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Rudresh Mahanthappa: Samdhi
by Mark F. Turner
About halfway through the aptly named “Killer," it becomes apparent that saxophonist Rudresh Mahanthappa's Samdhi is up to something just a little different. Amid the track's impossible changes and blistering tempo, the saxophonist's alto undergoes acoustic-electric alterations that are processed through a laptop. Not that it was ever needed, but this embracing of technology, and other ...
Miguel Zenon: Alma Adentro: The Puerto Rican Songbook
by Dan McClenaghan
The cover photo on alto saxophonist Miguel Zenón's Alma Adentro: The Puerto Rican Songbook is of two people dancing in the middle of a boulevard. They are nicely dressed. The man's coat tail flies and their dance clasp is a passionate embrace, suggestive of a romantic yearning hitched to the side of a good time, a ...
Chris Dingman: Waking Dreams
by Mark F. Turner
Many jazz releases suffer from the same old “song and dance" syndrome--a couple of obligatory ballads (song narrative) sprinkled between numbers of up-tempo (dance) tracks. This repeated programming can get old very fast. But this is not the case with Waking Dreams , the long overdue and brilliant debut by vibraphonist Chris Dingman. ...
Jeff Lederer: Sunwatcher
by Mark Corroto
Sunwatchers is a most auspicious debut by saxophonist Jeff Lederer. The reed man chose to reanimate the spirit of Albert Ayler for this session, and along with Ayler's ghost came that of late-John Coltrane spirituality and experimentation.Lederer can been heard as the saxophone behind the creative bands of Ted Kooshian's cartoon and TV show ...
Erik Friedlander: Bonebridge
by Troy Collins
The quartet featured on Bonebridge is an augmented variation of cellist Erik Friedlander's Broken Arm Trio. The group, with bassist Trevor Dunn and drummer Mike Sarin, was originally conceived in tribute to Oscar Pettiford's cello experiments--which were undertaken in 1949 when the legendary bassist played the smaller instrument while recovering from a baseball injury. Refraining from ...
Tim Berne / Jim Black / Nels Cline: The Veil
by Troy Collins
Recorded live at The Stone in New York City on a sweltering July evening in 2009, The Veil is the debut of BB&C (also known as The Sons of Champignon), an acronym for alto saxophonist Tim Berne, drummer Jim Black and guitarist Nels Cline--veteran improvisers with a long history of collaboration. Cline first recorded with Berne ...
Kermit Driscoll: Reveille
by Glenn Astarita
Reveille marks bassist and educator Kermit Driscoll's freshman solo outing, and features his longtime associate, guitarist Bill Frisell. As a member of Frisell's dynamic trio with drummer Joey Baron, the term cutting-edge took on notorious implications. Similar forward-reaching concepts are explored throughout this multidimensional program. Mildly surprising is the inclusion of Vinnie Colaiuta, though the all-universe ...
Vijay Iyer Trio: Washington, DC, April 30, 2011
by Franz A. Matzner
Vijay Iyer TrioSixth & I Historic SynagogueWashington, DCApril 30, 2011 Sponsored by the Washington Performing Arts Society, pianist Vijay Iyer's concert placed his innovative trio in the sumptuous setting of Washington, DC's Sixth & I Historic Synagogue. The domed ceilings and intricate décor provided an appropriate backdrop ...
Rudresh Mahanthappa: Hybrid Energy
by Anil Prasad
Rudresh Mahanthappa is a man on a mission. He's driven to integrate the saxophone into a vast panorama of settings far beyond its typical range. His output is often reflective of his Indian-American heritage, with an engaging hybrid approach that merges avant-jazz and South Asian elements. His current quartet, also consisting of microtonal guitarist David Fiuczynski, ...
Jason Stein's Locksmith Isidore: Three Kinds of Happiness
by Glenn Astarita
Locksmith Isidore's third release is a study in improvisational and composition-based contrasts. Led by bass clarinetist Jason Stein, the program is underscored by a frothy outlook amid temperate interludes and more than enough pop, snap and fluid progressions. Other than his inventive soloing jaunts, Stein communicates a keen jazz vernacular, molding conventional jazz fare with a ...
