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Keith Jarrett, Gary Peacock, Jack DeJohnette: After the Fall
by Mario Calvitti
Sembra ormai definitivamente tramontata la speranza di rivedere in concerto il trio Standards di Keith Jarrett, Gary Peacock e Jack DeJohnette, che in trent'anni di attività ha riportato il moderno trio pianistico ai vertici dell'espressione jazzistica, ponendosi come punto di riferimento obbligato per tutti coloro che hanno adottato la stessa formula strumentale negli ultimi tre decenni. ...
Noirish
by Ludovico Granvassu
More music that could work very well as soundtrack for an imaginary film noir... with some spaghetti-western variations. Happy Listening! And if you like what you hear, listen to the first part of this noir investigation. Playlist Guano Padano, “A Country Concept" from Guano Padano (Important) 0:00 Guano ...
ECV: Sticks and Stones
by John Kelman
While a somewhat common secondary instrument for primarily electric guitarists including Vic Juris, Pat Metheny and Adam Rogers, there are but a handful of jazz six-stringers alive today who make the nylon-string acoustic guitar their main axe. Despite being known to pick up a warm-toned hollow body electric guitar when the need arises, Ottawa, Canada-based Roddy ...
Tangents
By Gary Peacock
Label: ECM Records
Released: 2017
Track listing: Contact; December Greenwings; Tempei Tempo; Cauldron; Spartacus; Empty Forest; Blue in Green; Rumblin; Talkin’ Blues; In and Out; Tangents.
Gary Peacock Trio at the Regattabar Jazz Club
by Nat Seelen
Gary Peacock Trio Regattabar Jazz Club Cambridge, MA November 10, 2017 Veterans' Day was an appropriate date for this show, which was indeed a concert of veterans. Gary Peacock served in the army in the 1950s, and the three musicians on stage that evening could count over 150 years combined on the bandstand, side ...
Dálava, Gordon Grdina and Mikkel Ploug: Songs Old, and Sounds New
by Mark Werlin
Strangeness--a word that connotes foreignness, otherness, and a sense of unease when confronted by the unfamiliar. The sound of recognizable musical forms may attract us, in the same way we are drawn to familiar faces or voices. The sound of a foreign language may set us on the alert; syllables we do not recognize, meanings we ...
Albert Ayler: Copenhagen Live 1964
by John Sharpe
Even more than 50 years on, there's still never been anyone quite like Albert Ayler. Or for that matter like this 1964 Quartet, which was one of the few ensembles during his career to match the tenor saxophonist against equally forward thinking peers. Bassist Gary Peacock was fresh from pianist Bill Evans' Trio, cornetist Don Cherry ...
Karl Ackermann's Best Releases of 2017
by Karl Ackermann
2017 was an exceptional year for artists who elude convention; veterans such as Wadada Leo Smith and relative newcomers like Abdul Moimême gave us unique musical insights. It was an outstanding year for solo recordings. Along with Smith and Moimême, Rob Mazurek, Matthew Shipp, Irish multi-instrumentalist Aine O'Dwyer, Cuban pianist Aruán Ortiz, Italian pianist Stefano Battaglia, ...
Anouar Brahem: Blue Maqams
by Mike Jurkovic
Oud-master Anouar Brahem's instantly intoxicating, Blue Maqams, caps off a truly remarkable year for ECM Records. Just think, the label's release schedule this year included essential recordings by Benedikt Jahnel Trio's The Invariant, Django Bates' breakthrough The Study of Touch, Colin Vallon Trio's Danse, Vijay Iyer Sextet's Far From Over, and Gary Peacock's Tangents, all of ...
Gary Peacock Trio at Jazz Standard
by Tyran Grillo
Gary Peacock Trio Jazz Standard New York, NY November 7, 2017 Anyone old enough to remember when special effects in films were handmade has probably noticed the lack of apparent weight in modern CGI. Compare, for example, the cityscapes of Blade Runner 2049 to those of its 1982 predecessor, ...
