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Genesis

One of the most successful rock acts of the 1970s, 1980s, and 1990s, Genesis enjoyed a longevity exceeded only by the likes of the Rolling Stones and the Kinks, in the process providing a launching pad for the superstardom of members Peter Gabriel and Phil Collins.

The group had its roots in the Garden Wall, a band founded by 15-year-olds Peter Gabriel, Tony Banks, Johnny Trapman, Chris Stewart and Rivers Job in 1965 at Charterhouse School in Godalming, Surrey, where fellow students Anthony Phillips, Robert Tyrell, Rivers Job, Michael Coleman and Richard McPhaeil were members of another group called Anon

ARTICLE: INTERVIEW

Bill Bruford: In the Court of the Percussion King

Read "Bill Bruford: In the Court of the Percussion King" reviewed by Mike Brannon

From the 1995-2003 archive: This article first appeared at All About Jazz in March 2001. A charmed life might be a good way of describing that of Bill Bruford. Always at the center of and driving vastly creative projects, including King Crimson, Yes, Earthworks, Genesis, Bruford, Gong and many other collaborations of like minds, ...

ARTICLE: EXTENDED ANALYSIS

Unburied Treasure

Read "Unburied Treasure" reviewed by John Kelman

Of all the so-called progressive rock bands that emerged in the late '60s/early '70s, Gentle Giant has, perhaps, been the most misunderstood, and the one which failed to reach the same deserved commercial heights of its creatively innovative brethren, like King Crimson, Yes, Genesis and Pink Floyd. Of the bigger names from that time, only Van ...

ARTICLE: ALBUM REVIEW

King Crimson: In the Court of the Crimson King (50th Anniversary)

Read "In the Court of the Crimson King (50th Anniversary)" reviewed by John Kelman

The passage of time is often defined by both forward motion and a growing collection of memories past; it's also measured by significant milestones that are either realized at the time or in subsequent years. At a recent Royal/Celebration Package event prior to King Crimson's Théâtre St-Denis performance in Montréal, Canada, guitarist and only remaining group ...

ARTICLE: ALBUM REVIEW

Bruford-Borstlap: Sheer Reckless Abandon

Read "Sheer Reckless Abandon" reviewed by John Kelman

One of the great joys of music can be that of distance: coming back to a piece of music, a musician/group or a discography, even, years later to rediscover it anew. While returning to music after a break of months, years...even decades...is not always a revelation, it's likely true that, if the music was appealing the ...

The Vintage Years 1970 - 1991

Read "The Vintage Years 1970 - 1991" reviewed by John Kelman

There are bands that manage to carve out a place for themselves in the music world that lasts for decades; there are others who, while having created a name for themselves during their peak years and, while they continue to tour and, even, make the occasional studio album, are invariably best remembered for their seminal early ...

ARTICLE: ALBUM REVIEW

Brand X: Locked & Loaded

Read "Locked & Loaded" reviewed by John Kelman

There are a great many bands whose lineups have been so fluid that keeping track of who was in the band when is no mean feat. Few bands have, however, had as complicated a history as Brand X. Even in its latest re-reincarnation, there's been a lineup shift between the high octane fusion group's January, 2017 ...

ARTICLE: FILM REVIEW

The Moody Blues: Days of Future Passed Live

Read "The Moody Blues: Days of Future Passed Live" reviewed by John Kelman

The Moody Blues Days of Future Passed LiveEagle Vision 2018 For an album that was, according to surviving members of the Moody Blues (guitarist/vocalist Justin Hayward, bassist/vocalist John Lodge and drummer Graeme Edge), recorded in a mere seven days, Days of Future Passed (Deram, 1967) remains one of the early masterpieces ...

ARTICLE: INTERVIEW

Roberto Gatto: vivere sbagliando è una gran perdita di tempo

Read "Roberto Gatto: vivere sbagliando è una gran perdita di tempo" reviewed by Daniele Vogrig

Tra una lezione e l'altra, abbiamo incontrato Roberto Gatto nel suo studio presso il Conservatorio di Latina, dove è titolare della cattedra di batteria e percussioni jazz. Ripercorrendo la carriera di uno tra i più illustri batteristi del panorama jazz italiano e internazionale, ne è scaturita una lunga e piacevole chiacchierata fra aneddoti, ricordi e progetti ...

ARTICLE: INTERVIEW

Tim Bowness: Ghost Lights and Life Sentences

Read "Tim Bowness: Ghost Lights and Life Sentences" reviewed by John Kelman

As much as it's something most would prefer to avoid, when a pair of musicians share a lengthy musical history together it's difficult not to compare and contrast the work they do when apart. Beyond contributing added clarity to their individual work, it helps to articulate what each of them bring to the table when they're ...


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