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Evan Parker
by John Eyles
In his biography of Robert Wyatt, Different Every Time (Serpent's Tail, 2015), author Marcus O'Dair describes Evan Parker as “perhaps the finest British free-jazz saxophonist of his generation." The only words in that phrase that seasoned Parker followers might take issue with are “perhaps," “British" and “free-jazz," preferring just to describe him as the finest improvising ...
Nathan Hubbard / Skeleton Key Orchestra: Furiously Dreaming
by Dave Wayne
Sprawling. Massive. Unapologetically ambitious. All over the musical map. But, somehow, not excessive. Furiously Dreaming is a two-CD set by percussionist / composer / musical visionary Nathan Hubbard and his 50-member (for this recording) Skeleton Key Orchestra. The leader or co-leader of a dozen or so different small ensembles playing everything from modern jazz to contemporary ...
Barry Guy: A Prophet is Not without Honour (Part 2)
by Duncan Heining
Part 1 | Part 2 | Part 3 Barry Guy has been the artistic director and main composer of the London Jazz Composers' Orchestra throughout its now forty-five year history. Recordings and performances since Ode in 1972 have been sporadic but those forty-five years have resulted in eleven albums (including one with Anthony Braxton) ...
Darrell Katz and the JCA Orchestra: Why Do You Ride?
by Dave Wayne
Why Do You Ride?, a sweeping, poly-stylistic orchestral paean to bicycling, Albert Einstein, a certain orange kitty cat, and wrongly-attributed quotes (among other diverse topics) is the 10th album by Darrell Katz and his Jazz Composers' Alliance (JCA) Orchestra, which is also celebrating its 30th year of existence. Unlike most jazz artists of his generation, Katz--an ...
A Madman’s Approach To Music And Why Can't Music Be Like A Tree?
by Duncan Heining
"Art alone makes life possible." --Joseph Beuys. The Glasgow Improvisers' Orchestra is unique. It's an over-used word, I know, but in this case fully justified. GIO are unique in so many ways--in the way they formed, the way they make decisions, in their make-up, how they work and most importantly how they sound. They ...
Jazzdor 2014
by Vittorio Lo Conte
Ben ventiquattro concerti, dal 7 al 21 Novembre 2014 per la ventinovesima edizione del Jazzdor, festival tenuto a Strasburgo e dintorni, anche oltre il confine con la Gemania, come vedremo. Questa volta è stato dedicato alla figura del contrabbassista Jean Jacques Avenel, spesso protagonista. Jazzdor si è oramai consolidato come uno dei più ...
Kitchen Orchestra with Alexander von Schlippenbach
by Eyal Hareuveni
The Norwegian, Stavanger-based Kitchen Orchestra may be one of Europe's best kept secrets. A collective of local musicians who come from classical, jazz, free improvisation and electronics. The orchestra was founded in 2005 and since then collaborated with guest conductors such as Danish saxophonist Lotte Anker and former Stavanger resident, bassist Per Zanussi, dance troupes and ...
Wadada Leo Smith: Occupy the World
by Eyal Hareuveni
Great trumpeter and composer Wadada Leo Smith's five epic extended compositions collected on the double album Occupy The World mark him as a major American composer with a musical language and artistic vision that transcends the boundaries of the Afro-American heritage of jazz. Smith wrote complex orchestral works before, most notably on the masterful, extensive 4-discs ...
FUSK: Super Kasper
by Eyal Hareuveni
How does a band introduce freedom to its music? Does the band play free jazz or, to paraphrase saxophonist Joe Lovano, does it play its jazz free? Danish Drummer and leader of the Danish-German quartet FUSK, Kasper Tom Christiansen's, answer to this question is simple: “Who cares?" FUSK defines its own freedom, between contrapuntal springboard melodies, ...
