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Larry Nozero: Time
by Chris May
Here is an odd one. Originally released on the short-lived Detroit label Strata in 1975, Larry Nozero's Time defies categorization. First-generation spiritual jazz, Henry Mancini, Motown, strings (real and synthed), the Swingle Singers, Braziliana and Shaft era Isaac Hayes jostle around the mic, along with Sibylline hints of Kamasi Washington. Is it for real? Is it ...
Johanna Burnheart: Bär
by Chris May
German-born London-based violinist, singer and composer Johanna Burnheart made a big impact fast on the Britain's underground jazz scene. After graduating from Guildhall School of Music & Drama in 2018, and before the pandemic shut things down, she played on three significant albums: spiritual-jazz band Maisha's There Is A Place (Brownswood, 2018), trombonist Rosie Turton's 5ive ...
Julius Rodriguez: Evergreen
by Chris May
There are two faces of Julius Rodriguez and they are opposing rather than complementary. One face is the pop-jazz one presented by multi-instumentalist Rodriquez on his own albums. The other is the adventurous, strikingly singular modern-jazz face presented by pianist Rodriguez on other people's albums. It is possible to be wildly enthusiastic about the jazz face ...
Oded Tzur: My Prophet
by Chris May
Much like listening to late period John Coltrane or modern-day Charles Lloyd, listening to Oded Tzur is akin to a spiritual experience. The tenor saxophonist's fifth album, My Prophet, is his most affecting yet. Simultaneously corporeal and metaphysical, soulful and cerebral. Inexplicably, despite having four breathtakingly singular and near-perfect albums out and about ...
Vinicius Mendes: Macunaismo Tardio Vol. 1&2
by Chris May
Every now and then, a musician comes along out of nowhere and blows one's unprepared mind. Such is the case with the Brazilian saxophonist, flautist and composer Vinícius Mendes. Based in Belo Horizonte, Mendes began recording, it transpires, in 2013 and has since been a face on the city's jazz-samba scene. His recordings under his own ...
Oded Tzur: The Agony And The Ecstasy
by Chris May
In late April 2024, in the weeks leading up to the release of his fifth album, My Prophet, Oded Tzur wrote to his mailing list subscribers: “Dear Friends, I'm very excited to share with you that my new album is coming out on ECM Records on June 7." Further down the page, Brooklyn-based, Tel Aviv-born Tzur ...
Sandman Project: Where Did You Go?
by Chris May
Anyone who has made multiple visits to Goa, where they formed the Goa Afrobeat Band--as Tel Aviv-based guitarist and composer Tal Sandman has done--is self-evidently on the right team. Sandman lives in the Jaffa neighbourhood in southside Tel Aviv, an area in which Jews and Arabs live cheek by jowl, and diverse cultures co-exist, and where, ...
Sol Sol: Almost All Things Considered
by Chris May
Ever since the untimely passing of the pianist Esbjörn Svensson in 2008, and the consequent diminution of his trio's radio-friendly but lightweight style, Sweden's then predominant place in Scandinavian jazz has ceded ground to Norway. So, anyway, do the results of a statistically totally invalid survey of observers in this parish suggest. But ...
Angles + Elle-Kari With Strings: The Death Of Kalypso
by Chris May
As a genre, jazz-opera is thinly populated. The recorded archive is marked more by quality than quantity, with albums by Mike Westbrook and Kate Westbrook, Carla Bley and Charlie Haden to the fore. But the best ever jazz-opera, in this parish anyway, predates anything by these musicians. Composer Todd Matshikiza and lyricist Pat Williams' King Kong ...
Tom Skinner: Voices Of Bishara Live
by Chris May
Best known in the U.S.A. as a member of the late Sons Of Kemet and now The Smile with Radiohead's Thom Yorke and Jonny Greenwood, Tom Skinner has been a vital presence on London's underground jazz scene for twenty years. Yet remarkably, only in 2022 did the drummer and composer release his first album under his ...
