Home » Search Center » Results: Jay McShann
Results for "Jay McShann"
Masa Ishikawa: Dialogue
by Don Phipps
The happy set of ten originals Masa Ishikawa composed for his album Dialogue suggests a budding talent. A visiting professor of jazz at the University of Iowa, Ishikawa, along with his bandmates, demonstrates a precise and light touch, where bluesy readings have just the right sense of playfulness. Born in Fukushima, Japan, Ishikawa teams ...
Jazz Musician of the Day: Jay McShann
All About Jazz is celebrating Jay McShann's birthday today! “The Last of the Blue Devils” Jay “Hootie” McShann landed in Kansas City in the 1930s, and along with fellow pianist and bandleader Count Basie, established what came to be known as the Kansas City sound: blues rooted jazz driven by swinging horns laid over a powerful ...
Rick Lawn: The Evolution of Big Band Sounds in America
by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
Dexter Payne: All Things, All Beings
by Chris M. Slawecki
Clarinet, harmonica and saxophonist, composer and bandleader and musical globetrotter Dexter Payne is the type of musician who is most often categorized as difficult to categorize." Profoundly influenced by physical and spiritual journeys through the cultures of America, the Middle East, Africa and Brazil, Payne's recorded output checks off every box from Mississippi delta blues to ...
Yardbird - The Savoy and Dial Recordings of Charlie Parker (1945 - 1948)
by Russell Perry
Emerging from the Jay McShann Orchestra in Kansas City and relentlessly curious about how to play the new music he heard in his head, Charlie Parker found sympathetic players in New York, especially Dizzy Gillespie. In November of 1945, Bird, as he was universally known, began to record with his own quintets and sextets in a ...
The Birth of Bebop (1939 - 1945)
by Russell Perry
"By the early 1940s... a new approach to small-combo jazz playing was developing, characterized by a more flexible approach to rhythm, a more aggressive pursuit of instrumental virtuosity, and an increasingly adventurous harmonic language."--Scott Deveaux Dizzy Gillespie, Charlie Parker, Thelonious Monk and Coleman Hawkins -the pioneers of Bebop. Playlist Host Intro 0:00 ...
A Professional Jazz Musician? Really? What's That?
by Peter Rubie
I've been around as a musician long enough to understand when a promoter or booker ghosts me. Yeah, sure, send me an email," they say in that sincere way that sounds like someone saying, Of course I love you" just to shut you up. It comes with the territory, and a musician has to be Zen ...
Jazz Musician of the Day: Jay McShann
All About Jazz is celebrating Jay McShann's birthday today! “The Last of the Blue Devils” Jay “Hootie” McShann landed in Kansas City in the 1930s, and along with fellow pianist and bandleader Count Basie, established what came to be known as the Kansas City sound: blues rooted jazz driven by swinging horns laid over a powerful ...
Charlie Parker: Now's The Time
by Karl Ackermann
In the pantheon of jazz saxophonists, Charlie Parker has been among the most transformational of artists, despite not living nearly long enough to fulfill his potential. Parker's lifetime, as a principal architect of bebop, and a self-destructive force, has been documented ad nauseam but his music continues to significantly influence new generations. Since Parker's death in ...
Jay Thomas: We Always Knew
by Paul Rauch
Legacy is a fleeting notion. It is incomprehensible in real time when a career hits high points, when certain doors open to quantitative opportunity. Jay Thomas can tell you a thing or two about that, based on his own personal experience as a jazz artist over half a century. His story includes playing on the Seattle ...