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Dexter Payne: All Things, All Beings
by Chris M. Slawecki
Clarinet, harmonica and saxophonist, composer and bandleader and musical globetrotter Dexter Payne is the type of musician who is most often categorized as “difficult to categorize." Profoundly influenced by physical and spiritual journeys through the cultures of America, the Middle East, Africa and Brazil, Payne's recorded output checks off every box from Mississippi delta blues to ...
Moers Festival Interviews: Anguish
by Martin Longley
Anguish are born to be in Moers. This supergroup of the underbelly bleeds together from varying times, diverse sonic areas and different lands. Alternative New Jersey hip-hop roams into the realms of vintage Krautrock, causing distress during an inbreeding feast with the masters of free-Viking jazz. Two pairs of players apiece from Dälek and Fire! meet ...
Tierney Sutton: Movie Music Re-visited
by Josef Woodard
Ace jazz singer Tierney Sutton has built up a large discography and international “gigography" with her tautly integrated and long-standing band— pianist Christian Jacob, bassists Kevin Axt and Trey Henry and drummer Ray Brinker— scooping up accolades and trophies, of the GRAMMY and poll-winning sort and more. Enter a new-ish relationship: screen life.Sutton and ...
Thundercat: On Kendrick Lamar, Kamasi Washington, Erykah Badu and the great LA jazz renaissance
by Rob Garratt
When, a few years back, the mainstream media began breathlessly anointing the arrival of a West Coast-born jazz “renaissance," Thundercat's name was invariably invoked second in the evidence list— behind, of course, that of his childhood buddy Kamasi Washington. While Washington's career has gone stratospheric—with a summer co-headline tour alongside Herbie Hancock the latest summit mounted—Thundercat ...
Catherine Farhi: Finding Home in the New Morning
by Alexander Durie
What do an iconic Paris jazz club, the Arabic language and the Egyptian Surrealist movement have in common? The answer sat in a Montmartre flat in the heights of Paris, surrounded by plants and books and wearing a long royal blue spring dress. Catherine Farhi is all these things at once, and more.
Denny Zeitlin: Balancing Act
by Ken Dryden
Denny Zeitlin is a true Renaissance man with many interests, in addition to balancing his careers in medicine and music. Although his medical practice and teaching have limited his abilities to tour beyond brief trips east or playing near his home in California, he has recorded regularly in recent years, releasing a variety of projects for ...
Carlo Mombelli: Angels and Demons
by Seton Hawkins
One of music's criminally underrated geniuses, South African electric bassist and composer Carlo Mombelli has carved out a most extraordinary performing and writing career in music. Throughout his four decades as a performer, Mombelli has forged one of the most distinctive electric bass approaches in Jazz, established himself as South Africa's most exceptional composer, and has ...
Borotti e Li Calzi, direttori di Torino Jazz Festival
by Libero Farnè
Il festival jazz di un grande centro come Torino sta cercando di configurare una propria identità, per diventare un evento che coinvolga concretamente il territorio e le associazioni culturali ivi operanti, così da formare un pubblico trasversale ma curioso e fedele, proponendo produzioni originali, incroci culturali e nomi stimolanti. A partire dall'edizione 2018 la direzione artistica ...
Anoushka Shankar: Music Makes the World a Better Place
by Nenad Georgievski
Esoteric, eclectic and prolific, the Indian sitarist and composer Anoushka Shankar has mapped out an intriguing artistic path by delivering intriguing music that has veered between the modern and the traditional. Her ambitious, progressive and multicultural musical world view has been growing exponentially from a record to record and has taken her on a path of ...
Dorothy & George Jacob: Putting Bray On The Jazz Map
by Ian Patterson
Twenty years is old for a car and really old for a dog, but in jazz festival terms twenty years is perhaps not so long in the tooth. For a jazz festival twenty years means established, with the major storms of the early years weathered, a brand that people recognize and a heap of good will ...
