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David Binney: Aliso
by J Hunter
For Aliso, reedman David Binney wanted to get back to “doing things that have been part of my life since I was a kid." It's clear that any time is a good time for a happy childhood, because both Binney and his band dive into Aliso like 10 year-olds on vacation at Disney World. The opening ...
The Multi-Tasking State of David Binney 2010
by C. Michael Bailey
Saxophonist David Binney has been a ubiquitous presence in jazz since his first recording, Point Game (Owl, 1989), both as a leader and a sideman. So prolific is Binney, that any multiple-disc review featuring him will be dated immediately. Well, so be it, this is a summer 2010 snapshot of some of the recent activity of ...
David Binney: Aliso
by Dan Bilawsky
Finding musical parallels to David Binney's work is not always an easy task. As a composer, he has managed to create a distinctive sound, yet no single quality can properly define his work. Binney wears his influences on his sleeve throughout Aliso, choosing to touch on the work of Wayne Shorter, Sam Rivers, Thelonious Monk and ...
David Binney: Aliso
by John Kelman
In a career now in its third decade, alto saxophonist David Binney's greatest accomplishment, despite being a player of no small worth, has been as a composer whose often knottily idiosyncratic tunes manage to remain not just accessible, but deeply compelling. From the earliest days of Lost Tribe through to last year's outstanding Third Occasion, Binney's ...
Dan Weiss: Timshel
by Raul d'Gama Rose
"Timshel," one of the most empowering words from Biblical times, has also become of late one of its most misunderstood, thanks to distortions in its translation from the Hebrew into languages of Greek and Latin roots. Artistically, it was the author John Steinbeck who, in his epic, semi-autobiographical and allegorical tale, East of Eden, set things ...
Dan Weiss: Timshel
by David Adler
Drummer Dan Weiss made a promising trio debut in 2006 with Now Yes When, featuring pianist Jacob Sacks and bassist Thomas Morgan. Timshel, the follow-up, shows an impressive amount of growth for this lineup in the years since. The ideas are bolder, the dynamics more acute, the presentation more evolved. There are few if any pauses ...
Opsvik & Jennings: A Dream I Used To Remember
by Robert Iannapollo
Over the past five years, bassist Eivind Opsvik has gained a considerable reputation around New York as a strong, resourceful jazz bassist. He's been tapped by the likes of Tony Malaby, Paul Motian and Kris Davis for their groups. His own ensemble Overseas (currently Malaby, Kenny Wollesen and Jacob Sacks), with three albums to date, has ...
Tyshawn Sorey: Koan, The Winding Shell & Labyrinth
by Wilbur MacKenzie
Tyshawn SoreyKoan482 Music2009 Jesse ElderThe Winding ShellOff2009 Jacam ManricksLabyrinthManricks Music2009 For decades, the trend has been for drummers in jazz to move ...
July 2009
by AAJ Staff
Smoke Big BandSmokeNew York City June 4, 2009When the Smoke Big Band, under the direction of Bill Mobley, crowded onto the Smoke bandstand for its second set (Jun. 4th), the focus was on music by '80s-era Jazz Messengers alumni: Billy Pierce, Donald Brown and Mulgrew Miller. Mobley is a trumpeter, ...
Vinnie Sperrazza: Peak Inn
by Clifford Allen
The piano trio is a medium that became immensely popular with Bill Evans' meteoric rise on the international scene in the '50s and has remained an astonishingly equilateral creative outlet for an extraordinary array of harmonic and rhythmic complexity. However, there aren't a lot of groups taking the chances available to them, instead mining the standard ...
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