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What's the Concept?
by Patrick Burnette
Can jazz have “concept albums?" Probably not, but some records do work harder at sustaining a mood--or a sense of narrative--than others. The boys look at five test cases--one brand new, two from that prime year 1969, and two from the transition from the eighties to the nineties. Madge gets a look in during pop matters, ...
Stephanie Richards: Take the Neon Lights
by Vincenzo Roggero
Sono due gli elementi principali che emergono all'ascolto di Take the Neon Lights : la straordinaria tecnica strumentale di Steph Richards, nella scia di innovatori come Nate Wooley e Peter Evans, ed una scrittura decisamente originale, anomala, anticonvenzionale. Al secondo album da leader, dopo l'eccellente debutto con l'elettronico Fullmoon, Richards scopre definitivamente le carte mettendo in ...
Moldejazz 2019
by Martin Longley
Moldejazz Molde, Norway July 15-20, 2019 In the last few years, the Moldejazz festival's artists-in-residence have kept their appearances down to a manageable human count, with two or three concert manifestations apiece from Pat Metheny, Vijay Iyer and Maria Schneider. For the 2019 edition, that position was awarded to Norwegian ...
A to JazZ Talks 2019: The Road To International Stage
by Ian Patterson
A to JazZ Talks: The Road To International Stage Literature Club Peroto National Palace of Culture Sofia, Bulgaria July 5, 2019 For the majority of young musicians, the very notion of pursuing a career in music can be daunting, to say the least. Admittedly, it is perhaps easier than ever ...
The Creative Musicians Improvisers Forum: New Haven's AACM
by Daniel Barbiero
The late 1960s through the 1970s and '80s were difficult years for jazz and jazz-derived improvised music, but they were also years that saw musicians—by necessity—respond to these difficulties with creative solutions. With first the rise and then the commercial dominance during those years of rock music and the corresponding eclipse of jazz, creative musicians in ...
Stephanie Richards: Creative Music
by Kevin Press
Calgary's Stephanie Richards has been rubbing shoulders with some of the world's finest jazz players since putting down roots in New York City. The trumpeter has a passion for testing boundaries and an intuitive approach to her work. Her latest, Take the Neon Lights, is a tribute to her new home. All About Jazz: ...
Larry Ochs / Nels Cline / Gerald Cleaver: What Is To Be Done
by Mark Corroto
Sandwiched between two epic novels of improvisation--each a track of over twenty minutes of sound--is the respite piece “A Pause, A Rose" by the trio of saxophonist Larry Ochs, guitarist Nels Cline and drummer Gerald Cleaver. Cline, who some may know from his work with the alternative rock band Wilco, opens with a few simple notes ...
Brian Krock: Liddle
by Angelo Leonardi
Fattosi conoscere dal pubblico internazionale per il magistrale debutto di Big Heart Machine, il sassofonista Brian Krock accantona per il momento l'orchestra e presenta in questi giorni il disco del nuovo sestetto comprendente il noto pianista Matt Mitchell (già con Tim Berne, Dave Douglas, Steve Coleman e propri gruppi) e il talentoso giovane chitarrista finlandese Olli ...
Dustin Carlson: Air Ceremony
by Vincenzo Roggero
Dando un'occhiata alla formazione troviamo Kate Gentile, batterista sempre più assidua in dischi e in gruppi importanti, Matt Mitchell, nome ormai affermato nel jazz che conta, qui impegnato al mitico Prophet 6, Nathaniel Morgan ed Eric Trudel ai sassofoni, Danny Gouker alla tromba, abituali frequentatori del jazz meno canonico, il bassista Adam Hopkins presenza attiva della ...
Roman Filiu: Quarteria
by Alberto Bazzurro
L'altosassofonista cubano Román Filiú, classe 1972, dopo un lungo girovagare approdato otto anni fa negli States (New York), trovando in particolare una sua collocazione ideale accanto a Henry Threadgill, firma quello che dovrebbe essere il terzo album a suo nome, alla testa di un settetto denominato come il disco stesso, Quarteria. La doppia ...
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