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Article: Album Review

Phil Grenadier / Bruno Raberg Duo: Plunge

Read "Plunge" reviewed by Hrayr Attarian


Part adlib verse and part haiku poetry, Plunge is, above all, a study of sound and its ability to conjure images and emotions. A collaborative effort by Swedish born bassist Bruno Råberg and trumpeter Phil Grenadier, Plunge's nineteen short pieces range from intricately impressionistic to deeply expressive abstractions. On “Last ...

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Article: Album Review

Sylvain Leroux: Quatuor Creole

Read "Quatuor Creole" reviewed by Hrayr Attarian


Flautist Sylvain Leroux's debut, Quatuor Créole, is an enchanting mélange of Guinean sounds, French influences and jazz inflections. In that aspect it is essentially Creole, but not necessary a work of New Orleanian or Haitian folkloric music. Leroux plays the tambin, a West African reed flute, and a dozon ngoni, a lute from ...

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Article: Album Review

Simetrio: Simetrio

Read "Simetrio" reviewed by Hrayr Attarian


Chile, the country of sensuous poetry and visceral prose, is not well known for its jazz. Over the past two decades, however, the nation has been home to a growing improvised music scene. Three musicians who honed their skills in this relatively new environment have come together as Simetrio, releasing an eponymous CD of intellectually intense ...

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Article: Album Review

Story City: Times and Materials

Read "Times and Materials" reviewed by Hrayr Attarian


Named after a town in Iowa, where drummer Steve Jennings' grandparents used to live, Story City is an octet of likeminded musicians exploring the interface between jazz and more pop-oriented styles. Jennings not only founded the group, but also co-leads it with bassist Terry Burns on Story City's debut, Time and Materials. The ...

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Article: Album Review

Amina Figarova: Twelve

Read "Twelve" reviewed by Hrayr Attarian


Calling Amina Figarova merely a jazz impressionist does injustice to the full breadth of the pianist's vision and does not reflect the uniqueness of her artistry. That said, most of her compositions do have an impressionistic bent. The nocturnal “Shut Eyes, Sea Waves...," for instance, on Twelve (her twelfth release as a leader), uses her cascading ...

News: Performance / Tour

D-Erania at The Ray and Joan Kroc Corps Academy Arts Theatre Chicago IL on September 1st 2012

D-Erania at The Ray and Joan Kroc Corps Academy Arts Theatre Chicago IL on September 1st 2012

By Hrayr Attarian On September 1st 2012 at 7 PM, Chicagoans will have the chance to hear on the city's best- kept secrets, saxophone virtuoso, composer and improviser extraordinaire D-Erania (Donella Stampley). Surrounded by her electrifying band she will appear on the stage of The Ray and Joan Kroc Corps Academy Arts Theatre on west 119th ...

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Article: Album Review

Carol Robbins: Moraga

Read "Moraga" reviewed by Hrayr Attarian


The harp is certainly rare in jazz and so its role in a traditional combo is not well defined. Alice Coltrane, for example used it as a supplement to her keyboards, while Adele Girard, played it like a boogie woogie piano. Others like Janet Putnam and Betty Glamann were relegated to a rhythm guitar role in ...

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Article: Album Review

Chris Cortez: Aunt Nasty

Read "Aunt Nasty" reviewed by Hrayr Attarian


Guitarist and producer Chris Cortez's Aunt Nasty brims with a joie de vivre that permeates the entire album becoming its pervasive theme. The disc opens with a Latinized “Caravan" highlighting Cortez's flamenco guitar stylings that cascade over James Metcalfe's Afro Cuban percussion. Jimi Hendrix's “Fire" closes the album and it transforms into a ...

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Article: Album Review

Bruce Kaphan Quartet: Bruce Kaphan Quartet

Read "Bruce Kaphan Quartet" reviewed by Hrayr Attarian


What can be more American than jazz played on pedal steel guitar? After all, both are United States' cultural products. Yet pedal steel guitarists are rarely found outside the different sub-genres of country music. Enter Bruce Kaphan, a virtuoso of this instrument and a talented composer who peppers Bruce Kaphan Quartet with abundant jazzy sensibilities.

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Article: Album Review

Rich Halley: Back From Beyond

Read "Back From Beyond" reviewed by Hrayr Attarian


Over a half a century after saxophonist Ornette Coleman launched the free jazz movement the genre is going strong thanks to such individualistic practitioners as tenor saxophonist Rich Halley. Halley's sound has matured and crystallized over the course of dozen or so albums, all critically acclaimed. On his fourteenth release as a leader, ...


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