Results for "Hot Lips Page"

Hot Lips Page

Known as a scorching soloist and powerful vocalist, Oran “Hot Lips” Page was one of the Midwest's top trumpet players. Oran Thadeus Page was born in Dallas, Texas, on January 27, 1908. Page's mother, a schoolteacher and musician, taught him the basics of music when he was a child. By the age of twelve he could play the clarinet, saxophone, and trumpet. He joined a local youth band, led by drummer Lux Alexander, which played at local venues around Dallas. Page attended Corsicana High School and Texas College (in Tyler), and worked for a time in the oilfields. He began his professional touring career when he joined "Ma" Rainey's band in the 1920s

Thelonious Monk: An Alternative Top Ten Albums Of Deep And Staggering Genius

By CHRIS MAY

Thelonious Monk's position in cultural history grows in stature with each passing year and every new generation. Lionised by jazz fans and a continuing influence on musicians, Monk in 2020 is also held to be a hero by the hip hop movement. While his music no longer has the power to shock that it once possessed, ...

A Garland of Red

By C. MICHAEL BAILEY

Like pianist Wynton Kelly and Kelly's debut recording New Faces -New Sounds (Blue Note, 1951), William McKinley Red Garland performed for years as a sideman before releasing his first recording as a leader, A Garland of Red. Originally from jny: Dallas, Texas, Garland migrated to jny: New York City after a stint with Hot Lips Page ...

The Archive of Contemporary Music

By KARL ACKERMANN

In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...

The Very Singular Mr. Ran Blake

By DUNCAN HEINING

There have been few American composers and musicians, with the ability to encapsulate their country's music in all its racial and ethnic complexity. We might perhaps point to Aaron Copland, Leonard Bernstein, Charles Ives and perhaps, in their own distaff ways, Harry Partch and Steve Reich. In jazz, their number is fewer still--Duke Ellington and George ...

Rick Lawn: The Evolution of Big Band Sounds in America

By VICTOR L. SCHERMER

From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...

Chet Baker’s Singing: A Cultural Shift

By STEVE PROVIZER

We think of the 1950's as a time of relative social conformity, but in fact, there were significant cultural shifts happening. For one, male stereotypes were being unpacked and to some degree, unfrozen. Where once films and music gave us male characters that were either hyper-macho or limp-wristedly homosexual, male characters and performers who showed emotional ...

Blue Highways and Sweet Music: The Territory Bands, Part II

By KARL ACKERMANN

Part 1 | Part 2 Part 1 of Blue Highways and Sweet Music: The Territory Bands looked at the roots, drivers and challenges of the travelling groups who brought jazz music to the non-urban areas of the Southern Plains, through one-night-stands, in often impromptu venues. A black phenomenon, often misappropriated by white musicians, promoters, ...

Joe Smith & The Spicy Pickles: Gin & Moonlight

By JAMES NADAL

Long before jazz became a spectator event, it was dance music. The big bands that played swing made their reputations on being able to flood the floor with dancers. Joe Smith & The Spicy Pickles are on a mission to bring back those days, and Gin & Moonlight has them on the right track. Formed in ...

European Jazz Conference 2016

By IAN PATTERSON

European Jazz Conference 2016 National Forum of Music jny: Wroclaw, Poland September 22-25, 2016 We have two ears and only one mouth so perhaps we should listen more than we speak. This old maxim is often credited to Hellenistic philosopher Zeno of Citrium, though who's to say he ...