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Article: Album Review

Geof Bradfield: Birdhoused

Read "Birdhoused" reviewed by Dan McClenaghan

by Dan McClenaghan
July 22, 2017

A horn-fest? That was the initial impression of saxophonist Geof Bradfield's Birdhoused, a set featuring a quintet with no chording instrument and four horn front line in a live set at the Green Mill Cocktail Lounge. While Bradfield's Melba (Origin Records, 2013) paid tribute to the under-sung trombonist/composer/arranger Melba Liston; and his Roots (Origin Records, 2015) ...

Article: Album Review

Clark Sommers Lens: By A Thread

Read "By A Thread" reviewed by Dan McClenaghan

by Dan McClenaghan
July 18, 2017

Bassist Clark Sommers served up a terrific trio outing in 2013 with Ba(sh) (Origin Record), a teaming with his fellow Chicagoans, reedman Geof Bradfield and drummer Dana Hall. He expands the ensemble to a quintet for By A Thread. Tenorist (mostly, he also adds his bass clarinet to the sound) Geof Bradfield is back, in what ...

Article: Record Label Profile

ears&eyes Records: From Chicago to the World

by Jakob Baekgaard
June 22, 2017

Those who feel that jazz has run out of steam, that there is nothing new to say, should encounter bassist and renaissance man, Matthew Golombisky, who runs the Chicago-based label ears&eyes. The name says it all. Golombisky is interested in what is going on around him. He is not only curious about music, but also passionate ...

News: Education

Jazz Masters Barry Harris And Rufus Reid Featured At 2017 Straight Ahead Jazz Camp

June 7, 2017

From July 17-21 2017 The Jazz Institute of Chicago in collaboration with Columbia College Chicago will offer five days of interactive explorations of jazz via lectures, demonstrations, hands-on clinics and jam sessions during its 9th annual Straight Ahead Jazz Camp. Designed for adults age 18 and up and open to the general public, the camp provides ...

Article: Interview

The Wee Trio: Full of Surprises

by Geno Thackara
January 27, 2017

Don't be fooled by the name. The members of the Wee Trio are normal-looking and normal-sized guys, their ambition if anything is deluxe, and their compositional scope virtually limitless. While such a moniker can only keep them humble--not that they'd seem to need the help--they've always kept an outsized willingness to follow fascinating ideas and embrace ...

Article: Live Review

Hyde Park Jazz Festival 2016

by Mark Corroto
October 4, 2016

Hyde Park Jazz Festival Chicago, IL September 24-25, 2016Regard the Hyde Park Jazz Festival as you would your favorite restaurant, where it just so happens that you are best friends with the chef. You have an embarrassment of riches because everything on the menu, which is fresh and delicious, organic, ...

Article: Interview

Jeff Parker: Reinventing Tradition

by Jakob Baekgaard
September 20, 2016

Is there such a thing as a Chicago sound? Back in the year 2000, a compilation was released that tried to portray a new and exciting musical scene. The album was called Chicago 2018... It's Gonna Change and it highlighted a brilliant mixture of free jazz, electronica, post-rock, art pop and experimental folk music. Of the ...

Album

Our Roots

By Geof Bradfield

Label: Origin Records
Released: 2015
Track listing: Adam in the Garden; Clinton Hill; Yellow Gal; Black Girl; Meshell; Before This time another Year; Lead Belly; Dick's Holler; Mbira Song; Dark Was the Night, Cold Was the Ground; Motherless Children; Take This Hammer

Article: Year in Review

Dan McClenaghan's Best Releases of 2015

by Dan McClenaghan
December 8, 2015

My search for the best jazz recordings of 2015 led me to these marvelous CDs. Yelena EckemoffLions L&H Productions Pianist Yelena Eckemoff, originally from Russia, and originally a classical player, has driven deep into her quest to create first rate jazz. This ambitious two disc set, featuring Norwegian bassist Arild ...

Article: Album Review

Geof Bradfield Quintet: Our Roots

Read "Our Roots" reviewed by C. Michael Bailey

by C. Michael Bailey
October 23, 2015

Tenor saxophonist Geof Bradfield's inspiration for Our Roots came from Clifford Jordan's Huddie “LeadBelly" tribute, These are my Roots: Clifford Jordan plays Leadbelly (Atlantic, 1965). While there is a bit of overlap in material from both recordings, Bradfield adopts a very different format for his presentation. Jordan employed a standard jazz rhythm section, while Bradfield eschews ...