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UnRoot
Label: Intakt Records
Released: 2017
Track listing: Why Is Love Such a Funny Thing?; The Miracle • You; UpRoot; If You Say So; Blasé; OM-SE • Environment Music; Joy; Directives • Walk Nicely • I’ll Meet You There.
Alexander Hawkins / Elaine Mitchener Quartet: UpRoot
by David Rocheleau-Houle
Taking risk is--among other things--the essence of free jazz and experimental music. It is by taking risk that musicians can develop their own identity and push further the too many musical borders. With the possibility to take risk, a sense of freedom emerges--whether this sense of freedom refers to something real is not important here--and a ...
Die Enttäuschung: Lavaman
by Mark Corroto
It has been twenty years since Die Enttäuschung recorded the music of Thelonious Monk, but Monk continues to be an essential component of their music making. This is also the case with Steve Lacy and Roswell Rudd's music after their Monk cover band School Days (Emanem, 1975) disbanded. The concepts of Monk's music were integral in ...
Elliott Sharp: Err Guitar
by Don Phipps
Is this music from another world? Dense, complex, innovative, and chock full of improvisation, Elliott Sharp's Err Guitar seeks to establish a whole new vocabulary for the instrument. Joined by the significant guitarist Mary Halvorson and the always willing to experiment Marc Ribot, Sharp elevates the guitar trio using Stockhausen-like effects that blur rhythm and sound--offering ...
Alexander Hawkins / Elaine Mitchener Quartet: UpRoot
by Glenn Astarita
Since the mid-2000s, British pianist, composer, Alexander Hawkins (Evan Parker, Chicago/London Underground) has become a force to be reckoned with, largely within Europe's exploratory progressive jazz and improvising circles. As a collaborator and solo artist, the pianist transmits a distinctive line of attack, where melody and free-form extrapolations enjoy a happy coexistence. On this studio set, ...
Stephan Crump / Kris Davis / Eric McPherson: Asteroidea
by Troy Dostert
When one hears the slightly ominous bass-register ostinato from Kris Davis's piano at the outset of the Borderlands Trio's debut album, Asteroidea, a spirit of mystery and intrigue quickly emerges. Its repetitive effect is hypnotic, and it creates the kind of mood you'd expect in classic film noir, where the unexpected is lurking right around the ...
Borderlands Trio: Asteroidea
by Mark Corroto
I'll venture a guess that the listing of the names on Borderlands Trio's cover is arranged in alphabetic order, Crump, Davis, then McPherson. That is because nothing in the performance reveals a leader, nor a dominant signature. For adventurous listeners, isn't that exactly what we want from our improvisors? Let's stick with just Borderlands ...
Stephan Crump / Ingrid Laubrock / Cory Smythe: Planktonic Finales
by John Sharpe
Brooklyn-based German saxophonist Ingrid Laubrock initiated the grouping, pulling together two rising talents on the New York City scene, bassist Stephan Crump and pianist Cory Smythe. A first meeting quickly ascertained compatibility and lead swiftly to a recording date. Laubrock's tale, moving from London to become one of the key figures in her adopted hometown, is ...
Trio Heinz Herbert: The Willisau Concert
by John Sharpe
It can't do any harm as an aspiring musician if a close relation runs a record company. But let's be clear that the young Swiss threesome Trio Heinz Herbert's appearance on the esteemed Intakt imprint is based entirely on merit, without a whiff of nepotism on the air. Right that's got that out of the way. ...
Tom Rainey Obliggato: Float Upstream
by Dan McClenaghan
Drummer Tom Rainey's reputation runs toward the “outside." His “worked with" resume speaks loudest perhaps from his collaborations with saxophonist Tim Berne--not a guy given to relaxing into a reverent take of, say, "What's New" or “Stella By Starlight." So a set of the familiar standards from Rainey comes as a bit of a surprise.
