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Article: Radio & Podcasts

Stephan Crump: What Does Water Want?

Read "Stephan Crump: What Does Water Want?" reviewed by David Bixler


Slow Water is the latest release from bassist and composer Stephan Crump. In this ambitious 67 minute work, Crump explores how society uses water and addresses the question “What does water want?" as proposed by Erica Gies in her 2022 book Water Always Wins. For this project he assembled a new ensemble comprised of musicians with ...

18

Article: Album Review

Dave Douglas: Gifts

Read "Gifts" reviewed by Mark Corroto


When does one become an elder statesman in jazz? Is it a function of age? Awards? Discography? While that question is up for debate, it is beyond doubt that Dave Douglas is an éminence grise, except one who definitely does not work behind the scenes. When did he achieve this status? Was it when he was ...

106

Article: Album Review

Stephan Crump: Slow Water

Read "Slow Water" reviewed by Glenn Astarita


Bassist-composer Stephan Crump's sonic odyssey Slow Water is a profound exploration of the essence and myriad forms of water. It goes beyond merely depicting its physical flow; rather, it delves into the symbolic and existential significances that water holds. This project emerges as a creative masterwork, reflecting Crump's deep contemplation of humanity's intricate relationship with this ...

5

Article: Album Review

Ghost Trees: Intercept Method

Read "Intercept Method" reviewed by Mark Corroto


John Coltrane and Rashied Ali might not have been the first to record as a free jazz duo with Interstellar Space (Impulse!,1974), but the pair did set the bar for future performances from the likes of Frank Lowe and Rashied Ali, Peter Brötzmann/Peeter Uuskyla, Anthony Braxton/Max Roach, and Joe McPhee/Hamid Drake. Admittedly, this genre of music ...

7

Article: Album Review

Remy Le Boeuf’s Assembly of Shadows: Heartland Radio

Read "Heartland Radio" reviewed by Dan Bilawsky


This ear-grabbing date from Remy Le Boeuf's Assembly of Shadows--the band's third release, following its eponymous debut (in 2019) and Architecture of Storms (SoundSpore Records, 2021)--is a sonic mirror, reflecting the multihyphenate leader's recent travels in both life and sound. Influenced by an odyssey across inland America, sights encountered along the way, and the adventitious, airwaves-dictated ...

69

Article: Album Review

Dave Douglas: Gifts

Read "Gifts" reviewed by Glenn Astarita


Dave Douglas' Gifts emerges not merely as a collection of tracks but as an opulent gala in honor of the eternal essence of music, welcoming audiences across the spectrum of generations to partake in its celebration. This project is akin to a masterfully blended concoction of shared human emotions and experiences, articulated through the universal dialect ...

9

Article: Album Review

Julieta Eugenio: Stay

Read "Stay" reviewed by Dan McClenaghan


Argentina-born saxophonist Julieta Eugenio takes four breaths ("Breaths" I through IV), that she calls “short, intimate moments," in her ongoing endeavors in this (mostly) trio-format album. The saxophone, bass and drums setup is one of the most intimate. Think Sonny Rollins in Way Out West (Contemporary, 1957) and A Night At The Village Vanguard (Blue Note, ...

16

Article: Album Review

Mendoza - Hoff - Revels: Echolocation

Read "Echolocation" reviewed by Glenn Astarita


In the ever-evolving landscape of contemporary jazz, Echolocation emerges as a bold exploration of sonic frontiers. Crafted through the collaborative virtuosity of Ava Mendoza on guitar and Devin Hoff on bass, this project embarks on a musical journey which delves deep into the avant-garde jazz realm, blending experimental rock, electric jazz, and the limitless creativity of ...

5

Article: Album Review

Frank Carlberg Large Ensemble: Elegy for Thelonious

Read "Elegy for Thelonious" reviewed by Mark Corroto


There was a sardonic saying circulating a few years ago that observed, “It's Frank Sinatra's world, we just live in it." While that was a backhanded compliment, tailoring it to the subject of this large ensemble recording, we would call it a commendation. Pianist, composer, and conductor Frank Carlberg is telling us, “It's Thelonious Monk's world, ...

15

Article: Album Review

Jim Snidero: For All We Know

Read "For All We Know" reviewed by Dan McClenaghan


The cover photo on Jim Snidero's For All We Know features the saxophonist holding his horn out in front of his body as if he is offering it to us as a holy relic. Holy it is when he plays it; a relic it is not. The album is Snidero's first recorded offering in ...


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