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Don Byron / Aruán Ortiz: Random Dances And (A)Tonalities
by Karl Ackermann
Two highly accomplished artists--one long-established, the other solidifying his legacy--are brought together on Random Dances And (A)Tonalities. This duo outing features clarinetist and saxophonist Don Byron and pianist Aruán Ortiz. The two gifted composers have been playing together, at Ortiz's initial request, since 2014 but in larger ensembles. In late 2017 Byron and Ortiz met in ...
Alexander von Schlippenbach / Globe Unity Orchestra: Globe Unity - 50 Years
by John Sharpe
The internet. Mobile phones. Social media. The Fall of the Berlin Wall. A lot's happened over the last 50 years. When pianist Alexander von Schlippenbach first assembled the Globe Unity Orchestra in the autumn of 1966, John Coltrane, Miles Davis and Thelonious Monk still walked the earth. The GUO was one of the first expressions of ...
Michael Formanek Elusion Quartet: Time Like This
by Glenn Astarita
In the olden days of jazz, an album consisting of trailblazing instrumentalists akin to these performers may have been billed as Michael Formanek and his All-Stars instead of a band moniker. Nonetheless, the Elusion Quartet lives up to preconceived or implicit expectations. Consequently, the heavyweight lineup imparts an abundance of mood-eliciting and symmetrical works, along with ...
Kukuruz Quartet: Julius Eastman Piano Interpretations
by Alberto Bazzurro
Julius Eastman, morto non ancora cinquantenne nel 1990, è stato un esponente del minimalismo (nonché pianista, cantante e ballerino) influenzato a diverso titolo da John Cage, Morton Feldman e Meredith Monk (della quale fu in particolare collaboratore). Le quattro sue composizioni raccolte e reinterpretate dal Kukuruz Quartet in questo album, databili fra l 1979 e il ...
Kukuruz Quartet: Julius Eastman - Piano Interpretations
by Troy Dostert
During the last several years, the work of minimalist composer Julius Eastman has been rediscovered and celebrated by both scholars and musicians. Numerous tributes and performances have reclaimed a musical visionary whose death at age 49 in 1990 was barely acknowledged, so far had he fallen into obscurity, homelessness and drug addiction. As George Lewis stresses ...
District 5: Decoy
by Glenn Astarita
Without getting too far into the initial spin of this record, it became apparent that the musicians of District 5 emit impressions of youth, armed with a penchant for adventure and unbridled momentum. Soon afterwards, the assumption was confirmed: the Swiss artists are--via information gleaned from a press pitch on Intakt Records website--in their twenties. Heartiness, ...
Max Johnson: In the West; Borderlands Trio: Asteroidea
by Stefano Merighi
Max Johnson In the West Clean Feed Records Un talento multiforme quello del bassista Max Johnson, in grado di spaziare dal rock al bluegrass, dal jazz d'avanguardia alla musica da camera. Tutte queste capacità mimetiche precipitano nel suo album In the West, disco che sembra contenere a fatica l'insieme ...
Evan Parker / Barry Guy / Paul Lytton: Music For David Mossman
by John Sharpe
Over 35 years and counting. It's fair to say that the British trio of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton constitutes one of the longer-lived units in the free improvised realm, a domain often distinguished by its tendency towards ad hoc groupings. So, with a discography over two score in size, you ...
Gunter Baby Sommer: Baby's Party
by Mark Corroto
The music from the German duo of Günter Baby Sommer and Till Brönner is best described as gestural, meaning the pair utilizes posture and body movement to effect an oratory--in this case the somatic nature of Sommer's drum and percussion work and the flow of breath through Brönner's trumpet and flugelhorn. On the occasion ...
Dave Gisler: Rabbits on the Run
by Glenn Astarita
Young Swiss guitarist Dave Gisler (Christoph Irniger's Pilgrim, Weird Beard) is gradually climbing the guitar hero stairwell, reaffirmed by this captivating trio date with his prominent fellow countrymen providing the oomph and pizazz throughout. And for those who need comparisons, think of Gisler's style skirting the peripheries of Sonny Sharrock, Jimi Hendrix and Bill Frisell, along ...



