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Graham Bond

While this may be news to Agent 007 lovers, there's more than one Brit named Bond. While that fictional film character with the first name of James may garner the bigger audience, it is another Bond-Graham Bond-who has left a long-lasting impression with his influential music. Although many consider Alexis Korner as the father of the British blues/R&B movement, Graham Bond also deserves credit for its development. "Loud, hypnotic and neurotic" is how Melody Maker reporter Chris Welch once described Bond's music. "It wails, screams and tears at the senses for minutes on end, demanding either complete attention or complete rejection." Bond was not afraid to experiment, introducing the Mellotron to British audiences as well as being one of the first on the scene to use the Hammond organ

Saxophone Colossi: An Alternative Top Ten Banging Albums

Read "Saxophone  Colossi: An Alternative Top Ten Banging Albums" reviewed by Chris May

Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...

ARTICLE: ALBUM REVIEW

Group Sounds Four & Five: Black & White Raga

Read "Black & White Raga" reviewed by Chris May

So seismic were the eruptions of British pop and rock in the mid 1960s, along with the effusive chronicling which accompanied them, that the parallel fecundity of the country's jazz scene was widely overlooked then and has been largely forgotten since. Contemporary media coverage was practically non-existent except on those occasions when a musician got busted. ...

ARTICLE: PROFILE

Pete Brown: White Rooms & Imaginary Westerns, Part 2

Read "Pete Brown: White Rooms & Imaginary Westerns, Part 2" reviewed by Duncan Heining

Part 1 | Part 2 1966 was an important year in British popular music. Bob Dylan, performing with the Hawks, was booed for “going electric" at Manchester Free Trade Hall. The Rolling Stones topped the charts for the first time with “Paint It Black." The Beatles, fresh from the John Lennon “Bigger than Jesus" ...

ARTICLE: PROFILE

Pete Brown: White Rooms & Imaginary Westerns, Part 1

Read "Pete Brown: White Rooms & Imaginary Westerns, Part 1" reviewed by Duncan Heining

Part 1 | Part 2 Poet, lyricist, rock musician, producer and scriptwriter—Pete Brown has covered a lot of bases in his six decades in music and literature. His career embodies that era that began with the Beatles' “Love Me Do" in October 1962 and ended in January 1969 with the band playing live on ...

ARTICLE: ALBUM REVIEW

Colosseum: Colosseum Live

Read "Colosseum Live" reviewed by Maurizio Comandini

I Colosseum guidati dal batterista Jon Hiseman furono una delle più belle sorprese spuntate dal blues e dal jazz inglese nella magica stagione di fine anni sessanta. Hiseman era stato protagonista alla corte di John Mayall, in particolare per l'ottimo album Blues Wires del 1968 e aveva poi deciso di mettersi in proprio portandosi dietro due ...

ARTICLE: ALBUM REVIEW

King Crimson: Sailors' Tales 1970-1972

Read "Sailors' Tales 1970-1972" reviewed by John Kelman

If it's a fundamental truth that adversity can sometimes bring the absolute best, creatively speaking, out of music and the people who make it, then the roughly 23 months following the release of King Crimson's classic 1969 debut, In the Court of the Crimson King (Island)--and, after a single North American tour, the breakup of its ...

ARTICLE: LIVE REVIEW

Steve Winwood at the Space at Westbury

Read "Steve Winwood at the Space at Westbury" reviewed by Mike Perciaccante

Steve Winwood The Space at Westbury Westbury, NY April 20, 2017 Fifty-one years after a teenaged Steve Winwood sang “Gimme Some Lovin'" with the Spencer Davis Group, the rock, pop and rhythm and blues legend can still nail the vocal and hit all the notes on the '60s anthem. On ...

ARTICLE: ALBUM REVIEW

Colosseum: Colosseum Live

Read "Colosseum Live" reviewed by Roger Farbey

A remarkable feature of Colosseum Live was the inclusion of one of the more unusual numbers in the band's repertoire, namely Michael Gibbs's outstanding composition “Tanglewood '63." This was a brave piece for a six piece jazz rock band to tackle since the original version (aside from a version recorded by Gary Burton's quartet in 1982) ...

ARTICLE: ALBUM REVIEW

Vitor Pereira Quintet: New World

Read "New World" reviewed by Roger Farbey

This is Portugal-born, now London-based Vitor Pereira's second album for the F-IRE label which again features alto saxophonist Chris Williams, already renowned in the UK for his stellar work with Led Bib and Let Spin. It takes just a few plays but once you “get it," the albums starts to fall into place as something quite ...


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