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Article: Radio & Podcasts

Going Far Away with Jim Snidero

Read "Going Far Away with Jim Snidero" reviewed by David Bixler


In his early twenties, saxophonist Jim Snidero had surrounded himself with the music of the John Coltrane quartet and the Miles Davis quintet, however upon moving to New York City forty years ago and coming face to face with the tradition, he did an about face and dedicated himself to the pursuit of bebop. In the ...

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Article: Album Review

Art Ensemble of Chicago: The Sixth Decade: From Paris to Paris

Read "The Sixth Decade: From Paris to Paris" reviewed by Mike Jurkovic


Recorded live in Paris in February 2020, The Sixth Decade: From Paris to Paris. presents Art Ensemble Of Chicago—as defiantly daring avant-garde as that first night in Paris, 1969 —giving no quarter whatsoever in their lifelong, diasporic pursuit of creation unbound. Breaking at the pace of a dream, surviving co-founders saxophonist Roscoe Mitchell and ...

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Article: Album Review

Jeong Lim Yang: Zodiac Suite: Reassured

Read "Zodiac Suite: Reassured" reviewed by Dan McClenaghan


This is bold music. It bursts with freewheeling, chip-on-the-shoulder modernism. It is Korean-born bassist Jeong Lim Yang's take on pianist-composer Mary Lou Williams' Zodiac Suite (Asch Records, 1945). Yang tags her revisitation of the classic piece Zodiac Suite: Reassured. But a revisitation of Williams' original trio rendition—to prime the ears for the experience of hearing this ...

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Article: Album Review

Avram Fefer Quartet: Juba Lee

Read "Juba Lee" reviewed by Mark Corroto


Avram Fefer comes out swinging on Juba Lee, the second release from his quartet,. It must have certainly been fated, as the opener “Showtime" hits hard with its muscular sound. Fefer's tenor saxophone blows out any existing cobwebs before handing off to guitarist Marc Ribot. The music continues the rich sound heard on the quartet's critically ...

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Article: Album Review

Whit Dickey Quartet: Root Perspectives

Read "Root Perspectives" reviewed by Mark Corroto


If it were possible to inhale an entire recording, Root Perspectives by drummer Whit Dickey's quartet might be the perfect delivery system. The music Dickey has put together comes as currents of wind, both a breeze and a gale. It is a drummer-led recording, but with any session this drummer leads (or plays in as sideman) ...

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Article: Album Review

William Parker: Universal Tonality

Read "Universal Tonality" reviewed by Mark Corroto


Let's Imagine the difficulty William Parker must face filling out his responses to the U.S. census every 10 years. What is his origin? His race? And how many people occupy his residence—or maybe a better question: how many races are contained within this one person? Joking aside, the musician William Parker has become an everyman. His ...

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Article: Profile

Noah Garabedian: The Power of Patience

Read "Noah Garabedian: The Power of Patience" reviewed by John Chacona


Patience might be not the first word that you'd expect to find on the job description for a professional jazz musician, but it has been crucial to the career of bassist Noah Garabedian's career. Growing up in Berkeley, a hothouse of young jazz talent, Garabedian never intended to become a working musician. “I definitely ...

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Article: Album Review

Jakob Bro / Joe Lovano: Once Around the Room

Read "Once Around the Room" reviewed by Mike Jurkovic


The thrumming double basses of Larry Grenadier and Thomas Morgan initiate the conversation. Then the scattered insistence of rhythm by drummers Joey Baron and Jorge Rossy enters, pushing Once Around the Room into consciousness with all the anticipation and hushed intent of an orchestra tuning before a performance. Airy clusters of guitar courtesy of Jakob Bro ...

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Article: Album Review

John Escreet: Seismic Shift

Read "Seismic Shift" reviewed by Mark Corroto


John Escreet's recording Seismic Shift, the pianist's first trio recording, might be the case for the return of warning labels on packaging. Not that there are explicit lyrics or violent images, it is just that the 52 minutes of music contained here are quite tempestuous and unrelenting. By design. Escreet is known for his ...

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Article: Radio & Podcasts

Tyshawn Sorey: I want to give listeners and experience that they haven't had before

Read "Tyshawn Sorey: I want to give listeners and experience that they haven't had before" reviewed by Leo Sidran


Multi-instrumentalist, composer and educator Tyshawn Sorey on his latest recordings (Mesmerism and The Off-Off Broadway Guide to Synergism), his recent composition “Monochromatic Light (Afterlife)," making work that defies category, growing up in Newark, comedy as a form of self-care, the radical idea of Blackness, exploring alternative musical models, his photographic memory, the interaction between improvisation and ...


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