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171

Article: Album Review

Mimi Fox: She's the Woman

Read "She's the Woman" reviewed by Javier AQ Ortiz


One of Camille Paglia's counter-arguments against the claims of certain particularly misleading types of feminism is that there are no notable female rock guitarists. In jazz, however, Mimi Fox could give Paglia a run for her money as she can...and already has...played ball in several jazz leagues. In her latest release, some of her fare, such ...

152

Article: Album Review

Borah Bergman & Thomas Chapin: Toronto 1997: A Suite for Thomas Chapin

Read "Toronto 1997: A Suite for Thomas Chapin" reviewed by Javier AQ Ortiz


Death creeps upon us all. Thomas Chapin knew that rather well when in 1997 he appeared at Toronto's Du Maurier Downtown Jazz Festival with Borah Bergman. Dying on stage of leukemia, Chapin exhaled massively fractious and powerful liveliness from reeds and flute nonetheless. There are numerous struggles, limitations and even some clear misses in his performance; ...

149

Article: Multiple Reviews

Roberto Occhipinti: Where Rivers, Bunnett and the Classical Meet

Read "Roberto Occhipinti: Where Rivers, Bunnett and the Classical Meet" reviewed by Javier AQ Ortiz


Trinacria Modica Music 2000 Roberto Occhipinti covers the spectrum reflected through the prism of music such as that of Sam Rivers, Jane Bunnett, and European Classicism. In 2000, the bassist released Trinacria (Modica Music) with fellow former “Bunnettero” Hilario Durán on piano. Their cool and swinging treatment of Herbie Hancock’s “One Finger ...

107

Article: Album Review

Dhafer Youssef: Digital Prophecy

Read "Digital Prophecy" reviewed by Javier AQ Ortiz


The genesis of Digital Prophecy is diaphanously cinematic. With flowing dramatic ardor, “Diaphanes” exudes a strong oud aroma. It’s earthy, simple, relaxed, and suggestively enhanced with dripping and aerial electronic effects from Eivind Aarset, who also gleams on guitar. As Yoda would say of the crescendo caravanesque march of “Aya”—which first exhibit the leader’s haunting Arabic ...

151

Article: Album Review

Chucho Vald?s: New Conceptions

Read "New Conceptions" reviewed by Javier AQ Ortiz


Latin jazz’s premiere quartet issues yet another skillful interpretation of Ellingtoniana, straight-ahead jazz and blues tenets – as well as Afro-Cuban music – in a compact, exhilarating release. Jesïs “Chucho” Valdïs is at what might be the zenith of his career, as his chops ably attest. New Conceptions features the usual muscularity, intensity and intellectual reach ...

70

Article: Album Review

Deborah J. Carter: 'Round Moonlight

Read "'Round Moonlight" reviewed by Javier AQ Ortiz


Deborah J. Carter is a nomad whose international singing career lies beyond her native North America. Bluesy inflections, jazzy phrasing, and a mid-range earthy tone keep her busy in vocal jazz circuits from Spain into Central Europe. Carter's interpretive framework in her second release is the trio format, although various guest musicians fortify the ...

402

Article: Extended Analysis

Puerto Rico Heineken Jazzfest 2002

Read "Puerto Rico Heineken Jazzfest 2002" reviewed by Javier AQ Ortiz


Quick and to the Point: European, Hispanic and American jazzers honor Carlos “Patato” Valdés. Various Artists Puerto Rico Heineken Jazzfest 2002 HNK Records 2002 The historical weight of the 2002 edition of the Puerto Rico Heineken Jazzfest was shared among Italian bassist Giovanni Tommaso , American bassist ...

256

Article: Album Review

Tord Gustavsen Trio: Changing Places

Read "Changing Places" reviewed by Javier AQ Ortiz


Quick and to the Point: There's no other point but excellence in this breath of fresh jazz. Devoid of bleariness, even when experienced as a placid stroll, Changing Places has accordionesque pianistic motifs and intermittently tango-sizing musical discreetnessas conceived and performed on the highlight, “Graceful Touch." On this tune, melodically strong sinuous sensuality and ...

323

Article: Profile

Samo

Read "Samo " reviewed by Javier AQ Ortiz


Brandishing an Ibañez AF-200 guitar, which he describes as “a similar model as the AS-200, which John Scofield uses, but with a thicker body,” Samo Šalamon stirs up freeing jazz from Slovenia. As one of the most notable emerging careers from that centrally located European country, youthful daring unmasks someone who can play as ...

233

Article: Album Review

Samo Salamon Quartet: Ornethology

Read "Ornethology" reviewed by Javier AQ Ortiz


Review: Quick and to the Point: Ornette Coleman and John Scofield ought to be proud! A musical convergence between Ornette Coleman, Slovenia and John Scofield doesn't figure high in any jazz critic's list of music to look for. Although not exhaustive, the previous three parameters of understanding, however, do serve as guidelines for Ornethology. ...


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