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Album

Superdesert

Label: Not Two Records
Released: 2010
Track listing: Elephant Shit; Horse Shit; Cat Shit; Donkey Shit; Snake Shit; Moose Shit; Rabbit Shit; Parrot Shit; Dog Shit; Cow Shit; Hamster Shit; Camel Shit; Bull Shit.

334

Article: Album Review

Frank Gratkowski / Jacob Anderskov: Ardent Grass

Read "Ardent Grass" reviewed by Jerry D'Souza


Over the years, reed/woodwind multi-instrumentalist Frank Gratkowski has formed a series of potent combinations with other musicians. His first was with Georg Graewe in 1992 before he went on to fruitful collaborations with Gerry Hemingway, Wilbert DeJoode, Michael Vatcher and Herb Robertson, among others. Gratkowski has the ingrained ability to turn the presence of his musical ...

486

Article: Live From New York

Big Bands: Wayne Horvitz, Satoko Fujii, Steve Lehman, Kenny Werner & Andrew D'Angelo

Read "Big Bands: Wayne Horvitz, Satoko Fujii, Steve Lehman, Kenny Werner & Andrew D'Angelo" reviewed by Martin Longley


The New York Composers OrchestraUniversity Of The StreetsOctober 23, 2010 Even for local residents, an appearance by the New York Composers Orchestra has become a rarity. Its guiding forces, the pianists Wayne Horvitz and Robin Holcomb, have long been living in Seattle (they moved in 1989), so get-togethers have ...

670

Article: Live Review

Vision Festival 2010: Prologue

Read "Vision Festival 2010: Prologue" reviewed by John Sharpe


Prologue | Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 Darius Jones Trio, Tim Berne's Lowest Common DenominatorVision Festival PrologueLocal 269New York CityJune 21, 2010Contrary to the belt tightening going on all around, ...

1,059

Article: Interview

Mark Feldman: Taking an Eclectic Path

Read "Mark Feldman: Taking an Eclectic Path" reviewed by Sean Patrick Fitzell


Violinist Mark Feldman started out in Chicago playing classical music and bar gigs before moving on to the Nashville scene. He emerged in New York's “downtown" circle with the likes of Arcado String Trio, trumpeter Dave Douglas, and composer-saxophonist John Zorn. His expressive, classically tinged technique was also sought for studio work with pop acts and ...

351

Article: Live Review

Satoko Fujii at the Vortex, London

Read "Satoko Fujii at the Vortex, London" reviewed by John Sharpe


Satoko Fujii and Natsuki Tamura The Vortex London 12 April 2010 When considering marital harmony, the Roman poet Ovid got it right. He said “If you would marry suitably, marry your equal." And that balanced union is exactly what the husband-and-wife team of Satoko Fujii and Natsuki Tamura has ...

1,110

Article: Interview

Steve Swell: Sound Miracles

Read "Steve Swell: Sound Miracles" reviewed by Gordon Marshall


Trombonist Steve Swell captures the energy of a big band in the close quarters of a small group. An alumnus of Buddy Rich's and Lionel Hampton's bands on the one hand, and collaborator with Anthony Braxton on the other, he seems bound to have fixed upon such a hybrid configuration at some point. But how an ...

312

Article: Multiple Reviews

Michael Jefry Stevens: What About...?; Memphis; A Scent in Motion; Remembering the Future

Read "Michael Jefry Stevens: What About...?; Memphis; A Scent in Motion; Remembering the Future" reviewed by Clifford Allen


Conference CallWhat About...?Not Two2010 Fonda/Stevens GroupMemphisPlayscape2009 Harvey Sorgen-Steve Rust-Michael Jefry StevensA Scent in MotionKonnex2009 Jon HemmersamRemembering the FutureJSH Music

524

Article: Live From New York

May 2010

Read "May 2010" reviewed by AAJ Staff


Adam Lane Brooklyn LyceumBrooklyn, NY April 14, 2010While bassist Adam Lane's Full Throttle Orchestra is named to conjure up great size and bombast, at present it's a compact sextet whose sonic inventory includes passages of nuance and overall calm. With a Bay Area lineup, Lane has released No(w) Music (Cadence, ...

192

Article: Album Review

Oles Brothers with Rob Brown: Live at SJC

Read "Live at SJC" reviewed by Jerry D'Souza


Bartlomiej Brat Oleś (drums) and Marcin Oleś (double bass) have a simple adage when it comes to their music: to remain faithful to their convictions and create music that is open and requires both technical mastery and individual artistry. They have remained true to that whether playing as a Duo (Fenommedia, 2008) or with other musicians ...


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