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Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by John Kelman
Even now, nearly sixty years later, it seems improbable that a group which came together as the rhythm section for one of the hottest players in bebop's genesis era, trumpeter Dizzy Gillespie, could morph into a standalone group that was the epitome of grace, elegance and cool dignity. But that's exactly what happened when Gillespie recruited ...
Samuel Blaser: Consort in Motion
by Troy Collins
Initially defined by composer Gunther Schuller in the late 1950s as a synthesis of jazz improvisation and classical composition, the Third Stream movement has since drifted into relative obscurity. However, in the ensuing decades the milieu has provided fertile ground for a number of visionary artists to make bold statements. The increasingly commonplace role of conservatory ...
Jeff Lofton: Jazz to the People
by Josep Pedro
Born in Germany and raised in South Carolina, Jeff Lofton's trumpet sound has become a striking force in Austin's music scene since moved there about four years ago. Friendly and bright in his reasoning, Lofton has proved to be a versatile, mature musician overtly combining straight-ahead jazz with fusion. His appealing, laidback character and soulful playing ...
James Carter: Caribbean Rhapsody
by C. Michael Bailey
James CarterCaribbean RhapsodyEmarcy2011 Multi-reedist James Carter is both a student and master of all things saxophone. He is a keeper of the jazz flame much in the same way trumpeter Wynton Marsalis is, without Marsalis' conservative inclinations. Carter has been inventive in his projects, two of which ...
San Antonio Swing Reborn on Riverwalk Jazz This Week
This week, Riverwalk Jazz revisits San Antonio's hot spots and revives hot dance music of the city's historic East Side in the 1930s. The Jim Cullum Jazz Band expands to a 12- piece orchestra, performing new arrangements of rarely heard Swing Era compositions from the Don Albert Orchestra and Boots and His Buddies. The weekly jazz ...
Delfeayo Marsalis: Sweet Thunder
by Raul d'Gama Rose
Was Delfeayo Marsalis undertaking a task too challenging when he recorded music from one of Duke Ellington's most beloved albums to make Sweet Thunder? Gunther Schuller offers a doctrine that seems to suggest this has been so. Apparently the size and composition of the ensemble lead to this mishap. Would it have been remiss, to replicate ...
February Forays
by Nick Catalano
February is one of those months when this New York Beat column could expand into a full periodical because of the plethora of jazz activity occurring in Gotham. I began my trek early in the month, when the city was buried in crystal mounds of snow from winter storms that had pounded the ...
Turn Up Those Footnotes!
by Andrew J. Sammut
Even if the names William Shakespeare and Wolfgang Amadeus Mozart ring some bells for contemporary audiences, chances are Thomas Marlowe or Giovanni Paisiello might not get a chime. Yet, Marlowe's plays drew droves of theatergoers in Elizabethan England, and Paisiello's operas packed 18th century houses. It doesn't take an English scholar or the ...
Charles Mingus High School Competition and Festival
The 3rd Annual Charles Mingus High School Competition and Festival will be taking place February 18㬑, 2011. Sue Mingus and Justin DiCioccio, are the producers. This year's Mingus High School Competition and Festival will be bringing some of the country's most talented young jazz musicians to New York City. Twelve schools will be represented coming from ...
Tanglewood Jazz Festival Receives Grant from NEA Jazz Masters Live
The Tanglewood Jazz Festival, produced by the Boston Symphony Orchestra and held every Labor Day weekend, has been selected as a participant in NEA Jazz Masters Live, a National Endowment for the Arts program of performances and residencies featuring NEA Jazz Masters, cooperatively managed by Arts Midwest. This is the first grant the festival has received ...
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