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Article: Album Review

Jan Garbarek - Egberto Gismonti - Charlie Haden: Magico-Carta de Amor

Read "Magico-Carta de Amor" reviewed by AAJ Italy Staff


Non si è ancora smorzato l'entusiasmo degli appassionati per la pubblicazione di Sleeper, lussuosa testimonianza inedita di un concerto giapponese del 1979 del quartetto europeo di Jarrett, che la ECM sforna dai propri archivi un'altra sfavillantissima gemma d'annata. Anche questo è un live inedito ultratrentennale (la registrazione è del 1981) di una formazione dalla breve vita ...

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Article: Extended Analysis

Moskus: Salmesykkel

Read "Moskus: Salmesykkel" reviewed by John Kelman


For a country isolated in the north of Europe, Norway has experienced a surprising number of musical waves. The first came in the early '70s, when producer Manfred Eicher and his fledgling ECM Records label brought the Scandinavian “big five"--Swedish pianist Bobo Stenson and, from Norway, saxophonist Jan Garbarek, guitarist Terje Rypdal, bassist Arild Andersen and ...

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Article: Interview

Donny McCaslin: Lightness and Gravity

Read "Donny McCaslin: Lightness and Gravity" reviewed by Jeff Dayton-Johnson


Saxophonist Donny McCaslin seems like a young player, given his energy and inventiveness. But he has been playing jazz for three decades. As a child, he was part of his father's jazz ensemble and a member of his high school jazz band. He led his own bands after moving to New York from his native California, ...

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Article: Interview

Eberhard Weber: Positive Pragmatism

Read "Eberhard Weber: Positive Pragmatism" reviewed by John Kelman


There are plenty of positives about getting older: wisdom, maturity and a more balanced outlook are just three of them. But it would be unrealistic to suggest that there aren't a few negatives thrown in there. When bassist Eberhard Weber woke up in his hotel room on the morning of April 23, 2007, in Berlin, Germany, ...

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Article: Album Review

Eberhard Weber: Résumé

Read "Résumé" reviewed by Karl Ackermann


Composer/bassist Eberhard Weber has been one of the heritage artists to define and exemplify the standards of Manfred Eicher's ECM Records. Résumé continues the tradition of both the label and Weber with an unusually structured collection of live performances culled from more extended pieces. This global collection of bass solos, culled from live Jan Garbarek Group ...

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Article: Album Review

Hanna Paulsberg Concept: Waltz for Lilli

Read "Waltz for Lilli" reviewed by John Kelman


Norway's place on the international jazz map has been assured for decades: first with saxophonist Jan Garbarek, guitarist Terje Rypdal and bassist Arild Andersen; then, a second wave including trumpeters Arve Henriksen and Nils Petter Molvær, and pianists Bugge Wesseltoft and Christian Wallumrød; and, more recently, in another wave featuring In the Country and Splashgirl. Still, ...

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Article: Interview

Erik Honore: Small Sonic Postcards

Read "Erik Honore: Small Sonic Postcards" reviewed by Nenad Georgievski


Compared to the rest of Europe, Norway's thriving music scene--be it jazz, pop, electronic or in-between genres--seems to be the most varied. Since1996/97, with the release of a number of seminal recordings including trumpeter Nils Petter Molvær's Khmer (ECM, 1997), keyboardist Bugge Wesseltoft's New Conception of Jazz (Jazzland, 1996) and noise improv quartet Supersilent's triple-disc debut, ...

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Article: Extended Analysis

Eberhard Weber: Resume

Read "Eberhard Weber: Resume" reviewed by John Kelman


You've got to admire German-born, France-resident bassist Eberhard Weber. Suffering a major stroke while on tour with Jan Garbarek in 2007--an association that went back more than 30 years, the two first collaborating on American guitarist/pianist Ralph Towner's Solstice (ECM, 1975) and Weber becoming the Norwegian saxophonist's bassist of choice beginning with Photo With Blue Sky, ...

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Article: Multiple Reviews

Bill Frisell: Live Download Series #1-13

Read "Bill Frisell: Live Download Series #1-13" reviewed by John Kelman


DS#001-013 | DS#014-017One of the biggest problems facing contemporary jazz musicians is that they often have far more projects on the go than could ever be recorded and released commercially by conventional record labels--even small and relatively responsive indie labels. Special projects abound, or personnel changes for a tour are forced when members of ...

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Article: Live Review

ECM: A Cultural Archeology

Read "ECM: A Cultural Archeology" reviewed by John Kelman


ECM: A Cultural ArcheologyHaus der KunstMünchen, GermanyNovember 23, 2012-February 10, 2013A trip to München (Munich) is a bit like a pilgrimage for fans of Germany's ECM label, especially right now, with the city's Haus der Kunst hosting a three-month exhibition, ECM: A Cultural Archeology, celebrating the music of this nearly 44 ...


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