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Introducing Booker Little
by Robert Levin
[Editor's Note: This article first appeared in Jazz & Pop Magazine, 1970. Little died in 1961, just a few months after this interview was originally published in Metronome]Booker Little, twenty-three year-old composer, arranger and trumpet player (the order is arbitrary, each role has equal importance to him), has lately come to demonstrate, in recordings ...
Chuck Anderson: Guitar Reemergence
by Victor L. Schermer
Chuck Anderson's guitar artistry is a cut above the jazz standard. The quality of his execution is so fine that on first hearing, it is literally stunning. His recent CD, Freefall (Dreambox Media, 2010) consists of musical gems--all-original compositions, woven into a tapestry worthy of a master classical guitarist. Yet it is all straight-ahead mainstream jazz ...
ART-i-Facts: Great Performances from 40 Years of Jazz at NEC
by Raul d'Gama Rose
Various Artists ART-i-Facts: Great Performances from 40 Years of Jazz at NEC New England Conservatory 2010 For almost 150 years the New England Conservatory has been a repository of learning for musicians from around the world. The institution has maintained a fine sense of history and 40 years ago began ...
Hot and Cool: 40 Years of Jazz at NEC
by Marcia Hillman
New England Conservatory (NEC) is celebrating the 40th anniversary of being America's first fully-accredited Jazz Studies Program at a music conservatory. The merriment kicked off in NEC's home of Boston with a week of events in October 2009, culminating in a performance by the Wayne Shorter Quartet accompanied by the school's Philharmonia, a merger between jazz ...
Artie Shaw: Classic Bluebird and Victor Sessions
by Samuel Chell
Artie ShawClassic Bluebird and Victor SessionsMosaic Records2009Shortly after its critically acclaimed box set comprising clarinetist Benny Goodman's essential recordings-- The Columbia and Okeh Benny Goodman Orchestra Sessions (2009), which was released to coincide with the centenary of the “King of Swing"--Mosaic Records has done it again. The Classic ...
Interview: Gunther Schuller (Part 4)
Gunther Schuller has composed more than 160 original classical and jazz-classical works. In 1994, he won the Pulitzer Prize for Of Reminiscences and Recollections, a memorial composition for his wife, Marjorie Black. Gunther also is the winner of many other awards, including Columbia University's William Schuman Award for lifetime achievement in American music composition. And then ...
Interview: Gunther Schuller (Part 3)
Between 1955 and 1957, Gunther Schuller participated in three fascinating jazz recordings: the Modern Jazz Society (Verve) with John Lewis, Gigi Gryce's Nica's Tempo (Signal) and Birth of the Third Stream (Columbia), which featured music recorded at the 1957 Brandeis Jazz Festival. Each explored jazz-classical concepts, though Nica's Tempo owed more to the linear sound of ...
Bill Royston: The History of a Festival
by Lloyd N. Peterson Jr.
It is a passion and responsibility that no one takes as serious as they do; and they do it knowing that little, if any acknowledgment will come their way. They are the festival promoters and artistic directors of this music we call Jazz.And though it's a music that has always had its up and ...
Interview: Gunther Schuller (Part 2)
The more Gunther Schuller explored the New York arts scene in the late 1940s, the more he gravitated toward jazz. As a young, advanced French hornist with the city's Metropolitan Opera Orchestra, Gunther related completely to the creative enthusiasm, explosive excitement and brilliance of the bebop musicians he heard in the clubs and in concert. When ...
Interview: Gunther Schuller (Part 1)
Gunther Schuller is the eminence grise of the jazz-classical movement. Gunther began playing French horn professionally in 1941 with the New York Philharmonic Orchestra at age 16. He then played with the American Ballet Theater and the Cincinnati Symphony Orchestra before becoming principal horn in New York's Metropolitan Opera Orchestra from 1945 to 1959. In 1950, ...
