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Arun Ramamurthy Trio: New Moon
by Dan McClenaghan
Violinist Arun Ramamurthy is a first-generation Indian American artist. His ancestral roots in India run deep, and his musical roots there run deep, too. He has embraced American jazz but remains artistically tethered to his parents' homeland. 2014's' Jazz Carnatica (Self Produced) (review here), by his Arun Ramamurthy Trio, showcased his talents for walking the line ...
Top Ten Sci-Fi Jazz Albums
by Chris May
On The Launch Pad Robert Frosch, head honcho at the National Aeronautics and Space Administration from 1977 to 1981, wrote that at cocktail parties he was sometimes asked whether NASA had some gizmo or other that had recently been brought to fictional life in a sci-fi book or movie. If Frosch's answer was “No," the next ...
Rich Pellegrin: Topography (featuring Neil Welch)
by Dan McClenaghan
Whidbey Island, nestled in the nook of Puget Sound, must be an inspiring place. Pianist Rich Pellegrin finds it so. He has recorded two solo works here, Solitude (OA2 Records, 2021), (review here) and Passage (OA2 Records, 2022), (review here). Both of these works--recorded in the same session--have a feeling of serenity, of an escape from ...
Marysia Osu: Harp, Beats & Dreams
by Chris May
Who knows how the jazz harp paradigm might have evolved had the instrument's most adventurous twentieth-century player, Detroit-born Dorothy Ashby, lived beyond her premature passing in 1986. Since then, most American jazz harpists have stuck pretty closely to the neo-classical glissandos and block chords-based style established by Alice Coltrane. New York's Brandee Younger is among the ...
MOMO.: Gira
by Chris May
Gira is one of those exhilarating beyond-category albums which London produces uniquely well, if the gentle reader will excuse a little partisanship. It is part música popular brasileira (MPB) and part jazz, but never entirely one or the other, swinging between the two as the fancy takes it. Add to that splashes of West African highlife, ...
Clod Ensemble + Nu Civilisation Orchestra At Barbican Theatre
by Chris May
Clod Ensemble + Nu Civilisation Orchestra Barbican Theatre The Black Saint And The Sinner LadyLondon September 19, 2024 We will never know exactly what Charles Mingus meant by the title of his suite The Black Saint And The Sinner Lady (Impulse!, 1963). Indeed, Mingus himself may not have ...
Rahsaan Barber: Six Words
by Chris May
Six Words is saxophonist Rahsaan Barber's fourth album on his Nashville-based label Jazz Music City, and the first to be conceived as a suite. The titular six words are something Wynton Marsalis said in a conversation with Barber: “There is power in this music." With that thought in mind, Barber composed a series of pieces focused ...
Tony Oxley: Unreleased 1974 - 2016
by Chris May
The British drummer and bandleader Tony Oxley passed in 2023, aged 85, after a career which began in the mid 1960s as the drummer in the house band at Ronnie Scott's club. From this prestigious but relatively codified platform, Oxley soon steered into less travelled waters. In 1969 he was in the quartet which recorded John ...
Tony Oxley Quintet: Angular Apron
by Chris May
Among the most welcome jazz events of 2024 is the return to active duty of the great British saxophonist Larry Stabbins following an absence of over a decade. Stabbins went into voluntary exile in 2013, after around thirty-five years at the deep end of British jazz. Disenchanted with the culturally regressive direction in which the music ...
Daniel Herskedal: Call For Winter II: Resonance
by Chris May
Among the strangest all-horns discs ever heard in this parish is How It All Started (Hat Hut, 2007) by the Swiss quartet Mytha. Led by free improv and third stream trumpeter Hans Kennel, the group plays music made almost entirely on alphorns, heavy wooden horns ten to twelve feet long with curved bells that rest on ...
