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112

Article: Album Review

Scott Lee: Leaving

Read "Leaving" reviewed by Mark Corroto


Maybe te annual jazz awards need to add a new category for musicians like Scott Lee. It could be titled “master musicians deserving of wider recognition." The veteran bassist has been on the New York scene since the 1970s, and a member of numerous bands including those led by titans Chet Baker, Joe Lovano, and, Kenny ...

136

Article: Album Review

Jacam Manricks: Trigonometry

Read "Trigonometry" reviewed by Raul d'Gama Rose


The reason that there is seldom a wrong note played by Jacám Manricks on Trigonometry is that notes, phrases and the spiraling flow of seemingly unending lines appear to be so extremely well thought-out that nothing could possibly sound out of place. To hear the saxophonist play in soft, dulcet tones that occupy the paler colors ...

238

Article: Album Review

Jacam Manricks: Trigonometry

Read "Trigonometry" reviewed by Bruce Lindsay


Jacám Manricks is a rich-toned saxophonist and composer with a growing body of original tunes--Trigonometry appears hot on the heels of the self-released Labyrinth (Manricks Music Records, 2009). The New York based musician has allied himself to a strong ensemble of players who happily take on the challenge of Manricks' compositions and invest them with some ...

217

Article: Album Review

Jacám Manricks: Trigonometry

Read "Trigonometry" reviewed by Mark Corroto


There is a snap to the music of saxophonist Jacám Manricks' music that calls to mind the invention of bebop with it's fidgety energy. Without looking backwards, this recording re-invents that atmosphere of bop animation. After self-releasing Labyrinth (2009), he returns with a stellar cast of players that includes his quartet of Gary Versace ...

488

Article: Album Review

The Claudia Quintet: Royal Toast

Read "Royal Toast" reviewed by David Adler


With one exception, drummer John Hollenbeck hasn't taken prominent front-cover credit on releases by The Claudia Quintet. This holds true for Royal Toast, the band's extraordinary fifth album. The decision makes sense, for Hollenbeck's labyrinthine compositions get much of their subtlety and force from the individual players that have defined the group's identity from the start. ...

265

Article: Album Review

Jacám Manricks: Trigonometry

Read "Trigonometry" reviewed by Dan Bilawsky


This album, like the branch of math where it gets its names, deals with angles and relationships from different sides. Saxophonist/composer Jacám Manricks enjoys creating some rhythmic friction--using different combinations of instruments and musicians within his group--while also treating each piece like a fresh canvas, ready to be turned into high art. His pleasing and pure-toned ...

438

Article: Album Review

Regina Carter: Reverse Thread

Read "Reverse Thread" reviewed by Mark F. Turner


What does the award-winning, classically trained, jazz violinist Regina Carter do, after playing Niccolo Paganini's famous Guarneri “Cannon" violin in Paganini: After a Dream (Verve Music Group, 2003), or reinterpreting songs from the 1920s-1940s in I'll Be Seeing You ( Verve Music Group, 2006)? She directs her interests and passion towards African folk music in Reverse ...

346

Article: Album Review

The Claudia Quintet with Gary Versace: Royal Toast

Read "Royal Toast" reviewed by Troy Collins


The humorously titled Royal Toast is the fifth album from the Claudia Quintet, percussionist and composer John Hollenbeck's longstanding five-piece that is--in the eternal words of Duke Ellington--a band “beyond category." Eradicating the tenuous boundary lines between idioms, Hollenbeck and company draw on ethnic traditions, free jazz, contemporary composition and progressive rock in their multifaceted explorations.

775

Article: Bailey's Bundles

The State of Organ Jazz 2010 (Pt. 1): Wayne Escoffery, Dan Pratt and Matthew Kaminski

Read "The State of Organ Jazz 2010 (Pt. 1): Wayne Escoffery, Dan Pratt and Matthew Kaminski" reviewed by C. Michael Bailey


Organ-based jazz inhabits a unique place as a sub-genre. The combination of the sacred churchy organ with the decadence of blues and bebop made for a heady brew after the introduction of the format by Wild Bill Davis and Bill Doggett in the 1950s. Qualitatively, the names that loom largest in organ jazz are Jimmy Smith, ...

239

Article: Album Review

John Ellis & Double-Wide: Puppet Mischief

Read "Puppet Mischief" reviewed by Russ Musto


This second outing by John Ellis & Double Wide, the versatile saxophonist/bass clarinetist's extraordinary New Orleans-based band, one ups the “serious fun" mentality by inviting a pair of guests--harmonica master Gregoire Maret and multifaceted trombonist Alan Ferber--to augment the unusual quartet of sousaphonist Matt Perrine, drummer Jason Marsalis and newcomer Brian Coogan (replacing Gary Versace) on ...


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