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CTI: A Guilty Pleasure Special
by Patrick Burnette
Mike's busy in Europe so Pat goes solo with a look at controversial jazz label CTI. A lynchpin of the early seventies, record buyers loved the artwork, high production values and impeccable musicianship, but hard-core jazzbos and critics were suspicious that owner Creed Taylor was putting too much sugar into the mixes, not to mention those ...
CTI Records: Ten Tasty Albums With No Added Sugar (Almost)
by Chris May
Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...
Definitive Article Lee
by Patrick Burnette
Many moons ago on Episode 95 we did an podcast devoted to Freddie Hubbard, so in honor of the new Complete at the Lighthouse release, we thought it was time to do one for Lee Morgan But not to discuss Live at the Lighthouse because that's the way we roll. (Look me up on Facebook if ...
Scott Wilson: Nurturing Future Generations of Jazz Musicians
by Jane Kozhevnikova
Scott Wilson is a performer, educator, and composer. He worked at Grand Link World Theme Park in Qingdao, China, at Universal Studios in Osaka, Japan, and at Tokyo Disney Sea, among other places around the world. Having many years of experience in the music industry, he has stepped into teaching jazz. Wilson has authored ...
What Next After Kind of Blue?
by Steve Cook
For those dipping a first toe into jazz, the Miles Davis classic Kind of Blue (Columbia, 1959) is a common initial purchase or listen for many plausible reasons. Web searches for “best jazz albums of all time," or the like, bring up numerous lists that put it at the top and on newcomers' radars. Prominent placement ...
Brian Auger's Revolution In Jazz
by Jim Santella
This interview first appeared at All About Jazz in November 2000. Born and raised in London, Brian Auger came up through those crazy years in music. The 1960s were all about change. Things were being done in jazz that hadn't been considered earlier. Lifestyles and values were changing too, and that was affecting society ...
Javon Jackson: Wading In Spiritual Waters
by R.J. DeLuke
Saxophonist Javon Jackson, he of the sonorous tenor tone and the inquisitive musical mind, embarked last year on a musical project with a different twist. Jackson, a follower of Sonnys Stitt and Rollins, is known as a a jazz fiend, one of the dauntless players of his era. His superb playing is marked by ...
Grammy/Emmy Winning Composer Gordon Goodwin Makes Feature Film Debut In 'knights Of Swing' + Hollywood Bowl Jazz Fest June 26
Multiple Grammy/Emmy Award winning composer/arranger Gordon Goodwin has added actor to his storied resume with a spirited cameo as “Mr. Hughes,” the lead judge presiding over the California Battle of the Bands in the jazz-driven period piece, 'Knights of Swing,’ a late 40s era coming-of-age journey that follows the challenges,disappointments and successes of six high school ...
New Orbits in Sound + Soulful Sides
by David Brown
Today, we have a variety show of sounds for your enjoyment. First, a bit of a brew of mild avant-garde meets lounge music with Lyle Murphy (inventor of his own 12-tone system) and Gil Mellé (Modern Primitive Music). Things get serious with works from George Russell and the MJQ, before we change it up with a ...
The Jim Self / John Chiodini Duo: Hangin' Out
by Jack Bowers
Hangin' Out is the third album by the unlikely duo of Jim Self on tuba and John Chiodini on guitar. This time around, they hang out on five of the thirteen numbers with special guests--trombonist Scott Whitfield, tenor saxophonist Tom Peterson, baritone saxophonist David Angel and flugelhorn player Ron Stout, each of whom has a feature ...
