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Our Virtual Panel Looks Back on 2014 | Dave Cool of Bandzoogle
Dave Cool, Director of Artist Relations at Banzoogle joins us next on Hypebot.com's 2014 Year End Virtual Panel. Cool lands among other YouTube Music key skeptics: I'm not sure what impact it will have. YouTube has gotten away with being the largest free music streaming service for years. I don't know how they're going to get people ...
Our Virtual Panel Looks Back on 2014 | Dmitri Vietze
Dmitri Vietze of Music and Technology PR Firm Rock Paper Scissors is up next on Hypebot.com's virtual panel. He shares his thoughts on the Taylor Swift rift with Spotify and the importance of YouTube Music Key and the expansion of Beats Music ecosystem below. He also speaks to the changes brought on by 2014 and what it ...
Bandzoogle and Pledgemusic Partner for D2F
Bandzoogle, the website platform for musicians, and PledgeMusic, the popular direct-to-fan music community, have formed a partnership designed to help artists succeed. Using Bandzoogle’s platform, artists and bands can now easily integrate their PledgeMusic direct-to-fan campaign onto any page of their Bandzoogle-powered websites. You can see the integration at work on Bandzoogle-powered websites for metal legends ...
Our Virtual Panel Looks Back on 2014 | Simon Cole of 7digital
Up next in our 2014 Year End Virtual Panel, Simon Cole, CEO of 7digital chimes in on the current state of the music industry. Cole says The switch to hi-res and wearable technology has pushed the need for a great deal of quick innovation on our part. But these challenges are exciting to us because we see how ...
Not Another Streaming Debate
Guest post by LIVIA TORTELLA of Black Box In 2009, Jordan Kurland invited me to my first Bandwidth Conference when it was hosted in San Francisco; great name, no press, invitation only. The space was perfect for productive and intimate conversations. Five years later, Ashli Lewis (founder and organizer of Bandwidth) continues to keep the conference true to it’s roots as a music meets technology heart-to-heart. When ...
Smart Artists, Smart Fans
By Dan Servantes from Berklee College of Music's Music Business Journal. The Internet age has drastically altered the dynamics of the interaction between corporations and their customers. Talking down at consumers, for instance, is less preferable than engaging them in a conversation that can later lead to a commercial transaction. This is what direct-to-fan marketing should be ...
What is My Image?
Today it seems like artists come out of a music factory. They are the product of a generation's worth of thoughts, habits and likes all rolled into a neat package that appeals to the masses. While it seems like there are many artists today that seem to come pre-fabricated, a lot of work and planning goes ...
YouTube Takes the Guess Work out of Music Copyright Status
Have you ever spent hours searching for the perfect soundtrack to your video masterpiece only to have it pulled immediately from YouTube for copyright infringement? You're not the only one. You're also not the only one who can exhale when uploading videos from now on. Why? YouTube just launched a feature that allows you to search ...
Our Virtual Panel Looks Back on 2014 | Kyle Bylin of Soundhound
Kyle Bylin, of SoundHound, former editor of Hypebot.com and author of Promised Land, a collection of essays on how disruptive startups and digital youth reshaped the music industry from 2008 to 2013, revisits his old stomping grounds by joining our year end virtual panel. On the significance of YouTube Music Key and the expansion of Beats Music within Apple's ...
2014: The Year Nothing in Music Broke, and Nothing Got Fixed
By Cortney Harding on This Week In Music Tech. This was the year of the treadmill. I mean that both for me personally (ever train for an ultra-marathon during a polar vortex?) and for the music business as a whole. 2014 felt like a whole lot of running, but there was no real forward movement — ...


