on a shared love of questioning and questing through sound(s). Each man brings five originals to the table for this project, and most of them serve to highlight their common interest(s) in angular exploration, dovetailing designs, and scenarios that encourage searching. ...
George Gee Swing Orchestra: Swing Makes You Happy!
by Dan Bilawsky
Swing Makes You Happy! isn't just an album title: it's a mantra and belief system that guides the George Gee Swing Orchestra, a little big band intent on rekindling the ear's love affair with music associated with a bygone era. Gee has been in the big band business for more than three decades, ...
Jack Mouse & Scott Robinson: Snakeheads & Ladybugs
by Dan Bilawsky
This may be a brand new release for 2015, but it's been thirty years in the making. Drummer Jack Mouse and man-of-many-horns Scott Robinson have been contemplating putting together an album of freely-improvised duets since the '80s, and now they've finally found the time and place to make it happen. Snakeheads & Ladybugs ...
Frank Lowe: Out Loud
by Hrayr Attarian
The year separating Thanksgivings of 2013 and 2014 has abounded in historic reissues and discoveries. There are several from idiosyncratic bandleader Sun Ra in addition to ones from saxophonists John Coltrane, Clifford Jordan and Charles Lloyd. And of course there are such gems as the third volume of trumpeter Miles Davis' Fillmore bootlegs and clarinetist/saxophonist Jimmy ...
Matt Lavelle and John Pietaro: Harmolodic Monk
by Dan Bilawsky
Every time it looks like all the gold has been mined from Thelonious Monk's music, somebody comes along to prove otherwise. Harmolodic Monk finds multi-instrumentalist Matt Lavelle and percussionist John Pietaro applying saxophone icon(oclast) Ornette Coleman's freeing philosophical ideal(s) to Monk's oft-performed music. To some, the resultant performances may seem far more complex ...
