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701

Article: Extended Analysis

ART-i-Facts: Great Performances from 40 Years of Jazz at NEC

Read "ART-i-Facts: Great Performances from 40 Years of Jazz at NEC" reviewed by Raul d'Gama Rose


Various Artists ART-i-Facts: Great Performances from 40 Years of Jazz at NEC New England Conservatory 2010 For almost 150 years the New England Conservatory has been a repository of learning for musicians from around the world. The institution has maintained a fine sense of history and 40 years ago began ...

255

Article: From Far and Wide

Hot and Cool: 40 Years of Jazz at NEC

Read "Hot and Cool: 40 Years of Jazz at NEC" reviewed by Marcia Hillman


New England Conservatory (NEC) is celebrating the 40th anniversary of being America's first fully-accredited Jazz Studies Program at a music conservatory. The merriment kicked off in NEC's home of Boston with a week of events in October 2009, culminating in a performance by the Wayne Shorter Quartet accompanied by the school's Philharmonia, a merger between jazz ...

1,785

Article: Profile

Charlie Banacos: Recollections of a Legend

Read "Charlie Banacos: Recollections of a Legend" reviewed by Mike Brannon


"You don't know what you've got 'til it's gone" --Joni Mitchell “There are a dozen ways to hit a key." --Charlie Banacos How do you say goodbye to someone who truly changed you; someone who you know caused you to be a better person just for having known them? How do you say goodbye ...

Album

The Complete 1972 Berlin Concert

Label: Domino Records (7)
Released: 2009
Track listing: Blues For Newport; All The Things You Are; For All We Know; Line For Lyons; Blessed Are The Poor (The Sermon On The Mount); Mexican Jumping Bean; Sign Off; Sometime My Prince Will Come; These Foolish Things; Take Five; Take The "A" Train;

Album

The Salle Wagram Concert (Complete Edition)

Label: Domino Records (7)
Released: 2009
Track listing: Peggy's Blue Skylight; Orange Was The Color Of Her Dress Then Blue Silk; Meditations On Integration; Fables Of Faubus; So Long Eric; Parkeriana;

243

Article: Live Review

40th Anniversary Celebration of Jazz at New England Conservatory in Boston

Read "40th Anniversary Celebration of Jazz at New England Conservatory in Boston" reviewed by Timothy J. O'Keefe


Jazz 40 SummitJordan Hall, New England ConservatoryBoston, MassachusettsOctober 23, 2009Perhaps it was only fitting that the opening piece for the Jazz 40 Summit, part of the 40th anniversary celebration of jazz at the New England Conservatory, was conducted by Gunther Schuller. After all, it was Schuller founded NEC's jazz studies program ...

1,488

Article: Interview

John Law: Deeper into the Music

Read "John Law: Deeper into the Music" reviewed by Jakob Baekgaard


Classical music and jazz are often perceived as two radically different art forms that cannot be merged. Historically, the idea of a so-called “third stream" that is able to combine the language of jazz and classical music into a coherent whole has proved rather difficult to translate into praxis, and yet it is undeniable that a ...

1,362

Article: Interview

Fred Hersch: No Limits

Read "Fred Hersch: No Limits" reviewed by Maxwell Chandler


From the start of his career as a sideman in the 1970s for such jazz luminaries as Joe Henderson, Art Farmer and Stan Getz to his own ensembles and solo projects, there has always been a great diversity and intensity to Fred Hersch's art. Having won a Guggenheim Memorial Fellowship for composition (2003) and having been ...

856

Article: Book Excerpts

Jazz Orchestras

Read "Jazz Orchestras" reviewed by Nick Catalano


This excerpt appears in New York Nights: Performing, Producing and Writing in Gotham (IUniverse, 2008). In addition to the productions of the dance band shows, being a Performing Arts producer meant that I had the opportunity to present artists from every genre imaginable. I steadfastly tried to adhere to some sense of objectivity listening ...

464

Article: Album Review

Jeff Lashway: Reunion

Read "Reunion" reviewed by Nicholas F. Mondello


Throughout the decades, the bands of trumpet legend Maynard Ferguson were, by very nature, heavily brass and ensemble section oriented. Occasionally, Ferguson's pianists were given the opportunity to shine, launching into extended solo tune introductions or brief solos. Some of those pianists were (or would become) stars or leaders in their own right. They included Mike ...


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