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Wadada Leo Smith, fenomenologia di un maestro
by Luca Canini
Non tutti i maestri sono uguali. C'è chi sceglie di farsi da parte, riducendo al minimo gli sconfinamenti, gli azzardi, i contatti con situazioni potenzialmente rischiose. E c'è chi invece si ostina a cercare, a condividere; tenendo fede a quella che del jazz è la suprema vocazione: la fisiologica tendenza a includere, in un continuo sovrapporsi ...
Marcello Giannini: Frammenti
by Angelo Leonardi
Il chitarrista napoletano Marcello Giannini ha già avuto modo d'imporsi in significative e variegate collaborazioni: con Enrico Rava (On the Dance Floor), i 99 Posse (Cattivi Guaglioni e Curre Curre Guagliò 2.0), Daniele Sepe (Canzoniere illustrato), Cristiano Arcelli (Brooks), il gruppo Slivovitz e altri. Questo disco, realizzato per l'etichetta di Marco Valente, è il ...
Henry Threadgill Zooid: In For A Penny, In For A Pound
by Karl Ackermann
Fresh off his significant contribution to Jack DeJohnette's Made In Chicago (ECM, 2015), composer/saxophonist/flautist Henry Threadgill and his most long-established group, Zooid, return for the ensemble's most creative and ambitious collection. Almost thirty years ago, Threadgill told Chicago's Pulitzer winning writer, Studs Terkel, of the influence of marching bands that he saw in that city's frequent ...
Henry Threadgill Zooid: In for a Penny, In for a Pound
by Mark F. Turner
Don't call this jazz. In a 2013 interview with Larry Appelbaum at the Library of Congress, saxophonist, flautist, and composer Henry Threadgill, in so many words, denounced the association of labelling his music with a diluted categorization. Having performed with free thinking musicians like Muhal Richard Abrams and Anthony Braxton; lead highly regarded and out of ...
Henry Threadgill Zooid: In For A Penny, In For A Pound
by Dan Bilawsky
No artist manages to marry compositional specificity and independent thought to the degree that Henry Threadgill does. And while his singular vision(s) with groups like Air and Very Very Circus have already earned him a place in the history of this music, when all is said and done, his work with Zooid may be his most ...
La persistente attualità di Tim Berne
by Libero Farnè
Negli ultimi tempi sembra che Tim Berne, sessant'anni compiuti il 16 ottobre 2014, stia vivendo una seconda giovinezza e una grande maturità creativa, che lo hanno portato anche a collaborare con vari gruppi di musicisti emergenti che si potrebbero idealmente considerare suoi allievi. Dopo essere giunto a incidere per la ECM ha raggiunto un riconoscimento ancora ...
Jack DeJohnette: Made in Chicago
by Glenn Astarita
Drummer Jack DeJohnette reunites with his longtime comrades emanating from Chicago's fabled Association for the Advancement of Creative Musicians (AACM), founded by pianist Muhal Richard Abrams in 1965. This live outing recorded at Millennium Park in 2013 was part of the Chicago Jazz Festival and signifies the musicians' inaugural performance as a quintet, paralleling the AACM's ...
Ziga Koritnik and The Eye
by John Kelman
In a time when cameras are more pervasive and invasive than they've ever been--with iPhones, iPads, Androids and low-price point-and-shoot devices lending the impression that everyone is a photographer--photo artists like Žiga Koritnik, paradoxically, stand out more than ever. Sure, anyone can take a picture, but to get to the heart of a subject and truly ...
Juan Pablo Carletti / Tony Malaby / Christopher Hoffman: Niño/Brujo
by John Sharpe
For his debut album, NYC-based Argentinian drummer Juan Pablo Carletti has made some wise choices, even before one considers the music. Foremost among those is the selection of saxophonist Tony Malaby to front his trio. Malaby has a compelling track record of energising such threesomes, as evidenced by his 14 year tenure in bassist Mark Helias' ...
Bill Laswell: No Boundaries
by Nenad Georgievski
For some people music is a mere entertainment product, a pastime amusement. For others music is a powerful force and the act of its creation carries within itself a sense of discovery. Bill Laswell's music, production and remixes have always carried that sense of discovery and riskiness. Multifariously creative and independent, he has always been revered ...
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