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Album

European Recordings Autumn 1964 Revisited

Label: Ezz-thetics
Released: 2021
Track listing: CD1: Angels; C.A.C.; Ghosts; Infant Happiness; Spirits; No Name; Vibrations; Saints; Spirits. CD2: Spirits; Vibrations; Saints; Mothers; Children; Spirits.

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Article: Year in Review

Dan McClenaghan's Best Jazz Recordings of 2021

Read "Dan McClenaghan's Best Jazz Recordings of 2021" reviewed by Dan McClenaghan


The top jazz recordings of 2021, in the order in which they were encountered... Aki Takase / Christian Weber / Michael Griener Auge Intakt Records The ever mercurial Japanese-born, Berlin-based pianist Aki Takase presents her take on the piano trio. Teaming with bassist Christian Weber and drummer Michael Griener, she ...

8

Article: Album Review

Gordon Grdina: Pendulum

Read "Pendulum" reviewed by Karl Ackermann


The Vancouver, BC, oud player & guitarist Gordon Grdina has become a prolific presence in jazz and world music. The Juno award winner led Gordon Grdina's Nomad Trio (Skirl Records, 2020) with Matt Mitchell and Jim Black. The previous year, he took part in the trio of Matthew Shipp and Mark Helias on Skin and Bones ...

12

Article: Film Review

Motian In Motion

Read "Motian In Motion" reviewed by Ian Patterson


Paul Motian Motian In Motion Aquapio Films 2021 There could have been no more apt title for film maker Michael Patrick Kelly's documentary film on drummer, Paul Motian (1931-2011), who buzzes about his New York business—in and out of taxis on the way to and from gigs or the recording studio—with ...

15

Article: Album Review

Marc Johnson: Overpass

Read "Overpass" reviewed by Karl Ackermann


The virtuoso bassist Marc Johnson has kept a relatively low profile as a leader. A graduate of the prestigious North Texas State University jazz program, Johnson made his mark as a member of Bill Evans' trio from 1978 until the pianist's final album the following year. His ECM debut came as a member of John Abercrombie's ...

3

Article: Take Five With...

Take Five with Gabriel Judet-Weinshel

Read "Take Five with Gabriel Judet-Weinshel" reviewed by AAJ Staff


Meet Gabriel Judet-Weinshel My name is Gabriel Judet-Weinshel. I make music under the project name Unpinnable Butterflies. This is my second solo album as a songwriter, but I've also scored two feature films (the sci-fi thriller picture 7 Splinters in Time and the documentary, for Netflix, From Baghdad to Brooklyn). When I'm not making music, I ...

1

Article: Album Review

Hendrik Lasure, Manolo Cabras, Mathieu Calleja: Orange Moon

Read "Orange Moon" reviewed by Neri Pollastri


Formazione paritetica nata in Belgio, Orange Moon unisce l'esperienza del contrabbassista italiano Manolo Cabras e del batterista francese Mathieu Calleja con la freschezza del giovanissimo pianista belga Hendrik Lasure, inoltrandosi con libertà nell'esplorazione del piano trio. Il lavoro, poco più di quaranta minuti, si compone di undici brani, composti due a testa (uno in ...

17

Article: Interview

Zakir Hussain: Making Music, Part 2-2

Read "Zakir Hussain: Making Music, Part 2-2" reviewed by Ian Patterson


Part 1 | Part 2 It seemed inevitable that Zakir Hussain would collaborate with jazz musicians as the '70s unfolded. Jazz had been sidling up to Indian classical music gradually since the early '60s. In 1962, Gary Peacock and Bud Shank played on Ravi Shankar's album Improvisations (World Pacific), although this was ...

3

Article: Album Review

Albert Ayler: New York Eye and Ear Control Revisited

Read "New York Eye and Ear Control Revisited" reviewed by Mark Corroto


The backstory of New York Ear and Eye Control is a significant factor in the music and the direction free jazz took in the 1960s. Filmmaker Michael Snow commissioned Albert Ayler's trio with bassist Gary Peacock and drummer Sunny Murray to record a thirty-minute soundtrack for a movie, “Walking Woman," he had yet to film. As ...

14

Article: Album Review

Albert Ayler: New York Eye And Ear Control Revisited

Read "New York Eye And Ear Control Revisited" reviewed by Chris May


The development of so-called free jazz in New York during the first half of the 1960s was topped and tailed by three landmark recordings: Ornette Coleman's Free Jazz (Atlantic, 1961), John Coltrane's Ascension (Impulse, 1966) and Albert Ayler's New York Eye And Ear Control (ESP, 1966). Of the three discs, only New York Eye And Ear ...


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