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John Hollenbeck: Songs You Like A Lot
by Dan Bilawsky
Every ending a beginning, each conclusion an act of creation. If multi-hyphenate John Hollenbeck's Songs You Like A Lot doesn't slot within that sentiment, nothing really does. This collection marks the completion of a lauded trilogy that's stretched out across the better part of a decade, but it also signals the start of something new--the Flexatonic ...
Hypersphere
By Dave Pietro
Label: ArtistShare
Released: 2020
Track listing: Kakistocracy; Boulder Snowfall; Gina; Hypersphere; Incandescent; Quantum
Entanglement; Tales of Mendacity; Orison.
Return Trip
By Matt Moran
Label: Diskonife
Released: 2020
Track listing: Ripples;
Spring;
Chord Conversation;
Lush; Sometimes That's Ok;
Effish;
Peace and Integration.
From Where We Came
Label: Steeplechase Productions
Released: 2020
Track listing: Louisville; Cairo; Tryon; Pontiac; Hamlet; East St. Louis; Tokyo; Nogales.
Data Lords
Label: ArtistShare
Released: 2020
Track listing: CD 1: A World Lost; Don’t Be Evil; CQ CQ, Is Anybody There?; Sputnik; Data Lords. CD 2: Sanzenin; Stone Song; Look Up; Braided Together; Bluebird; The Sun Waited for Me.
Songs You Like a Lot
Label: Flexatonic Records label
Released: 2020
Track listing: Down to the River to Pray; Blue; How Deep Is Your Love?; Fire and Rain; Don't Give Up; Kindness; Pure Imagination; Knows Only God (God Only Knows).
Act Three
By John Hart
Label: SteepleChase Records
Released: 2020
Track listing: Act Three; Poinciana; Bad Penny; I Guess I'll hang My Tears Out to Dry; Out of Somewhere; Heretics; Like My Attitude; Low Point Avenue; Indian Summer.
Moment of Clarity
By Paul Shaw
Label: Summit Records
Released: 2020
Track listing: Heartland; Shapeshifter; Song for Everyone; Mary Oliver; Peekaboo; Moment of Clarity; Showdown.
Chamber Jazz
Label: Summit Records
Released: 2020
Track listing: While in Pass Manchac; Charlotte and Evan; Don’t Explain; Bebe; Pee Wee; Oska T; Abschied, Ray; Atchafalaya Fiction.
Susan Alcorn Quintet: Pedernal
by Troy Dostert
Pedal steel guitarist Susan Alcorn has achieved the enviable feat of commanding her own instrumental niche in the jazz world. Much like Toots Thielemans' harmonica, Gary Versace's accordion or Béla Fleck's banjo, she seems to have a unique role all to herself, at least until her substantial talents eventually spawn a host of imitators. From her ...
