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Out of the Rifftides Past: David Newman
Now and then the Rifftides staff rummages through the archives, wondering what was on the blog early in its history. Yesterday we found a review from four years ago, to the day. It discusses an album by a musician whose death in January, 2009 gives the last line poignancy we could not have anticipated when the ...
Interview: George Avakian (Part 3)
If you were a record producer in the late 1940s, you pretty much had to invent the job. At the dawn of the LP era, there were no rules, no models and no mentors. As George Avakian discovered at Columbia Records, new ways to package pop and jazz music for long-playing albums had to be developed. ...
Sinan Bakir Performs Original Music, from Blues to Ballads
As a teenager in Turkey, Sinan Bakir fell under the spell of the electric guitar after attending a rock concert. Little did he know that his newfound passion would lead him to the United States and a career as a jazz musician and educator. Yet, as the guitarist's performance at West Hartford's Szechuan Tokyo on Saturday ...
Jazz Saxophonist David S. Ware is Live -- And Very Much Alive -- In Brooklyn
By Tad Hendrickson Stories about jazz musicians with health problems too often end sadly, so it was more than a little uplifting to see that saxophonist David S. Ware's did not. Ware had been in declining health in recent years because kidney dialysis was no longer as effective as it needed to be. Finally, in May ...
Interview: Carol Sloane (Part 2)
No matter how hard singer Carol Sloane worked in the late 1950s, the odds of becoming a nationally known big band singer were against her. Younger audiences no longer found romance in the songs of Tin Pan Alley, and fewer adults were going out to hear music let alone dance. Touring with a big band, even ...
Interview: George Avakian (Part 2)
In 1938, recordings by the latest swing bands were plentiful. The three major record companies that dominated the market (RCA, Columbia and Decca) saw to that. But earlier releases from the 1920s and 1930s that were recorded by companies that had gone bust were out of print. And other than a magazine or two, there were ...
Catching up with Jovino Santos Neto
For 15 years before he moved to the US from his native Brazil in 1993, Jovino Santos Neto was the pianist and arranger for Hermeto Pascoal, whom Miles Davis is said to have called, “the most impressive musician in the world." Santos Neto lives and teaches in Seattle and travels to Brazil frequently, keeping up with ...
Iconic Free Drummer/Amm Co-Founder Eddie Prevost Interviewed at AAJ
Drummer and percussionist Eddie Prvost was a founding member of the pioneering free-improvising group AMM, back in 1965, and has remained a member ever since. In the intervening years, AMM saw frequent personnel changes, from the early lineup of Prvost--saxophonist Lou Gare, guitarist Keith Rowe, pianist Cornelius Cardew, and cellist Lawrence Sheaff--through to the current duo ...
Eddie Prevost: Looking Back, Looking Forward
by John Eyles
Drummer and percussionist Eddie Prévost was a founding member of the pioneering free-improvising group AMM, back in 1965, and has remained a member ever since. In the intervening years, AMM saw frequent personnel changes, from the early lineup of Prévost--saxophonist Lou Gare, guitarist Keith Rowe, pianist Cornelius Cardew, and cellist Lawrence Sheaff--through to the current duo ...
Interview: George Avakian (Part 1)
Today is George Avakian's birthday. For more than 70 years, George has shaped how jazz was recorded and regarded. As a pop and jazz LP producer starting in the mid-1940s, George was a visionary at a time when several recording technologies and formats were emerging and competing. In the first decade of the LP era, his ...
