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Article: Radio & Podcasts

Lake/Landaeus/Osgood, Lisa Hoppe, & Aruan Ortiz

Read "Lake/Landaeus/Osgood, Lisa Hoppe, & Aruan Ortiz" reviewed by Maurice Hogue


With master saxophonist Oliver Lake not playing these days, hearing some new music from him is a treat. Back in 2017, in Lund, Sweden, he came together with Danish drummer Kresten Osgood and Swedish pianist Mathias Landaeus to create some memorable moments. Though each had worked with the others in the past, this was the first ...

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Article: Album Review

Kristina Barta: Endless Questions and Answers

Read "Endless Questions and Answers" reviewed by Mike Jurkovic


Czech pianist/composer Kristina Barta's Endless Questions and Answers opens on a rather ominous tone. Drummer Marek Urbánek plays on his toms a shadowy, esoteric rhythm. Tenor Jure Pukl flares in. Barta enters slowly, barely audible with bassist Peter Korman riding shotgun. But soon she controls the barely controllable rush that embodies “Breaking Through Some Border," the ...

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Article: 72 Jazz Thrillers

The Most Exciting Jazz Albums since 1969: 2009-2011

Read "The Most Exciting Jazz Albums since 1969: 2009-2011" reviewed by Robert Middleton


The six jazz thrillers for this week are widely diverse--from a big band outlier, a soaring two-sax front line and an expression of the ideas from an esoteric teacher. What they all have in common are their thrilling cohesiveness, gripping rhythms and compelling melodies. 72 Thrilling Jazz Albums, Part 8: 2009-20011 43 Infernal ...

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Article: Radio & Podcasts

Kenneth Jimenez, Jure Pukl, Pyramid Trio & Taiko Saito

Read "Kenneth Jimenez, Jure Pukl, Pyramid Trio & Taiko Saito" reviewed by Maurice Hogue


A pair of excellent quartet releases jump off the page in this edition of One Man's Jazz. Bassist Kenneth Jimenez, with Angelica Sanchez, Hery Paz and Gerald Cleaver, and saxophonist Jure Pukl with Joe Sanders, Peter Evans and Nasheet Waits, create some wonderful contemporary improvisation on their latest projects. NoBusiness Records has a winner in Visitation ...

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Article: Album Review

Nicolas Politzer: Visiones

Read "Visiones" reviewed by Mike Jurkovic


At first encounter, as the Cecil Taylor infused “Fandango" kick-starts Argentinian drummer Nicolas Politzer's highly recommended Visiones, a keen perception of falling, or at least cliff-side vertigo, accompanies the rancorous performance. But do not let go. Hang on. There is resolution. Politzer's angular musicality makes for some fiery and spirited discussions with well-travelled bassist ...

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Article: Album Review

Angelika Niescier, Tomeka Reid and Savannah Harris: Beyond Dragons

Read "Beyond Dragons" reviewed by Troy Dostert


Fans of alto saxophonist Angelika Niescier already know her to be one of the most exciting voices on her instrument--someone who can shift instantly from pensive reveries to tempestuous maelstroms. And she has worked with a growing list of top-shelf partners, including drummer Tyshawn Sorey and bassist Chris Tordini, both of whom appeared on her excellent ...

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News: Festival

Detroit Jazz Festival 2023: A Celebration of Home

Detroit Jazz Festival 2023: A Celebration of Home

The 2023 Detroit Jazz Festival is almost upon us, taking place in its annual Labor Day weekend slot on the yearly jazz festival calendar. The largest free jazz festival in the world brings the music to the people of Detroit, and the world, on September 1-4 in downtown Detroit and in Hart Plaza along the Detroit ...

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Article: Album Review

East Axis: No Subject

Read "No Subject" reviewed by Karl Ackermann


Pianist Matthew Shipp, bassist Kevin Ray, and drummer Gerald Cleaver return for No Subject, the sophomore release from the quartet East Axis. One point on the axis has changed with the journeyman, multi-reedist Scott Robinson replacing saxophonist Allen Lowe. Robinson is a veteran of many prestigious and diverse groups including the Toshiko Akiyoshi Jazz Orchestra, Maria ...

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Article: Interview

Catching Up With Matthew Shipp

Read "Catching Up With Matthew Shipp" reviewed by Mark Corroto


As Matthew Shipp enters his sixth decade he has nothing left to prove to the jazz cognoscenti. He has for 40-plus years worked at crafting an instantly recognizable language at the piano. When he moved to Manhattan's Lower East Side in the '80s, he immersed himself in the same do-it -yourself culture that produced the post-punk ...

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Article: Liner Notes

Samuel Blaser: As the Sea

Read "Samuel Blaser: As the Sea" reviewed by John Kelman


Plenty has been written about musical camaraderie--the building of long-term musical relationships and their unmistakable impact on the evolution of a group. Few, however, discuss the inevitable impact of personal relationships behind the music. Times have changed, and few jazz groups tour for more than a couple of consecutive weeks; still, hitting the road for even ...


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