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Henry Franklin: Jazz Is Dead 14
by Chris May
Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label is a moveable feast when it comes to consistency. In its fourteen albums date, there have been some great ones, some not so great ones and a couple of duds. With bassist Henry Franklin, however, the label has come up with a blinder, its most satisfying ...
Herbie Hancock: An Essential Top Ten Albums
by Chris May
The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...
Joey DeFrancesco, Jaimie Branch & Natalia M. King
by Joe Dimino
We start the 768th Episode of Neon Jazz with the explosive jazz and blues singer Natalia M. King. She was born in Brooklyn and came into her own in France. She is a force and following her, we dig into another musician that left the states for France in Sidney Bechet. There is a new trove ...
Andrea Tofanelli & The Trumpet Show Band: Vulcano
by Nicholas F. Mondello
In the Tyrrhenian Sea, just north of Sicily sits the tiny island of Vulcano, the mythological chimney of the Roman god of fire, Vulcan. While Italian trumpeter, Andrea Tofanelli may or may not be paying pay tribute to Vulcan or his eponymous isle, with Vulcano he's gathered some of Italy's top players to deliver 10 explosive ...
Celebrating Monnette Sudler, Jaimie Branch, Joey DeFrancesco & Creed Taylor
by David Brown
A difficult week for the music. Celebrating guitarist Monnette Sudler, producer Creed Taylor, trumpeter Jaimie Branch, and organist Joey DeFrancesco all of whom we lost this week. Plus, birthday tributes to Lester Young, Sonny Sharrock, Alice Coltrane and more. h3>Playlist Thelonious Monk “Esistrophy (Theme)" from Live at the It Club-Complete (Columbia) 00:30 Lester Young ...
CTI: A Guilty Pleasure Special
by Patrick Burnette
Mike's busy in Europe so Pat goes solo with a look at controversial jazz label CTI. A lynchpin of the early seventies, record buyers loved the artwork, high production values and impeccable musicianship, but hard-core jazzbos and critics were suspicious that owner Creed Taylor was putting too much sugar into the mixes, not to mention those ...
CTI Records: Ten Tasty Albums With No Added Sugar (Almost)
by Chris May
Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...
Definitive Article Lee
by Patrick Burnette
Many moons ago on Episode 95 we did an podcast devoted to Freddie Hubbard, so in honor of the new Complete at the Lighthouse release, we thought it was time to do one for Lee Morgan But not to discuss Live at the Lighthouse because that's the way we roll. (Look me up on Facebook if ...
Scott Wilson: Nurturing Future Generations of Jazz Musicians
by Jane Kozhevnikova
Scott Wilson is a performer, educator, and composer. He worked at Grand Link World Theme Park in Qingdao, China, at Universal Studios in Osaka, Japan, and at Tokyo Disney Sea, among other places around the world. Having many years of experience in the music industry, he has stepped into teaching jazz. Wilson has authored ...
What Next After Kind of Blue?
by Steve Cook
For those dipping a first toe into jazz, the Miles Davis classic Kind of Blue (Columbia, 1959) is a common initial purchase or listen for many plausible reasons. Web searches for “best jazz albums of all time," or the like, bring up numerous lists that put it at the top and on newcomers' radars. Prominent placement ...
