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Greg Ward Presents Rogue Parade: Stomping Off From Greenwood
by Gareth Thompson
After a stint in New York, saxophonist Greg Ward was lured home to Chicago in 2016 by a project based on Charles Mingus's The Black Saint And The Sinner Lady (Impulse! Records, 1963). Ward's new vision of this record was widely acclaimed, not least for its performance with a ballet company, as Mingus had desired.
Chick & Steve, Two Pairs of Covers, Wordplay & More
by Marc Cohn
Putting a show together, I sometimes amuse myself by posing programmatic 'problems' that help break my usual routines. To wit: we offer you two pairs of disparate covers of Wayne Shorter and Thelonious Monk tunes during the first hour and play word games with tune titles in the second hour. The 2018 Downbeat Readers' ...
Library of Congress Acquires Archive of Jazz Great Billy Strayhorn
The Library of Congress announced today that it has acquired the original manuscripts documenting the work of composer, arranger and pianist Billy Strayhorn. An important star in the jazz firmament, Strayhorn was the source of much of the sound of the Duke Ellington Orchestra. He worked with Ellington for nearly 30 years, writing or collaborating on ...
Tempo di Chet. La versione di Chet Baker
by Giuseppe Segala
Compagnia del Teatro Stabile di Bolzano Paolo Fresu, Dino Rubino, Marco Bardoscia Teatro Comunale Bolzano 8-11.11.2018 Il sipario si apre su una scena che fonde tra loro esterni e interni: ricostruisce un quartiere che potrebbe essere ispirato alla Hermosa Beach degli anni Cinquanta, o alla Central Avenue di ...
Gerry Mulligan, Adam Price & More
by Joe Dimino
This week we begin with a profile of a the fresh jazz sounds out of the United Kingdom with The Beats and Pieces Big Band featuring the group's leader Ben Cottrell off their latest commemorative CD simply entitled Ten. It celebrates a full decade of their groundbreaking jazz groove. The hour continues with a mincing of ...
Meet Nora Sheehan Schaaf
by Tessa Souter and Andrea Wolper
Before we jump into November's column, we'd like to know: Are YOU a jazz super fan? If you are and you'd like to be featured in an upcoming column, click here and send us a message! Nora Sheehan Schaaf, along with her husband, Homer, has been going out to hear live jazz ...
Erik Palmberg: First Lines
by James Fleming
The playing is spare, cooled. At its best it shines like a new blade in the sunlight, with all the pointed passion of a brilliant sentence. At its lowest, Erik Palmberg's First Lines loses that shine and replaces it with sheen: the glittering finish of studio perfection. A coat worn to flesh out the music. But ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 2-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 Concert 4: Keen and Peachy: Music of the Woody Herman Second Herd -Directed by Michael Berkowitz ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...
Gary Alesbrook: Jazz In Movies
by Dr. Judith Schlesinger
This excellent debut by British trumpeter Gary Alesbrook is notable for four reasons: 1) he's leaping straight from well-known session musician to frontman; 2) he's been playing for 33 years, mostly for high profile, non-jazz bands in the UK like The Super Fuzzy Animals and The Scissor Sisters; 3) while eclectic in his taste and experience, ...
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